annotate Morris/ConstantBilly.abc @ 349:1073829494e3

Try to be cleverer when transposing for cello. Jane says: Am most comfortable between the bottom G (the bottom line of the bass clef) and top D (the note above middle C), but can play from bottom C upwards (the C string is a bit growly) and at a push can get as high as the A above middle C. Implement the following rule: 1. If range is G to d', transpose down 2 octaves. 2. If lowest note is < C, transpose down 1 octave. 3. Otherwise calculate the distance above d for the highest note on a one octave transposition, and the distance below G on a two octave transposition. Find the smallest, and use the corresponding transposition.
author Jim Hague <jim.hague@acm.org>
date Tue, 13 Aug 2013 00:51:43 +0100
parents aada961e452d
children d62bed68b9e2
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e0324f856edf First go at Black Joke and Constant Billy.
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1 X: 1
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2 T: Constant Billy
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3 A: Headington
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4 M: 6/8
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5 L: 1/8
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6 P: A(AB)4
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7 K: G
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8 P: A
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9 D |: "G" GBd B2 B | "D7" cBc A2 A | "G" BAG "C" EFG | "D7" DEF "G" G2 D :|
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10 P: B
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11 |: "G" Bcd "C" ecB | "D7" ABc "G" dBG | "G" Bcd "C" ecB | "Am" ABc "D7" def |
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12 "G" g2 d B2 B | "D7" cBc A2 A | "G" BAG "C" EFG | "D7" DEF "G" G3 :|