Mercurial > dottes
annotate dottes.tex @ 954:48386452b36a
Don't \cleardoublepage before mainmatter or backmatter.
author | Jim Hague <jim.hague@acm.org> |
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date | Tue, 06 Aug 2019 22:24:02 +0100 (2019-08-06) |
parents | eaa779540c4b |
children | 2324285ba90b |
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1 \input{docclass.tex} |
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2 |
315 | 3 \usepackage{array} |
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4 \usepackage{caption} |
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5 \usepackage{color} |
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6 \usepackage{fontspec} |
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7 \usepackage{graphicx} |
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8 \usepackage{fancyhdr} |
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9 \usepackage[defaultlines=4,all]{nowidow} |
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10 \usepackage{tabularx} |
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11 \usepackage{longtable} |
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12 \usepackage{needspace} |
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13 \usepackage[UKenglish]{babel} |
317 | 14 \usepackage[UKenglish]{isodate} |
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15 |
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16 % Non-indented paragraphs with space between them. |
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17 \usepackage{parskip} |
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18 |
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19 % 2 column table of contents. |
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20 \usepackage[toc]{multitoc} |
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21 |
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22 \usepackage{hyperref} |
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23 \hypersetup{ |
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24 colorlinks=true,% |
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25 citecolor=black,% |
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26 filecolor=black,% |
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27 linkcolor=black,% |
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28 urlcolor=black |
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29 } |
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30 |
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31 % ----- Common variables |
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32 |
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33 \newcommand{\build}{\input{buildno.txt}} |
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34 \newcommand{\instrument}{\input{instrument.txt}} |
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35 |
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36 % Havoc purple is #9900cc. |
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37 \definecolor{havocpurple}{rgb}{0.597,0,0.797} |
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38 |
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39 % ----- Macros |
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40 |
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41 \makeatletter |
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42 \def\ifemptyarg#1{% |
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43 \if\relax\detokenize{#1}\relax % H. Oberdiek |
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44 \expandafter\@firstoftwo |
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45 \else |
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46 \expandafter\@secondoftwo |
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47 \fi} |
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48 \makeatother |
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49 |
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50 % Replace \mainmatter with one that does a \clearpage |
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51 % not a \cleardoublepage. |
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52 \makeatletter |
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53 \renewcommand\mainmatter{% |
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54 \clearpage |
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55 \@mainmattertrue |
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56 \pagenumbering{arabic}} |
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57 \makeatother |
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58 |
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59 % Show the main tune graphic and optional change. |
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60 % Args are: |
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61 % 1. Tune name |
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62 % 2. Tune title |
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63 % 3. Tune subtitle |
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64 % 4. Tune full title |
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65 % 5. Tune tradition |
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66 % 6. Tune composer |
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67 % 7. Tune parts |
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68 % 8. Tune graphic filename |
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69 \newcommand{\showtune}[8]{% |
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70 \phantomsection |
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71 \begin{tabularx}{\textwidth}{LCR} |
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72 #7 & \hypertarget{#1}{\Large{#2}} & \emph{#6} \tabularnewline |
329 | 73 \ifemptyarg{#3}{}{% |
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74 & #3 & \tabularnewline |
330
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75 } |
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76 \multicolumn{3}{c}{% |
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77 \includegraphics[width=\textwidth,height=0.8\textheight,keepaspectratio]{#8}% |
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78 }\tabularnewline |
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79 \end{tabularx} |
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80 \addcontentsline{toc}{section}{#4} |
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81 } |
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82 |
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83 % Show the tune first line. Generate table row. |
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84 % Args are the tune name, tune title and the first line graphic filename. |
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85 \newcommand{\showfirstline}[3]{% |
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86 \hyperlink{#1}{#2} & % |
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87 \raisebox{-.4\height}{\includegraphics[width=0.77\textwidth]{#3}} \\ |
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88 } |
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89 |
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90 % Show the section graphic. |
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91 % Args are the graphic filename. |
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92 \newcommand{\showsectiongraphic}[2]{% |
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93 \begin{figure}[h!] |
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94 \begin{center} |
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95 \includegraphics[height=0.60\textheight,keepaspectratio]{#1} |
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96 \end{center} |
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97 \ifemptyarg{#2}{}{\caption*{#2}} |
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98 \end{figure} |
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99 } |
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100 |
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101 % ----- Paper size document setup |
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102 |
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103 \input{docsetup.tex} |
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104 |
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105 % ----- Appearance |
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106 |
324 | 107 % Lettering in the tune images is in Times, so go with that for consistency. |
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108 \setmainfont{Times New Roman} |
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109 |
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110 % Don't show section numbers. |
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111 \setcounter{secnumdepth}{-1} |
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112 |
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113 % ----- |
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114 |
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115 \begin{document} |
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116 |
324 | 117 % ----- Headers and footers |
118 | |
119 \pagestyle{fancyplain} | |
120 \fancyhf{} | |
121 \cfoot{\thepage} | |
122 \renewcommand{\headrulewidth}{0pt} | |
123 | |
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124 \pagestylemod |
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125 |
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126 \frontmatter |
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127 |
324 | 128 % No page numbering for now, thanks. |
129 \pagenumbering{gobble} | |
130 | |
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131 % ----- Title page |
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132 |
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133 \newgeometry{margin=0.5in} |
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134 \begin{titlepage} |
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135 \titleBoD |
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136 \end{titlepage} |
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137 \restoregeometry |
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138 |
324 | 139 % ----- First inside pages. No page numbering here, thanks. |
140 | |
141 % Publisher info page. | |
142 \vspace*{\fill} | |
143 | |
325
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144 {\small \raggedright |
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145 |
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146 \textbf{Ye Crie Havoc Booke of Dottes} |
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147 |
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148 Tune collection and presentation is copyright \copyright{} Jim Hague 2013-2019 |
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149 and is licensed under a Creative Commons |
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150 Attribution-NonCommercial-ShareAlike 2.0 UK: England \& Wales License. |
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151 Details at \url{http://creativecommons.org/licenses/by-nc-sa/2.0/uk/}. |
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152 |
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153 Some tunes are reproduced from Paul Hardy's Session Tunebook |
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154 (\url{www.paulhardy.net}). |
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155 |
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156 The right of Jim Hague to be identified as the author of this work has been |
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157 asserted by him in accordance with the Copyright, Designs and Patents Act 1998. |
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158 |
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159 First published in the UK 2013 by Jim Hague.\\ |
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160 Second printed edition 2019. |
324 | 161 |
162 The Booke of Dottes is a constant work in progress. The latest version | |
163 is always available from \url{http://dottes.cryhavoc.org.uk/}. | |
325
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164 This is issue \build, generated \today. |
324 | 165 |
325
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166 \textbf{Technical data} |
324 | 167 |
325
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168 Book sources can be found at in a Mercurial |
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169 (\url{http://mercurial.selenic.com}) repository at |
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170 \url{http://hg.cryhavoc.org.uk/dottes/}. Tunes are |
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171 in abc notation (\url{http://abcnotation.com/}). |
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172 |
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173 Music typeset by abcm2ps (\url{http://moinejf.free.fr/}). |
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174 Document typeset by {\LaTeX} using {\TeX} Live on a Debian Linux system. |
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175 Grateful thanks to all contributors to abc, {\LaTeX}, Debian, |
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176 Linux and related software. |
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177 |
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178 } |
324 | 179 |
180 \newpage | |
181 | |
182 % Dedication page. | |
282
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183 |
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184 \vspace*{\fill} |
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185 |
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186 \begin{center} |
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187 {\Large to Jane} \\ |
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188 {\large \emph{for the music, and the dance}} |
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189 \end{center} |
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190 |
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191 \vspace*{\fill} |
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192 |
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193 \newpage |
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194 |
324 | 195 % ----- Here we go with numbered frontmatter pages. |
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196 |
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197 \pagenumbering{roman} |
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198 |
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199 \chapter{Introduction} |
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200 |
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201 Music forms a core part of Cry Havoc Botley Morris. Of course, the |
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202 musicians provide the music we dance to. And after every practice or |
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203 dance-out, there is a music-playing session. |
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204 |
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205 Havoc musicians come in all shades of experience and ability. |
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206 This collection is intended to help those like me who are inexpert with |
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207 instrument and folk music generally, but have a little musical background. |
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208 |
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209 Being folk tunes, many of the tunes herein have many variations. |
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210 The music presented here is my attempt at reflecting what the musicians |
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211 of Cry Havoc play. I'm in no way suggesting that they are |
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212 in any way \emph{correct}. This is just how we go about them. |
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213 |
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214 The majority of tunes in this book have no identifiable author, and |
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215 are unquestionably in the public domain. Rather than litter the |
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216 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed. |
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217 Some, however, may have an identifiable author or arranger and copyright |
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218 unquestionably remains with that person. I believe these tunes to |
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219 enjoy widespread currency on the folk music scene, and therefore there |
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220 is at least tacit approval by the authors for their dissemination. |
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221 If this is not the case, please contact me at |
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222 \href{mailto:dottes@cryhavoc.org.uk}{\url{dottes@cryhavoc.org.uk}} and I will |
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223 remove the offending tune. |
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224 |
784 | 225 Finally, many, many thanks to all who have helped me with this project, |
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226 in particular fellow Havocs KateK, Nerys, MickP, Susie and Ed. And most |
784 | 227 especially to Jane, without whose enthusiasm, support and encouragement |
228 this would never have been possible. | |
229 | |
324 | 230 \section{About Cry Havoc} |
231 | |
232 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford. | |
233 We practice between September and April on Thursday evenings at the | |
234 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and | |
235 dance out in the summer months at locations around Oxfordshire. | |
236 | |
237 Find out more at \url{http://www.cryhavoc.org.uk/}, or email | |
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238 \href{mailto:bag@cryhavoc.org.uk}{\url{bag@cryhavoc.org.uk}} for more |
324 | 239 information. Would-be dancers or musicians always welcome. |
240 | |
241 The Booke of Dottes was first produced to mark Cry Havoc's 20th | |
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242 anniversary in 2013, and substantially updated for our 25th anniversary |
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243 in 2018. |
324 | 244 |
245 % ----- | |
246 | |
247 \tableofcontents | |
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248 |
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249 % ----- |
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250 |
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251 \mainmatter |
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252 |
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253 \input{tunes.tex} |
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254 |
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255 % ----- |
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256 |
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257 \chapter{List of tune first lines} |
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258 |
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259 You know the feeling. Everyone has just launched into a well-loved tune. |
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260 You've heard it before, but don't remember the name. So here's a list of |
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261 tune first lines to help you figure out what it is in time to join in. |
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262 |
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263 \input{firstlines.tex} |
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264 |
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265 % ----- Back cover page. A plain purple page. |
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266 |
294
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267 \backmatter |
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268 |
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269 \input{docend.tex} |
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270 |
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271 \end{document} |