annotate dottes.tex @ 330:473d335235b8

Put tune title, image and following content into a table. Use tabularx to put tune title, image and any following content into a table. This should (a) get the following content closer to the tune image, and (b) stop LaTeX splitting them over a page.
author Jim Hague <jim.hague@acm.org>
date Mon, 05 Aug 2013 18:06:00 +0100 (2013-08-05)
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1 \input{docclass.tex}
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3 \usepackage{array}
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4 \usepackage{color}
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5 \usepackage{fontspec}
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6 \usepackage[margin=0.75in]{geometry}
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7 \usepackage{graphicx}
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8 \usepackage{fancyhdr}
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9 \usepackage{tabularx}
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10 \usepackage{longtable}
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11 \usepackage[UKenglish]{babel}
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12 \usepackage[UKenglish]{isodate}
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14 % Non-indented paragraphs with space between them.
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15 \usepackage{parskip}
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16
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17 % 2 column table of contents.
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18 \usepackage[toc]{multitoc}
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19
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20 \usepackage{hyperref}
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21 \hypersetup{
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22 bookmarks=true,%
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23 colorlinks=true,%
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24 citecolor=black,%
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25 filecolor=black,%
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26 linkcolor=black,%
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27 urlcolor=black
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28 }
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30 % ----- Common variables
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31
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32 \newcommand{\build}{\input{buildno.txt}}
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33 \newcommand{\instrument}{\input{instrument.txt}}
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35 % Havoc purple is #9900cc.
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36 \definecolor{havocpurple}{rgb}{0.597,0,0.797}
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37
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38 % ----- Macros
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39
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40 \makeatletter
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41 \def\ifemptyarg#1{%
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42 \if\relax\detokenize{#1}\relax % H. Oberdiek
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43 \expandafter\@firstoftwo
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44 \else
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45 \expandafter\@secondoftwo
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46 \fi}
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47 \makeatother
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48
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49 % Show the main tune graphic and optional change.
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50 % Args are tune name, tune title, tune subtitle, composer, tune graphic
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51 % filename, change name, change title, credit.
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52 \newcommand{\showtune}[8]{%
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53 \phantomsection
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54 \begin{tabularx}{\textwidth}{LCR}
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55 \addcontentsline{toc}{section}{#2}
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56 & \hypertarget{#1}{\Large{#2}} & \emph{#4} \\
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57 \ifemptyarg{#3}{}{%
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58 & #3 & \\
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59 }
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60 \multicolumn{3}{c}{%
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61 \includegraphics[width=\textwidth,height=0.8\textheight,keepaspectratio]{#5}%
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62 }\tabularnewline
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63 \multicolumn{3}{p{\textwidth}}{%
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64 \ifemptyarg{#8}{}{From {#8}. }%
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65 \ifemptyarg{#6}{}{Change: \hyperlink{#6}{#7}.}%
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66 }\tabularnewline
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67 \end{tabularx}
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68 \vfill
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69 }
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71 % Show the tune first line. Generate table row.
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72 % Args are the tune name, tune title and the first line graphic filename.
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73 \newcommand{\showfirstline}[3]{%
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74 \hyperlink{#1}{#2} & %
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75 \raisebox{-.4\height}{\includegraphics[width=0.77\textwidth]{#3}} \\
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76 }
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78 % ----- Paper size document setup
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79
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80 \input{docsetup.tex}
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81
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82 % ----- Appearance
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84 % Lettering in the tune images is in Times, so go with that for consistency.
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85 \setmainfont{Times New Roman}
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86
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87 % Don't show section numbers.
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88 \setcounter{secnumdepth}{-1}
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89
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90 % -----
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91
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92 \begin{document}
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93
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94 % ----- Headers and footers
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95
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96 \pagestyle{fancyplain}
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97 \fancyhf{}
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98 \cfoot{\thepage}
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99 \renewcommand{\headrulewidth}{0pt}
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100
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101 \frontmatter
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102
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103 % No page numbering for now, thanks.
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104 \pagenumbering{gobble}
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105
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106 % ----- Title page
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107
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108 \newgeometry{margin=0.5in}
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109 \begin{titlepage}
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110 \pagecolor{havocpurple}
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111 \titleBoD
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112 \end{titlepage}
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113 \restoregeometry
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115 \pagecolor{white}
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116
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117 % ----- First inside pages. No page numbering here, thanks.
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118
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119 % Publisher info page.
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120 \vspace*{\fill}
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121
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122 {\small \raggedright
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123
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124 \textbf{Ye Crie Havoc Booke of Dottes}
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125
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126 Tune collection and presentation is copyright \copyright{} Jim Hague 2013
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127 and is licensed under a Creative Commons
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128 Attribution-NonCommercial-ShareAlike 2.0 UK: England \& Wales License.
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129 Details at \url{http://creativecommons.org/licenses/by-nc-sa/2.0/uk/}.
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130
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131 Some tunes are reproduced from Paul Hardy's Session Tunebook
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132 (\url{www.paulhardy.net}).
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133
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134 The right of Jim Hague to be identified as the author of this work has been
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135 asserted by him in accordance with the Copyright, Designs and Patents Act 1998.
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136
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137 First published in the UK 2013 by Jim Hague.
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138
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139 The Booke of Dottes is a constant work in progress. The latest version
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140 is always available from \url{http://dottes.cryhavoc.org.uk/}.
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141 This is issue \build, generated \today.
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142
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143 \textbf{Technical data}
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144
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145 Book sources can be found at in a Mercurial
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146 (\url{http://mercurial.selenic.com}) repository at
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147 \url{http://hg.cryhavoc.org.uk/dottes/}. Tunes are
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148 in abc notation (\url{http://abcnotation.com/}).
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149
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150 Music typeset by abcm2ps (\url{http://moinejf.free.fr/}).
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151 Document typeset by {\LaTeX} using {\TeX} Live on a Debian Linux system.
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152 Grateful thanks to all contributors to abc, {\LaTeX}, Debian,
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153 Linux and related software.
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154
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155 }
324
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156
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157 \newpage
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158
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159 % Dedication page.
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160
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161 \vspace*{\fill}
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162
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163 \begin{center}
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164 {\Large to Jane} \\
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165 {\large \emph{for the music, and the dance}}
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166 \end{center}
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167
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168 \vspace*{\fill}
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169
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170 \newpage
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171
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172 % ----- Here we go with numbered frontmatter pages.
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173
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174 \pagenumbering{roman}
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175
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176 \chapter{Introduction}
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177
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178 Music forms a core part of Cry Havoc Botley Morris. Of course, the
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179 musicians provide the music we dance to. And after every practice or
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180 dance-out, there is a music-playing session.
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181
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182 Havoc musicians come in all shades of experience and ability.
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183 This collection is intended to help those like me who are inexpert with
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184 instrument and folk music generally, but have a little musical background.
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185
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186 \input{intro.txt}
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187
268
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188 Being folk tunes, many of the tunes herein have many variations.
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189 The music presented here is my attempt at reflecting what the musicians
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190 of Cry Havoc play. I'm in no way suggesting that they are
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191 in any way \emph{correct}. This is just how we go about them.
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192
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193 The majority of tunes in this book have no identifiable author, and
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194 are unquestionably in the public domain. Rather than litter the
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195 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed.
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196 Some, however, have an identifiable author or arranger and copyright
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197 unquestionably remains with that person. I believe these tunes to
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198 enjoy widespread currency on the folk music scene, and therefore there
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199 is at least tacit approval by the authors for their dissemination.
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200 If this is not the case, please contact me at
327
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201 \href{mailto:dottes@cryhavoc.org.uk}{\url{dottes@cryhavoc.org.uk}} and I will
266
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202 remove the offending tune.
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203
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204 \section{About Cry Havoc}
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205
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206 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford.
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207 We practice between September and April on Thursday evenings at the
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208 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and
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209 dance out in the summer months at locations around Oxfordshire.
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210
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211 Find out more at \url{http://www.cryhavoc.org.uk/}, or email
327
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212 \href{mailto:bag@cryhavoc.org.uk}{\url{bag@cryhavoc.org.uk}} for more
324
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213 information. Would-be dancers or musicians always welcome.
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214
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215 The Booke of Dottes was first produced to mark Cry Havoc's 20th
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216 anniversary in 2013.
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217
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218 % -----
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219
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220 \tableofcontents
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221
266
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222 % -----
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223
269
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224 \mainmatter
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225
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226 \addcontentsline{toc}{chapter}{Tunes}
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227
330
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228 {
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229 \newcolumntype{L}{p{0.25\textwidth}}%
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230 \newcolumntype{R}{>{\raggedleft\arraybackslash}p{0.25\textwidth}}%
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231 \newcolumntype{C}{>{\centering\arraybackslash}X}%
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232 \renewcommand{\tabularxcolumn}[1]{m{#1}}%
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233 \renewcommand{\tabcolsep}{0pt}
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234
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235 \input{tunes.tex}
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236 }
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237
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238 % -----
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239
324
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240 \cleardoublepage
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241
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242 \chapter{List of tune first lines}
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243
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244 You know the feeling. Everyone has just launched into a well-loved tune.
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245 You've heard it before, but don't remember the name. So here's a list of
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246 tune first lines to help you figure out what it is in time to join in.
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247
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248 {\renewcommand{\arraystretch}{2.5}
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249 \setlength\LTleft{0pt}
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250 \setlength\LTright{\fill}
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251 \begin{longtable}{@{}>{\raggedright\arraybackslash}m{0.2\textwidth}r@{}}
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252 \input{firstlines.tex}
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253 \end{longtable}
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254 }
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255
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256 % ----- Back cover page. A plain purple page.
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257
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258 \backmatter
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259
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260 \pagecolor{havocpurple}
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261 \thispagestyle{empty}
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262 \mbox{}
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263
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264 \end{document}