Mercurial > dottes
annotate dottes.tex @ 329:48eb1da4a4c8
Reindent tune macro.
author | Jim Hague <jim.hague@acm.org> |
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date | Mon, 05 Aug 2013 13:42:36 +0100 |
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1 \input{docclass.tex} |
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2 |
315 | 3 \usepackage{array} |
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4 \usepackage{color} |
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5 \usepackage{fontspec} |
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6 \usepackage[margin=0.75in]{geometry} |
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7 \usepackage{graphicx} |
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8 \usepackage{fancyhdr} |
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9 \usepackage{longtable} |
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10 \usepackage[UKenglish]{babel} |
317 | 11 \usepackage[UKenglish]{isodate} |
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12 |
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13 % Non-indented paragraphs with space between them. |
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14 \usepackage{parskip} |
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15 |
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16 % 2 column table of contents. |
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17 \usepackage[toc]{multitoc} |
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18 |
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19 \usepackage{hyperref} |
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20 \hypersetup{ |
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21 bookmarks=true,% |
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22 colorlinks=true,% |
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23 citecolor=black,% |
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24 filecolor=black,% |
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25 linkcolor=black,% |
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26 urlcolor=black |
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27 } |
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28 |
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29 % ----- Common variables |
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30 |
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31 \newcommand{\build}{\input{buildno.txt}} |
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32 \newcommand{\instrument}{\input{instrument.txt}} |
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33 |
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34 % Havoc purple is #9900cc. |
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35 \definecolor{havocpurple}{rgb}{0.597,0,0.797} |
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36 |
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37 % ----- Macros |
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38 |
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39 \makeatletter |
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40 \def\ifemptyarg#1{% |
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41 \if\relax\detokenize{#1}\relax % H. Oberdiek |
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42 \expandafter\@firstoftwo |
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43 \else |
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44 \expandafter\@secondoftwo |
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45 \fi} |
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46 \makeatother |
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47 |
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48 % Show the main tune graphic and optional change. |
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49 % Args are tune name, tune title, tune subtitle, composer, tune graphic |
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50 % filename, change name, change title, credit. |
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51 \newcommand{\showtune}[8]{% |
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52 \vfill |
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53 \begin{center} |
329 | 54 \phantomsection |
55 \addcontentsline{toc}{section}{#2} | |
56 \begin{tabular*}{\textwidth}{@{} p{0.25\textwidth} @{\extracolsep{\fill}} c >{\raggedleft\arraybackslash}p{0.25\textwidth} @{}} | |
57 & \hypertarget{#1}{\Large{#2}} & \emph{#4} \\ | |
58 \ifemptyarg{#3}{}{% | |
59 & #3 & \\ | |
60 }% | |
61 \end{tabular*} | |
62 \includegraphics[width=\textwidth,height=0.85\textheight,keepaspectratio]{#5} | |
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63 \end{center} |
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64 \ifemptyarg{#8}{}{% |
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65 From {#8}. |
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66 }% |
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67 \ifemptyarg{#6}{}{% |
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68 Change: \hyperlink{#6}{#7}. |
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69 }% |
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70 } |
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71 |
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72 % Show the tune first line. Generate table row. |
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73 % Args are the tune name, tune title and the first line graphic filename. |
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74 \newcommand{\showfirstline}[3]{% |
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75 \hyperlink{#1}{#2} & % |
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76 \raisebox{-.4\height}{\includegraphics[width=0.77\textwidth]{#3}} \\ |
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77 } |
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78 |
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79 % ----- Paper size document setup |
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80 |
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81 \input{docsetup.tex} |
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82 |
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83 % ----- Appearance |
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84 |
324 | 85 % Lettering in the tune images is in Times, so go with that for consistency. |
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86 \setmainfont{Times New Roman} |
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87 |
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88 % Don't show section numbers. |
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89 \setcounter{secnumdepth}{-1} |
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90 |
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91 % ----- |
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92 |
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93 \begin{document} |
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94 |
324 | 95 % ----- Headers and footers |
96 | |
97 \pagestyle{fancyplain} | |
98 \fancyhf{} | |
99 \cfoot{\thepage} | |
100 \renewcommand{\headrulewidth}{0pt} | |
101 | |
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102 \frontmatter |
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103 |
324 | 104 % No page numbering for now, thanks. |
105 \pagenumbering{gobble} | |
106 | |
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107 % ----- Title page |
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108 |
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109 \newgeometry{margin=0.5in} |
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110 \begin{titlepage} |
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111 \pagecolor{havocpurple} |
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112 \titleBoD |
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113 \end{titlepage} |
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114 \restoregeometry |
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115 |
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116 \pagecolor{white} |
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117 |
324 | 118 % ----- First inside pages. No page numbering here, thanks. |
119 | |
120 % Publisher info page. | |
121 \vspace*{\fill} | |
122 | |
325
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123 {\small \raggedright |
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124 |
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125 \textbf{Ye Crie Havoc Booke of Dottes} |
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126 |
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127 Tune collection and presentation is copyright \copyright{} Jim Hague 2013 |
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128 and is licensed under a Creative Commons |
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129 Attribution-NonCommercial-ShareAlike 2.0 UK: England \& Wales License. |
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130 Details at \url{http://creativecommons.org/licenses/by-nc-sa/2.0/uk/}. |
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131 |
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132 Some tunes are reproduced from Paul Hardy's Session Tunebook |
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133 (\url{www.paulhardy.net}). |
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134 |
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135 The right of Jim Hague to be identified as the author of this work has been |
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136 asserted by him in accordance with the Copyright, Designs and Patents Act 1998. |
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137 |
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138 First published in the UK 2013 by Jim Hague. |
324 | 139 |
140 The Booke of Dottes is a constant work in progress. The latest version | |
141 is always available from \url{http://dottes.cryhavoc.org.uk/}. | |
325
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142 This is issue \build, generated \today. |
324 | 143 |
325
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144 \textbf{Technical data} |
324 | 145 |
325
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146 Book sources can be found at in a Mercurial |
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147 (\url{http://mercurial.selenic.com}) repository at |
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148 \url{http://hg.cryhavoc.org.uk/dottes/}. Tunes are |
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149 in abc notation (\url{http://abcnotation.com/}). |
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150 |
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151 Music typeset by abcm2ps (\url{http://moinejf.free.fr/}). |
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152 Document typeset by {\LaTeX} using {\TeX} Live on a Debian Linux system. |
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153 Grateful thanks to all contributors to abc, {\LaTeX}, Debian, |
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154 Linux and related software. |
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155 |
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156 } |
324 | 157 |
158 \newpage | |
159 | |
160 % Dedication page. | |
282
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161 |
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162 \vspace*{\fill} |
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163 |
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164 \begin{center} |
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165 {\Large to Jane} \\ |
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166 {\large \emph{for the music, and the dance}} |
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167 \end{center} |
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168 |
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169 \vspace*{\fill} |
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170 |
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171 \newpage |
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172 |
324 | 173 % ----- Here we go with numbered frontmatter pages. |
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174 |
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175 \pagenumbering{roman} |
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176 |
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177 \chapter{Introduction} |
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178 |
308
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179 Music forms a core part of Cry Havoc Botley Morris. Of course, the |
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180 musicians provide the music we dance to. And after every practice or |
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181 dance-out, there is a music-playing session. |
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182 |
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183 Havoc musicians come in all shades of experience and ability. |
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184 This collection is intended to help those like me who are inexpert with |
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185 instrument and folk music generally, but have a little musical background. |
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186 |
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187 \input{intro.txt} |
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188 |
268
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189 Being folk tunes, many of the tunes herein have many variations. |
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190 The music presented here is my attempt at reflecting what the musicians |
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191 of Cry Havoc play. I'm in no way suggesting that they are |
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192 in any way \emph{correct}. This is just how we go about them. |
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193 |
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194 The majority of tunes in this book have no identifiable author, and |
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195 are unquestionably in the public domain. Rather than litter the |
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196 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed. |
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197 Some, however, have an identifiable author or arranger and copyright |
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198 unquestionably remains with that person. I believe these tunes to |
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199 enjoy widespread currency on the folk music scene, and therefore there |
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200 is at least tacit approval by the authors for their dissemination. |
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201 If this is not the case, please contact me at |
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202 \href{mailto:dottes@cryhavoc.org.uk}{\url{dottes@cryhavoc.org.uk}} and I will |
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203 remove the offending tune. |
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204 |
324 | 205 \section{About Cry Havoc} |
206 | |
207 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford. | |
208 We practice between September and April on Thursday evenings at the | |
209 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and | |
210 dance out in the summer months at locations around Oxfordshire. | |
211 | |
212 Find out more at \url{http://www.cryhavoc.org.uk/}, or email | |
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213 \href{mailto:bag@cryhavoc.org.uk}{\url{bag@cryhavoc.org.uk}} for more |
324 | 214 information. Would-be dancers or musicians always welcome. |
215 | |
216 The Booke of Dottes was first produced to mark Cry Havoc's 20th | |
217 anniversary in 2013. | |
218 | |
219 % ----- | |
220 | |
221 \tableofcontents | |
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222 |
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223 % ----- |
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224 |
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225 \mainmatter |
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226 |
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227 \addcontentsline{toc}{chapter}{Tunes} |
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228 |
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229 \input{tunes.tex} |
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230 |
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231 % ----- |
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232 |
324 | 233 \cleardoublepage |
234 | |
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235 \chapter{List of tune first lines} |
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236 |
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237 You know the feeling. Everyone has just launched into a well-loved tune. |
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238 You've heard it before, but don't remember the name. So here's a list of |
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239 tune first lines to help you figure out what it is in time to join in. |
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240 |
315 | 241 {\renewcommand{\arraystretch}{2.5} |
242 \setlength\LTleft{0pt} | |
306 | 243 \setlength\LTright{\fill} |
315 | 244 \begin{longtable}{@{}>{\raggedright\arraybackslash}m{0.2\textwidth}r@{}} |
266
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245 \input{firstlines.tex} |
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246 \end{longtable} |
315 | 247 } |
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248 |
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249 % ----- Back cover page. A plain purple page. |
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250 |
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251 \backmatter |
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252 |
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253 \pagecolor{havocpurple} |
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254 \thispagestyle{empty} |
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255 \mbox{} |
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256 |
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257 \end{document} |