Mercurial > dottes
annotate Session/RochdaleCoconutDance.abc @ 349:1073829494e3
Try to be cleverer when transposing for cello.
Jane says: Am most comfortable between the bottom G (the bottom line of the bass clef) and top D (the note above middle C), but can play from bottom C upwards (the C string is a bit growly) and at a push can get as high as the A above middle C.
Implement the following rule:
1. If range is G to d', transpose down 2 octaves.
2. If lowest note is < C, transpose down 1 octave.
3. Otherwise calculate the distance above d for the highest note on a one
octave transposition, and the distance below G on a two octave
transposition. Find the smallest, and use the corresponding
transposition.
author | Jim Hague <jim.hague@acm.org> |
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date | Tue, 13 Aug 2013 00:51:43 +0100 |
parents | 8787d85fa641 |
children | 4eae6184c0ab |
rev | line source |
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11
64a4abcae0a4
More tunes. Le Canal En Octobre, Rochdale Coconut Dance, Three Around Three.
Jim Hague <jim.hague@laicatc.com>
parents:
diff
changeset
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1 X: 1 |
64a4abcae0a4
More tunes. Le Canal En Octobre, Rochdale Coconut Dance, Three Around Three.
Jim Hague <jim.hague@laicatc.com>
parents:
diff
changeset
|
2 T: Rochdale Coconut Dance |
64a4abcae0a4
More tunes. Le Canal En Octobre, Rochdale Coconut Dance, Three Around Three.
Jim Hague <jim.hague@laicatc.com>
parents:
diff
changeset
|
3 S: Nick Barber |
64a4abcae0a4
More tunes. Le Canal En Octobre, Rochdale Coconut Dance, Three Around Three.
Jim Hague <jim.hague@laicatc.com>
parents:
diff
changeset
|
4 M: C |
64a4abcae0a4
More tunes. Le Canal En Octobre, Rochdale Coconut Dance, Three Around Three.
Jim Hague <jim.hague@laicatc.com>
parents:
diff
changeset
|
5 K: G |
64a4abcae0a4
More tunes. Le Canal En Octobre, Rochdale Coconut Dance, Three Around Three.
Jim Hague <jim.hague@laicatc.com>
parents:
diff
changeset
|
6 L: 1/4 |
46
55f1efed28ba
Adjust tempi on various tunes to make the MIDI/MP3s sound a little more right.
Jim Hague <jim.hague@laicatc.com>
parents:
18
diff
changeset
|
7 Q: 160 |
340
8787d85fa641
Regularise use of repeats, tune (A/B/C etc.) markers and final bar.
Jim Hague <jim.hague@acm.org>
parents:
164
diff
changeset
|
8 "G" GBGB | "D" A/G/F/G/ AB| "G" GBGB | "D" A/G/F/E/ D2 | |
18
608ca1992cef
Adjust line breaks for some tunes.
Jim Hague <jim.hague@acm.org>
parents:
11
diff
changeset
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9 "G" GBGB | "D" A/G/F/G/ A d/c/ | "G" BB "D" A/B/c/A/ | "G" GBG :| |
340
8787d85fa641
Regularise use of repeats, tune (A/B/C etc.) markers and final bar.
Jim Hague <jim.hague@acm.org>
parents:
164
diff
changeset
|
10 F | "Em" E/F/G/F/ EB | "Em" E/F/G/F/ EB |\ |
164
128379b52453
Change suspicious B7 chord to the D7 that serves exactly the same phrase a line later.
Jim Hague <jim.hague@laicatc.com>
parents:
75
diff
changeset
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11 "Am" c A/c/ "G" B G/(A/| "D7" A/)G/ F "Em" E D | |
18
608ca1992cef
Adjust line breaks for some tunes.
Jim Hague <jim.hague@acm.org>
parents:
11
diff
changeset
|
12 "Em" E/F/G/F/ EB | "Em" E/F/G/F/ EB | "Am" c A/c/ "G" B G/(A/|\ |
608ca1992cef
Adjust line breaks for some tunes.
Jim Hague <jim.hague@acm.org>
parents:
11
diff
changeset
|
13 "D7"A/)G/ F "Em" E :| |