annotate dottes.tex @ 823:0acc3d7a4e4f

A little polish of Bluebells. Drop double time to approximately the used speed. Remove repeats from lettered sections and use count instead. Add playout to double time.
author Jim Hague <jim.hague@acm.org>
date Thu, 14 Jun 2018 22:45:31 +0100
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1 \input{docclass.tex}
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3 \usepackage{array}
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4 \usepackage{color}
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5 \usepackage{fontspec}
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6 \usepackage{graphicx}
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7 \usepackage{fancyhdr}
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8 \usepackage{tabularx}
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9 \usepackage{longtable}
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10 \usepackage[UKenglish]{babel}
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11 \usepackage[UKenglish]{isodate}
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13 % Non-indented paragraphs with space between them.
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14 \usepackage{parskip}
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15
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16 % 2 column table of contents.
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17 \usepackage[toc]{multitoc}
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18
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19 \usepackage{hyperref}
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20 \hypersetup{
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21 colorlinks=true,%
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22 citecolor=black,%
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23 filecolor=black,%
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24 linkcolor=black,%
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25 urlcolor=black
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26 }
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28 % ----- Common variables
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30 \newcommand{\build}{\input{buildno.txt}}
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31 \newcommand{\instrument}{\input{instrument.txt}}
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33 % Havoc purple is #9900cc.
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34 \definecolor{havocpurple}{rgb}{0.597,0,0.797}
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36 % ----- Macros
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37
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38 \makeatletter
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39 \def\ifemptyarg#1{%
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40 \if\relax\detokenize{#1}\relax % H. Oberdiek
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41 \expandafter\@firstoftwo
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42 \else
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43 \expandafter\@secondoftwo
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44 \fi}
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45 \makeatother
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47 % Show the main tune graphic and optional change.
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48 % Args are:
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49 % 1. Tune name
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50 % 2. Tune title
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51 % 3. Tune subtitle
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52 % 4. Tune full title
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53 % 5. Tune tradition
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54 % 6. Tune composer
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55 % 7. Tune parts
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56 % 8. Tune graphic filename
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57 \newcommand{\showtune}[8]{%
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58 \phantomsection
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59 \begin{tabularx}{\textwidth}{LCR}
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60 #7 & \hypertarget{#1}{\Large{#2}} & \emph{#6} \tabularnewline
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61 \ifemptyarg{#3}{}{%
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62 & #3 & \tabularnewline
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63 }
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64 \multicolumn{3}{c}{%
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65 \includegraphics[width=\textwidth,height=0.8\textheight,keepaspectratio]{#8}%
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66 }\tabularnewline
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67 \end{tabularx}
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68 \addcontentsline{toc}{section}{#4}
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69 }
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71 % Show the tune first line. Generate table row.
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72 % Args are the tune name, tune title and the first line graphic filename.
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73 \newcommand{\showfirstline}[3]{%
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74 \hyperlink{#1}{#2} & %
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75 \raisebox{-.4\height}{\includegraphics[width=0.77\textwidth]{#3}} \\
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76 }
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77
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78 % Show the section graphic.
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79 % Args are the graphic filename.
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80 \newcommand{\showsectiongraphic}[1]{%
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81 \vfill
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82 \begin{center}
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83 \includegraphics[width=0.25\textwidth,keepaspectratio]{#1}
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84 \end{center}
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85 \vfill
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86 }
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87
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88 % ----- Paper size document setup
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89
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90 \input{docsetup.tex}
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91
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92 % ----- Appearance
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93
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94 % Lettering in the tune images is in Times, so go with that for consistency.
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95 \setmainfont{Times New Roman}
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96
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97 % Don't show section numbers.
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98 \setcounter{secnumdepth}{-1}
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99
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100 % -----
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101
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102 \begin{document}
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103
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104 % ----- Headers and footers
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105
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106 \pagestyle{fancyplain}
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107 \fancyhf{}
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108 \cfoot{\thepage}
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109 \renewcommand{\headrulewidth}{0pt}
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111 \pagestylemod
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113 \frontmatter
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114
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115 % No page numbering for now, thanks.
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116 \pagenumbering{gobble}
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118 % ----- Title page
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120 \newgeometry{margin=0.5in}
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121 \begin{titlepage}
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122 \titleBoD
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123 \end{titlepage}
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124 \restoregeometry
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125
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126 % ----- First inside pages. No page numbering here, thanks.
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127
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128 % Publisher info page.
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129 \vspace*{\fill}
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130
325
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131 {\small \raggedright
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132
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133 \textbf{Ye Crie Havoc Booke of Dottes}
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134
784
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135 Tune collection and presentation is copyright \copyright{} Jim Hague 2013-2018
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136 and is licensed under a Creative Commons
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137 Attribution-NonCommercial-ShareAlike 2.0 UK: England \& Wales License.
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138 Details at \url{http://creativecommons.org/licenses/by-nc-sa/2.0/uk/}.
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139
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140 Some tunes are reproduced from Paul Hardy's Session Tunebook
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141 (\url{www.paulhardy.net}).
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142
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143 The right of Jim Hague to be identified as the author of this work has been
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144 asserted by him in accordance with the Copyright, Designs and Patents Act 1998.
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145
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146 First published in the UK 2013 by Jim Hague.
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147
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148 The Booke of Dottes is a constant work in progress. The latest version
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149 is always available from \url{http://dottes.cryhavoc.org.uk/}.
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150 This is issue \build, generated \today.
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151
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152 \textbf{Technical data}
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153
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154 Book sources can be found at in a Mercurial
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155 (\url{http://mercurial.selenic.com}) repository at
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156 \url{http://hg.cryhavoc.org.uk/dottes/}. Tunes are
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157 in abc notation (\url{http://abcnotation.com/}).
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158
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159 Music typeset by abcm2ps (\url{http://moinejf.free.fr/}).
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160 Document typeset by {\LaTeX} using {\TeX} Live on a Debian Linux system.
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161 Grateful thanks to all contributors to abc, {\LaTeX}, Debian,
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162 Linux and related software.
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163
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164 }
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165
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166 \newpage
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167
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168 % Dedication page.
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169
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170 \vspace*{\fill}
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171
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172 \begin{center}
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173 {\Large to Jane} \\
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174 {\large \emph{for the music, and the dance}}
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175 \end{center}
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176
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177 \vspace*{\fill}
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178
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179 \newpage
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180
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181 % ----- Here we go with numbered frontmatter pages.
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182
282
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183 \pagenumbering{roman}
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184
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185 \chapter{Introduction}
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186
308
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187 Music forms a core part of Cry Havoc Botley Morris. Of course, the
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188 musicians provide the music we dance to. And after every practice or
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189 dance-out, there is a music-playing session.
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190
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191 Havoc musicians come in all shades of experience and ability.
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192 This collection is intended to help those like me who are inexpert with
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193 instrument and folk music generally, but have a little musical background.
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194
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195 Being folk tunes, many of the tunes herein have many variations.
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196 The music presented here is my attempt at reflecting what the musicians
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197 of Cry Havoc play. I'm in no way suggesting that they are
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198 in any way \emph{correct}. This is just how we go about them.
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199
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200 The majority of tunes in this book have no identifiable author, and
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201 are unquestionably in the public domain. Rather than litter the
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202 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed.
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357244e2939d Change wording to say some tunes MAY have an identifiable author.
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203 Some, however, may have an identifiable author or arranger and copyright
282
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204 unquestionably remains with that person. I believe these tunes to
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205 enjoy widespread currency on the folk music scene, and therefore there
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206 is at least tacit approval by the authors for their dissemination.
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207 If this is not the case, please contact me at
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208 \href{mailto:dottes@cryhavoc.org.uk}{\url{dottes@cryhavoc.org.uk}} and I will
266
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209 remove the offending tune.
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210
784
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211 Finally, many, many thanks to all who have helped me with this project,
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212 in particular fellow Havocs Nerys, MickP, Susie and Ed. And most
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213 especially to Jane, without whose enthusiasm, support and encouragement
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214 this would never have been possible.
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215
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216 \section{About Cry Havoc}
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217
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218 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford.
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219 We practice between September and April on Thursday evenings at the
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220 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and
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221 dance out in the summer months at locations around Oxfordshire.
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222
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223 Find out more at \url{http://www.cryhavoc.org.uk/}, or email
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224 \href{mailto:bag@cryhavoc.org.uk}{\url{bag@cryhavoc.org.uk}} for more
324
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225 information. Would-be dancers or musicians always welcome.
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226
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227 The Booke of Dottes was first produced to mark Cry Havoc's 20th
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228 anniversary in 2013, and substantially updated for our 25th anniversary
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229 in 2018.
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230
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231 % -----
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232
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233 \tableofcontents
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234
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235 % -----
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236
269
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237 \mainmatter
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238
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239 \input{tunes.tex}
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240
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241 % -----
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242
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243 \cleardoublepage
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244
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245 \chapter{List of tune first lines}
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246
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247 You know the feeling. Everyone has just launched into a well-loved tune.
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248 You've heard it before, but don't remember the name. So here's a list of
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249 tune first lines to help you figure out what it is in time to join in.
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250
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251 \input{firstlines.tex}
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252
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253 % ----- Back cover page. A plain purple page.
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254
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255 \backmatter
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256
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257 \input{docend.tex}
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258
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259 \end{document}