Mercurial > dottes
annotate Session/ThreeAroundThree.abc @ 349:1073829494e3
Try to be cleverer when transposing for cello.
Jane says: Am most comfortable between the bottom G (the bottom line of the bass clef) and top D (the note above middle C), but can play from bottom C upwards (the C string is a bit growly) and at a push can get as high as the A above middle C.
Implement the following rule:
1. If range is G to d', transpose down 2 octaves.
2. If lowest note is < C, transpose down 1 octave.
3. Otherwise calculate the distance above d for the highest note on a one
octave transposition, and the distance below G on a two octave
transposition. Find the smallest, and use the corresponding
transposition.
| author | Jim Hague <jim.hague@acm.org> |
|---|---|
| date | Tue, 13 Aug 2013 00:51:43 +0100 |
| parents | 8787d85fa641 |
| children | 7a96fa799a16 |
| rev | line source |
|---|---|
|
11
64a4abcae0a4
More tunes. Le Canal En Octobre, Rochdale Coconut Dance, Three Around Three.
Jim Hague <jim.hague@laicatc.com>
parents:
diff
changeset
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1 X:1 |
|
64a4abcae0a4
More tunes. Le Canal En Octobre, Rochdale Coconut Dance, Three Around Three.
Jim Hague <jim.hague@laicatc.com>
parents:
diff
changeset
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2 T:Three Around Three |
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36
98fe55433833
Mark source as Nick Barber.
Jim Hague <jim.hague@laicatc.com>
parents:
28
diff
changeset
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3 S:Nick Barber |
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11
64a4abcae0a4
More tunes. Le Canal En Octobre, Rochdale Coconut Dance, Three Around Three.
Jim Hague <jim.hague@laicatc.com>
parents:
diff
changeset
|
4 M:4/4 |
|
64a4abcae0a4
More tunes. Le Canal En Octobre, Rochdale Coconut Dance, Three Around Three.
Jim Hague <jim.hague@laicatc.com>
parents:
diff
changeset
|
5 L:1/8 |
|
289
059823a7eefa
Add timing to a load of tunes.
Jim Hague <jim.hague@acm.org>
parents:
283
diff
changeset
|
6 Q:160 |
|
11
64a4abcae0a4
More tunes. Le Canal En Octobre, Rochdale Coconut Dance, Three Around Three.
Jim Hague <jim.hague@laicatc.com>
parents:
diff
changeset
|
7 Z:Steve Mansfield 2002 |
|
64a4abcae0a4
More tunes. Le Canal En Octobre, Rochdale Coconut Dance, Three Around Three.
Jim Hague <jim.hague@laicatc.com>
parents:
diff
changeset
|
8 K:G |
|
18
608ca1992cef
Adjust line breaks for some tunes.
Jim Hague <jim.hague@acm.org>
parents:
11
diff
changeset
|
9 "G" d2BA G2G2 | "D" A2BA "G" G2D2 | "C" EDEF "G" G2AB | "D" c2B2 B2A2 | |
|
283
c7a3c1be33c2
When I listen to Three Around Three in a session, it sounds slightly simpler.
Jim Hague <jim.hague@acm.org>
parents:
36
diff
changeset
|
10 "G" d2BA G2G2 | "D" A2BA "G" G2D2 | "C" EDEF "G" G2Ac | "G" B2 "D" A2 "G" G4 :| |
|
340
8787d85fa641
Regularise use of repeats, tune (A/B/C etc.) markers and final bar.
Jim Hague <jim.hague@acm.org>
parents:
289
diff
changeset
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11 "D" d2 ef "G" gfed | "C" e2e2 e2>e2 | "G" d2B2B2AG | "D" FGAB A4 | |
|
283
c7a3c1be33c2
When I listen to Three Around Three in a session, it sounds slightly simpler.
Jim Hague <jim.hague@acm.org>
parents:
36
diff
changeset
|
12 "D" d2ef "G" gfed | "C" e2e2e2d2 | "C" ef g2 "D" fgaf | "G" g4 g4 :| |
