Mercurial > dottes
annotate dottes.tex @ 308:22759794b31f
Revise intro wording on documents and website.
author | Jim Hague <jim.hague@acm.org> |
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date | Mon, 08 Jul 2013 10:35:23 +0100 (2013-07-08) |
parents | 217768907fa8 |
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1 \input{docclass.tex} |
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2 |
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3 \usepackage{color} |
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4 \usepackage{fontspec} |
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5 \usepackage[margin=1in]{geometry} |
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6 \usepackage{graphicx} |
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7 \usepackage{fancyhdr} |
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8 \usepackage{longtable} |
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9 \usepackage[UKenglish]{babel} |
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10 \usepackage[UKenglish]{isodate} |
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11 |
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12 % Non-indented paragraphs with space between them. |
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13 \usepackage{parskip} |
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14 |
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15 % 2 column table of contents. |
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16 \usepackage[toc]{multitoc} |
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17 |
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18 \usepackage{hyperref} |
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19 \hypersetup{ |
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20 bookmarks=true,% |
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21 colorlinks=true,% |
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22 citecolor=black,% |
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23 filecolor=black,% |
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24 linkcolor=black,% |
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25 urlcolor=black |
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26 } |
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27 |
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28 % ----- Common variables |
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29 |
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30 \def \build {\input{buildno.txt}} |
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31 \def \instrument {\input{instrument.txt}} |
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32 |
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33 % Havoc purple is #9900cc. |
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34 \definecolor{havocpurple}{rgb}{0.597,0,0.797} |
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35 |
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36 % ----- Paper size document setup |
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37 |
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38 \input{docsetup.tex} |
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39 |
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40 % ----- Appearance |
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41 |
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42 \setmainfont{Times New Roman} |
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43 |
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44 % Don't show section numbers. |
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45 \setcounter{secnumdepth}{-1} |
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46 |
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47 % ----- |
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48 |
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49 \begin{document} |
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51 \frontmatter |
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52 |
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53 % ----- Title page |
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54 |
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55 \newgeometry{margin=0.5in} |
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56 \begin{titlepage} |
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57 \pagecolor{havocpurple} |
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58 \titleBoD |
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59 \end{titlepage} |
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60 \restoregeometry |
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61 |
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62 % ----- First inside page and dedication. No page numbering here, thanks. |
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63 |
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64 \pagecolor{white} |
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65 |
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66 \pagenumbering{gobble} |
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67 |
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68 \topskip0pt |
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69 \vspace*{\fill} |
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70 |
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71 \begin{center} |
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72 {\Large to Jane} \\ |
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73 {\large \emph{for the music, and the dance}} |
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74 \end{center} |
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75 |
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76 \vspace*{\fill} |
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77 |
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78 \section*{About Cry Havoc} |
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79 |
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80 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford. |
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81 We practice between September and April on Thursday evenings at the |
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82 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and |
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83 dance out in the summer months at locations around Oxfordshire. |
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84 |
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85 Find out more at \url{http://www.cryhavoc.org.uk/}, or email |
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86 \href{mailto:bag@cryhavoc.org.uk}{\texttt{bag@cryhavoc.org.uk}} for more |
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87 information. Would-be dancers or musicians always welcome. |
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88 |
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89 The Booke of Dottes was first produced to mark Cry Havoc's 20th |
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90 anniversary in 2013. |
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91 |
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92 \newpage |
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93 |
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94 % ----- Headers and footers |
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95 |
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96 \pagestyle{fancyplain} |
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97 \fancyhf{} |
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98 \cfoot{\thepage} |
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99 \renewcommand{\headrulewidth}{0pt} |
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100 |
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101 % ----- Contents |
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102 |
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103 \pagenumbering{roman} |
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104 |
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105 \tableofcontents |
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106 |
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107 % ----- |
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108 |
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109 \chapter{Introduction} |
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110 |
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111 Music forms a core part of Cry Havoc Botley Morris. Of course, the |
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112 musicians provide the music we dance to. And after every practice or |
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113 dance-out, there is a music-playing session. |
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114 |
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115 Havoc musicians come in all shades of experience and ability. |
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116 This collection is intended to help those like me who are inexpert with |
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117 instrument and folk music generally, but have a little musical background. |
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118 |
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119 \input{intro.txt} |
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120 |
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121 Being folk tunes, many of the tunes herein have many variations. |
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122 The music presented here is my attempt at reflecting what the musicians |
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123 of Cry Havoc play. I'm in no way suggesting that they are |
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124 in any way \emph{correct}. This is just how we go about them. |
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125 |
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126 The majority of tunes in this book have no identifiable author, and |
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127 are unquestionably in the public domain. Rather than litter the |
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128 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed. |
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129 Some, however, have an identifiable author or arranger and copyright |
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130 unquestionably remains with that person. I believe these tunes to |
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131 enjoy widespread currency on the folk music scene, and therefore there |
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132 is at least tacit approval by the authors for their dissemination. |
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133 If this is not the case, please contact me at |
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134 \href{mailto:dottes@cryhavoc.org.uk}{\texttt{dottes@cryhavoc.org.uk}} and I will |
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135 remove the offending tune. |
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136 |
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137 The Booke of Dottes is a constant work in progress. This is issue \build, |
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138 generated \today. The latest version is always available from |
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139 \url{http://dottes.cryhavoc.org.uk/}. |
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140 |
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141 % ----- |
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142 |
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143 \mainmatter |
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144 |
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145 \addcontentsline{toc}{chapter}{Tunes} |
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146 |
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147 \input{tunes.tex} |
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148 |
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149 % ----- |
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150 |
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151 \chapter{List of tune first lines} |
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152 |
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153 You know the feeling. Everyone has just launched into a well-loved tune. |
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154 You've heard it before, but don't remember the name. So here's a list of |
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155 tune first lines to help you figure out what it is in time to join in. |
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156 |
306 | 157 \setlength\LTleft{-5pt} |
158 \setlength\LTright{\fill} | |
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159 \begin{longtable}{lr} |
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160 \input{firstlines.tex} |
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161 \end{longtable} |
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162 |
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163 % ----- Back cover page. A plain purple page. |
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164 |
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165 \backmatter |
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166 |
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167 \pagecolor{havocpurple} |
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168 \thispagestyle{empty} |
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169 \mbox{} |
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170 |
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171 \end{document} |