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Add --contains flag to abcfield.py. Currently we rely on any N: field with a Change: subnotice being the first N: field. Add --contains field to abcfield.py to remove this restriction. Also use it to extract new subfield Credit: and add that if present to the tune information in print and on web.
author Jim Hague <jim.hague@acm.org>
date Sun, 04 Aug 2013 22:09:25 +0100
parents 21615733c3f3
children 55afb58d4a9a
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1 \input{docclass.tex}
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3 \usepackage{array}
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4 \usepackage{color}
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5 \usepackage{fontspec}
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6 \usepackage[margin=0.75in]{geometry}
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7 \usepackage{graphicx}
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8 \usepackage{fancyhdr}
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9 \usepackage{longtable}
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10 \usepackage[UKenglish]{babel}
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11 \usepackage[UKenglish]{isodate}
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13 % Non-indented paragraphs with space between them.
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14 \usepackage{parskip}
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15
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16 % 2 column table of contents.
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17 \usepackage[toc]{multitoc}
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18
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19 \usepackage{hyperref}
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20 \hypersetup{
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21 bookmarks=true,%
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22 colorlinks=true,%
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23 citecolor=black,%
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24 filecolor=black,%
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25 linkcolor=black,%
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26 urlcolor=black
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27 }
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29 % ----- Common variables
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30
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31 \newcommand{\build}{\input{buildno.txt}}
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32 \newcommand{\instrument}{\input{instrument.txt}}
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34 % Havoc purple is #9900cc.
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35 \definecolor{havocpurple}{rgb}{0.597,0,0.797}
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37 % ----- Macros
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38
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39 \makeatletter
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40 \def\ifemptyarg#1{%
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41 \if\relax\detokenize{#1}\relax % H. Oberdiek
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42 \expandafter\@firstoftwo
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43 \else
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44 \expandafter\@secondoftwo
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45 \fi}
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46 \makeatother
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47
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48 % Show the main tune graphic and optional change.
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49 % Args are tune name, tune title, tune subtitle, composer, tune graphic
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50 % filename, change name, change title, credit.
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51 \newcommand{\showtune}[8]{%
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52 \vfill
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53 \begin{center}
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54 \phantomsection
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55 \begin{tabular*}{\textwidth}{@{} p{0.25\textwidth} @{\extracolsep{\fill}} c >{\raggedleft\arraybackslash}p{0.25\textwidth} @{}}
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56 & \Large{#2} & \emph{#4} \\
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57 \ifemptyarg{#3}{}{%
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58 & #3 & \\
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59 }%
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60 \end{tabular*}
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61 \hypertarget{#1}{%
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62 \includegraphics[width=\textwidth,height=0.85\textheight,keepaspectratio]{#5}
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63 }
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64 \addcontentsline{toc}{section}{#2}
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65 \end{center}
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66 \ifemptyarg{#8}{}{%
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67 From {#8}.
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68 }%
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69 \ifemptyarg{#6}{}{%
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70 Change: \hyperlink{#6}{#7}.
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71 }%
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72 }
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73
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74 % Show the tune first line. Generate table row.
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75 % Args are the tune name, tune title and the first line graphic filename.
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76 \newcommand{\showfirstline}[3]{%
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77 \hyperlink{#1}{#2} & %
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78 \raisebox{-.4\height}{\includegraphics[width=0.77\textwidth]{#3}} \\
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79 }
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81 % ----- Paper size document setup
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82
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83 \input{docsetup.tex}
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84
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85 % ----- Appearance
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87 % Lettering in the tune images is in Times, so go with that for consistency.
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88 \setmainfont{Times New Roman}
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89
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90 % Don't show section numbers.
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91 \setcounter{secnumdepth}{-1}
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92
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93 % -----
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94
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95 \begin{document}
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96
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97 % ----- Headers and footers
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98
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99 \pagestyle{fancyplain}
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100 \fancyhf{}
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101 \cfoot{\thepage}
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102 \renewcommand{\headrulewidth}{0pt}
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104 \frontmatter
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106 % No page numbering for now, thanks.
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107 \pagenumbering{gobble}
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109 % ----- Title page
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110
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111 \newgeometry{margin=0.5in}
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112 \begin{titlepage}
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113 \pagecolor{havocpurple}
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114 \titleBoD
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115 \end{titlepage}
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116 \restoregeometry
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118 \pagecolor{white}
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119
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120 % ----- First inside pages. No page numbering here, thanks.
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121
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122 % Publisher info page.
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123 \vspace*{\fill}
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124
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125 {\small \raggedright
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126
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127 \textbf{Ye Crie Havoc Booke of Dottes}
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128
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129 Tune collection and presentation is copyright \copyright{} Jim Hague 2013
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130 and is licensed under a Creative Commons
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131 Attribution-NonCommercial-ShareAlike 2.0 UK: England \& Wales License.
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132 Details at \url{http://creativecommons.org/licenses/by-nc-sa/2.0/uk/}.
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133
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134 Some tunes are reproduced from Paul Hardy's Session Tunebook
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135 (\url{www.paulhardy.net}).
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136
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137 The right of Jim Hague to be identified as the author of this work has been
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138 asserted by him in accordance with the Copyright, Designs and Patents Act 1998.
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139
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140 First published in the UK 2013 by Jim Hague.
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141
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142 The Booke of Dottes is a constant work in progress. The latest version
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143 is always available from \url{http://dottes.cryhavoc.org.uk/}.
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144 This is issue \build, generated \today.
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145
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146 \textbf{Technical data}
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147
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148 Book sources can be found at in a Mercurial
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149 (\url{http://mercurial.selenic.com}) repository at
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150 \url{http://hg.cryhavoc.org.uk/dottes/}. Tunes are
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151 in abc notation (\url{http://abcnotation.com/}).
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152
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153 Music typeset by abcm2ps (\url{http://moinejf.free.fr/}).
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154 Document typeset by {\LaTeX} using {\TeX} Live on a Debian Linux system.
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155 Grateful thanks to all contributors to abc, {\LaTeX}, Debian,
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156 Linux and related software.
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157
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158 }
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159
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160 \newpage
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161
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162 % Dedication page.
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163
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164 \vspace*{\fill}
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165
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166 \begin{center}
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167 {\Large to Jane} \\
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168 {\large \emph{for the music, and the dance}}
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169 \end{center}
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170
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171 \vspace*{\fill}
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172
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173 \newpage
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174
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175 % ----- Here we go with numbered frontmatter pages.
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176
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177 \pagenumbering{roman}
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178
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179 \chapter{Introduction}
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180
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181 Music forms a core part of Cry Havoc Botley Morris. Of course, the
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182 musicians provide the music we dance to. And after every practice or
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183 dance-out, there is a music-playing session.
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184
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185 Havoc musicians come in all shades of experience and ability.
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186 This collection is intended to help those like me who are inexpert with
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187 instrument and folk music generally, but have a little musical background.
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188
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189 \input{intro.txt}
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190
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191 Being folk tunes, many of the tunes herein have many variations.
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192 The music presented here is my attempt at reflecting what the musicians
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193 of Cry Havoc play. I'm in no way suggesting that they are
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194 in any way \emph{correct}. This is just how we go about them.
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195
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196 The majority of tunes in this book have no identifiable author, and
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197 are unquestionably in the public domain. Rather than litter the
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198 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed.
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199 Some, however, have an identifiable author or arranger and copyright
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200 unquestionably remains with that person. I believe these tunes to
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201 enjoy widespread currency on the folk music scene, and therefore there
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202 is at least tacit approval by the authors for their dissemination.
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203 If this is not the case, please contact me at
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204 \href{mailto:dottes@cryhavoc.org.uk}{\texttt{dottes@cryhavoc.org.uk}} and I will
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205 remove the offending tune.
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206
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207 \section{About Cry Havoc}
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208
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209 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford.
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210 We practice between September and April on Thursday evenings at the
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211 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and
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212 dance out in the summer months at locations around Oxfordshire.
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213
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214 Find out more at \url{http://www.cryhavoc.org.uk/}, or email
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215 \href{mailto:bag@cryhavoc.org.uk}{\texttt{bag@cryhavoc.org.uk}} for more
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216 information. Would-be dancers or musicians always welcome.
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217
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218 The Booke of Dottes was first produced to mark Cry Havoc's 20th
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219 anniversary in 2013.
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220
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221 % -----
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222
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223 \tableofcontents
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224
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225 % -----
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226
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227 \mainmatter
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229 \addcontentsline{toc}{chapter}{Tunes}
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230
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231 \input{tunes.tex}
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233 % -----
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234
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235 \cleardoublepage
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236
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237 \chapter{List of tune first lines}
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238
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239 You know the feeling. Everyone has just launched into a well-loved tune.
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240 You've heard it before, but don't remember the name. So here's a list of
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241 tune first lines to help you figure out what it is in time to join in.
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242
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243 {\renewcommand{\arraystretch}{2.5}
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244 \setlength\LTleft{0pt}
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245 \setlength\LTright{\fill}
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246 \begin{longtable}{@{}>{\raggedright\arraybackslash}m{0.2\textwidth}r@{}}
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247 \input{firstlines.tex}
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248 \end{longtable}
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249 }
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250
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251 % ----- Back cover page. A plain purple page.
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252
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253 \backmatter
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255 \pagecolor{havocpurple}
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256 \thispagestyle{empty}
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257 \mbox{}
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258
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259 \end{document}