annotate Session/Sloe.abc @ 349:1073829494e3

Try to be cleverer when transposing for cello. Jane says: Am most comfortable between the bottom G (the bottom line of the bass clef) and top D (the note above middle C), but can play from bottom C upwards (the C string is a bit growly) and at a push can get as high as the A above middle C. Implement the following rule: 1. If range is G to d', transpose down 2 octaves. 2. If lowest note is < C, transpose down 1 octave. 3. Otherwise calculate the distance above d for the highest note on a one octave transposition, and the distance below G on a two octave transposition. Find the smallest, and use the corresponding transposition.
author Jim Hague <jim.hague@acm.org>
date Tue, 13 Aug 2013 00:51:43 +0100
parents 8787d85fa641
children
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55f1efed28ba Adjust tempi on various tunes to make the MIDI/MP3s sound a little more right.
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3167dd4b79b6 Add From Night Till Morn, Herbert the Sherbert, The Plane Tree, Quarter Brawls,
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98fe55433833 Mark source as Nick Barber.
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3 S:Nick Barber
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4 M:4/4
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55f1efed28ba Adjust tempi on various tunes to make the MIDI/MP3s sound a little more right.
Jim Hague <jim.hague@laicatc.com>
parents: 36
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5 Q:140
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3167dd4b79b6 Add From Night Till Morn, Herbert the Sherbert, The Plane Tree, Quarter Brawls,
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6 K:D
3167dd4b79b6 Add From Night Till Morn, Herbert the Sherbert, The Plane Tree, Quarter Brawls,
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7 A2| "D" d3d d2 "A" e2 | "D" f2>e2 d2c2 | "G" B2A2 BcdB | "A" A2>G2 "D" F2A2 |
3167dd4b79b6 Add From Night Till Morn, Herbert the Sherbert, The Plane Tree, Quarter Brawls,
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8 "D" d3d d2 "A" e2 | "D" f2>e2 d2c2 | "G" B2A2 "A" B2c2 | "D" d6 :|
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8787d85fa641 Regularise use of repeats, tune (A/B/C etc.) markers and final bar.
Jim Hague <jim.hague@acm.org>
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9 A2| "D" B2A2 F2>A2 | B2A2 F2>A2| "D" d2c2 "A" c2B2 | B2A2 "D" A4 |
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3167dd4b79b6 Add From Night Till Morn, Herbert the Sherbert, The Plane Tree, Quarter Brawls,
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10 "A" d2c2 c2e2 | "D" e2d2 d2f2 | "G" f2e2 "A" B2c2| "D" d4 d2 :|