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Change morris image to another Barbara P work.
author Jim Hague <jim.hague@acm.org>
date Sat, 23 Mar 2019 15:05:20 +0000
parents 747cb0ac35df
children d48afbce2225
Ignore whitespace changes - Everywhere: Within whitespace: At end of lines:
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1 <!DOCTYPE html>
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2 <html lang="en">
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3 <head>
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4 <meta charset="utf-8" />
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464a2adedeb6 Set initial viewport settings.
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5 <meta name="viewport" content="width=device-width, initial-scale=1.0">
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6 <title>Ye Crie Havock Booke of Dottes</title>
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7 <link rel="stylesheet" href="css/dottes.css" />
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8
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ae0836b5f4dd Change main body font to Open Sans, to match the main Havoc website.
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9 <link href='http://fonts.googleapis.com/css?family=Pirata+One|Open+Sans'
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10 rel='stylesheet' type='text/css'>
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11 </head>
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12 <body>
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13 <div class="container">
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14 <a href="/">
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15 <div class="header-strip banner">
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4618fbf52662 Re-add header to front page.
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16 <img src="img/banner.png">
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17 </div>
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18 </a>
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19
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20 <div class="dottes-body">
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21 <h1>The music of Cry Havoc, a reference.</h1>
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22 <p>Music forms a core part of Cry Havoc Botley Morris. Of course, the
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23 musicians provide the music we dance to. And after every practice or
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24 dance-out, there is a music-playing session.
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25 <p>Havoc musicians come in all shades of experience and ability.
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26 This collection is intended to help those like me who are inexpert with
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27 instrument and folk music generally.</p>
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28 <p>Being folk tunes, many of the tunes herein have many variations.
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29 The music presented here is my attempt at reflecting what is actually
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30 played at Havoc sessions. I'm in no way suggesting that they are
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31 in any way <em>correct</em>. This is just how we go about them.</p>
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32 <p>The tunes we play tend to vary over time. So this collection is
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33 not static, but will change over time. Lesser used tunes, or simply
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34 tunes that I like but are not in general Havoc currency, are in
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35 the Library collection.</p>
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36 <p>The majority of tunes here have no identifiable author, and
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37 are unquestionably in the public domain. Rather than litter the
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38 pages with <em>Trad.</em> or <em>Anon.</em>, I have left them
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39 unattributed. Some, however, have an identifiable author or
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40 arranger and copyright unquestionably remains with that person.
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41 I believe these tunes to enjoy widespread currency on the folk
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42 music scene, and therefore there is at least tacit approval by
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43 the authors for their dissemination. If this is not the case,
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44 please contact me at the address below and I will remove the
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45 offending tune.</p>
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46 <div class="dottes-transpose-container">
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47 <div class="dottes-transpose-instrument">
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48 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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49 <h1>Tunes</h1>
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50 </div>
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51 <div class="dottes-transpose-instrument-item dottes-transpose-how">
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52 <p>The tunes are separated into tune collections.
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53 </div>
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54 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
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55 <ul class="tune-type-list">
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56 <li><a href="Morris">Morris</a></li>
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57 <li><a href="Session">Session</a></li>
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58 <li><a href="Library">Library</a></li>
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59 </ul>
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60 </div>
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61 </div>
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62 </div>
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63 </div>
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64
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65 <div class="dottes-body">
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66 <h1>But my instrument isn't suited for treble clef concert pitch!</h1>
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67 <p>Of course, not all instruments are suited to playing music written
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68 in concert pitch in the treble clef.</p>
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69 <p>To help those with such instruments get started, I've done some
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70 simple transpositions for requested instruments. These are
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71 <strong>not</strong> proper arrangements; I lack the time and the
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72 knowledge or ability to do that. Instead, they are automatically
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73 generated from the concert pitch originals using a typically very
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74 simple method.
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75 <p>I hope you find them useful.</p>
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76
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77 <div class="dottes-transpose-container">
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78 <div class="dottes-transpose-instrument">
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79 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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80 <h1>Cello</h1>
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81 </div>
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82 <div class="dottes-transpose-instrument-item dottes-transpose-how">
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83 <p>Transpose down one or two octaves depending on the range in the
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84 tune, and use the bass clef.</p>
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85 </div>
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86 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
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87 <ul class="tune-type-list">
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88 <li><a href="Morris-Cello">Morris</a></li>
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89 <li><a href="Session-Cello">Session</a></li>
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90 <li><a href="Library-Cello">Library</a></li>
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91 </ul>
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92 </div>
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93 </div>
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94 </div>
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95 <div class="dottes-transpose-container">
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96 <div class="dottes-transpose-instrument">
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97 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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98 <h1>Horn in F</h1>
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99 </div>
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100 <div class="dottes-transpose-instrument-item dottes-transpose-how">
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101 <p>Transpose up a fifth, or down a seventh depending on the
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102 range in the tune. To avoid scaring less able horn players such
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103 as myself, the transposed score will prefer going below middle C
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104 to going above the top G on the stave. Able horn players
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105 can transpose in their heads anyway, so don't need this.</p>
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106 </div>
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107 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
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108 <ul class="tune-type-list">
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109 <li><a href="Morris-HornInF">Morris</a></li>
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110 <li><a href="Session-HornInF">Session</a></li>
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111 <li><a href="Library-HornInF">Library</a></li>
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112 </ul>
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113 </div>
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114 </div>
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115 </div>
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116 <div class="dottes-transpose-container">
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117 <div class="dottes-transpose-instrument">
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118 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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119 <h1>Alto recorder using C fingering</h1>
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120 </div>
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121 <div class="dottes-transpose-instrument-item dottes-transpose-how">
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122 <p>Transpose down a fifth, or up a seventh depending on the
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123 range in the tune. This allows players familiar with the
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124 descant recorder to use the fingering they already know
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125 when playing the alto recorder, rather than having to
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126 learn F fingering.</p>
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127 </div>
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128 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
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129 <ul class="tune-type-list">
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130 <li><a href="Morris-AltoRecorderCFingering">Morris</a></li>
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131 <li><a href="Session-AltoRecorderCFingering">Session</a></li>
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132 <li><a href="Library-AltoRecorderCFingering">Library</a></li>
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133 </ul>
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134 </div>
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135 </div>
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136 </div>
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137 </div>
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138
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139 <div class="dottes-body">
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140 <h1>Who is responsible for this?</h1>
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141 <p>Found a mistake, missing a tune or just want something changed?
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142 Email Jim at <a href="mailto:dottes@cryhavoc.org.uk">
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143 dottes@cryhavoc.org.uk</a>.</p>
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144 </div>
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145
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146 <div class="dottes-body">
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147 <h1>Acknowledgements</h1>
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148 <p>A few tunes here are from <a href="http://www.paulhardy.net/">
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149 Paul Hardy's Session Tunebook</a>. Many thanks to Paul for
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150 licensing it under permissive terms. I have followed his lead
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151 and used the same <a href="#licencing">licence</a> for the
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152 Booke of Dottes.</p>
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153 <p>One icon on this website is courtesy
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154 of <a href="www.creativefreedom.co.uk">Creative Freedom</a>.
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155 Thanks to them.
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156 <p>Above all, profuse and grateful thanks to all my fellow
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157 Havocs, notably MickP, Nerys, Susie and Ed, and most especially
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158 to Jane. They have supplied the tunes,
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159 checked the renditions, and offered corrections and suggestions.
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160 Without them, this project couldn't have happened.</p>
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161 </div>
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162
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163 <div class="dottes-body">
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164 <p>
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165 <a rel="license"
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166 href="http://creativecommons.org/licenses/by-sa/2.0/uk/deed.en_US">
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167 <img alt="Creative Commons License" style="border-width:0"
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168 src="http://i.creativecommons.org/l/by-nc-sa/2.0/uk/88x31.png"/>
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169 </a>
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170 <br />
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171 The collection of tunes that is
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172 <span xmlns:dct="http://purl.org/dc/terms/"
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173 property="dct:title">Ye Crie Havock Booke of Dottes</span>
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174 by <a xmlns:cc="http://creativecommons.org/ns#"
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175 href="dottes.cryhavoc.og.uk" property="cc:attributionName"
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176 rel="cc:attributionURL">Jim Hague</a>
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177 is licensed under a
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178 <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/2.0/uk/">
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179 Creative Commons Attribution-NonCommercial-ShareAlike 2.0 UK: England &amp; Wales
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180 License</a>.
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181 </p>
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182 </div>
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183
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184 </div>
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185 </body>
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186 </html>