Mercurial > dottes
annotate dottes.tex @ 799:61839594fb2c build-default-300
Fix broken attempt at removing tradition from printed output.
author | Jim Hague <jim.hague@acm.org> |
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date | Thu, 26 Apr 2018 16:47:12 +0100 |
parents | 747cb0ac35df |
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1 \input{docclass.tex} |
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2 |
315 | 3 \usepackage{array} |
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4 \usepackage{color} |
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5 \usepackage{fontspec} |
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6 \usepackage{graphicx} |
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7 \usepackage{fancyhdr} |
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8 \usepackage{tabularx} |
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9 \usepackage{longtable} |
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10 \usepackage[UKenglish]{babel} |
317 | 11 \usepackage[UKenglish]{isodate} |
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12 |
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13 % Non-indented paragraphs with space between them. |
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14 \usepackage{parskip} |
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15 |
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16 % 2 column table of contents. |
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17 \usepackage[toc]{multitoc} |
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18 |
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19 \usepackage{hyperref} |
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20 \hypersetup{ |
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21 colorlinks=true,% |
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22 citecolor=black,% |
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23 filecolor=black,% |
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24 linkcolor=black,% |
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25 urlcolor=black |
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26 } |
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27 |
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28 % ----- Common variables |
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29 |
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30 \newcommand{\build}{\input{buildno.txt}} |
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31 \newcommand{\instrument}{\input{instrument.txt}} |
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32 |
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33 % Havoc purple is #9900cc. |
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34 \definecolor{havocpurple}{rgb}{0.597,0,0.797} |
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35 |
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36 % ----- Macros |
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37 |
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38 \makeatletter |
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39 \def\ifemptyarg#1{% |
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40 \if\relax\detokenize{#1}\relax % H. Oberdiek |
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41 \expandafter\@firstoftwo |
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42 \else |
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43 \expandafter\@secondoftwo |
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44 \fi} |
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45 \makeatother |
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46 |
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47 % Show the main tune graphic and optional change. |
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48 % Args are: |
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49 % 1. Tune name |
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50 % 2. Tune title |
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51 % 3. Tune subtitle |
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52 % 4. Tune full title |
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53 % 5. Tune tradition |
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54 % 6. Tune composer |
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55 % 7. Tune parts |
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56 % 8. Tune graphic filename |
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57 \newcommand{\showtune}[8]{% |
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58 \phantomsection |
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59 \begin{tabularx}{\textwidth}{LCR} |
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60 #7 & \hypertarget{#1}{\Large{#2}} & \emph{#6} \tabularnewline |
329 | 61 \ifemptyarg{#3}{}{% |
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62 & #3 & \tabularnewline |
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63 } |
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64 \multicolumn{3}{c}{% |
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65 \includegraphics[width=\textwidth,height=0.8\textheight,keepaspectratio]{#8}% |
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66 }\tabularnewline |
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67 \end{tabularx} |
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68 \addcontentsline{toc}{section}{#4} |
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69 } |
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70 |
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71 % Show the tune first line. Generate table row. |
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72 % Args are the tune name, tune title and the first line graphic filename. |
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73 \newcommand{\showfirstline}[3]{% |
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74 \hyperlink{#1}{#2} & % |
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75 \raisebox{-.4\height}{\includegraphics[width=0.77\textwidth]{#3}} \\ |
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76 } |
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77 |
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78 % ----- Paper size document setup |
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79 |
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80 \input{docsetup.tex} |
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81 |
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82 % ----- Appearance |
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83 |
324 | 84 % Lettering in the tune images is in Times, so go with that for consistency. |
266
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85 \setmainfont{Times New Roman} |
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86 |
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87 % Don't show section numbers. |
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88 \setcounter{secnumdepth}{-1} |
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89 |
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90 % ----- |
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91 |
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92 \begin{document} |
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93 |
324 | 94 % ----- Headers and footers |
95 | |
96 \pagestyle{fancyplain} | |
97 \fancyhf{} | |
98 \cfoot{\thepage} | |
99 \renewcommand{\headrulewidth}{0pt} | |
100 | |
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101 \pagestylemod |
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102 |
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103 \frontmatter |
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104 |
324 | 105 % No page numbering for now, thanks. |
106 \pagenumbering{gobble} | |
107 | |
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108 % ----- Title page |
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109 |
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110 \newgeometry{margin=0.5in} |
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111 \begin{titlepage} |
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112 \titleBoD |
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113 \end{titlepage} |
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114 \restoregeometry |
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115 |
324 | 116 % ----- First inside pages. No page numbering here, thanks. |
117 | |
118 % Publisher info page. | |
119 \vspace*{\fill} | |
120 | |
325
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121 {\small \raggedright |
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122 |
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123 \textbf{Ye Crie Havoc Booke of Dottes} |
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124 |
784 | 125 Tune collection and presentation is copyright \copyright{} Jim Hague 2013-2018 |
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126 and is licensed under a Creative Commons |
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127 Attribution-NonCommercial-ShareAlike 2.0 UK: England \& Wales License. |
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128 Details at \url{http://creativecommons.org/licenses/by-nc-sa/2.0/uk/}. |
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129 |
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130 Some tunes are reproduced from Paul Hardy's Session Tunebook |
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131 (\url{www.paulhardy.net}). |
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132 |
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133 The right of Jim Hague to be identified as the author of this work has been |
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134 asserted by him in accordance with the Copyright, Designs and Patents Act 1998. |
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135 |
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136 First published in the UK 2013 by Jim Hague. |
324 | 137 |
138 The Booke of Dottes is a constant work in progress. The latest version | |
139 is always available from \url{http://dottes.cryhavoc.org.uk/}. | |
325
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140 This is issue \build, generated \today. |
324 | 141 |
325
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142 \textbf{Technical data} |
324 | 143 |
325
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144 Book sources can be found at in a Mercurial |
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145 (\url{http://mercurial.selenic.com}) repository at |
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146 \url{http://hg.cryhavoc.org.uk/dottes/}. Tunes are |
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147 in abc notation (\url{http://abcnotation.com/}). |
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148 |
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149 Music typeset by abcm2ps (\url{http://moinejf.free.fr/}). |
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150 Document typeset by {\LaTeX} using {\TeX} Live on a Debian Linux system. |
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151 Grateful thanks to all contributors to abc, {\LaTeX}, Debian, |
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152 Linux and related software. |
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153 |
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154 } |
324 | 155 |
156 \newpage | |
157 | |
158 % Dedication page. | |
282
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159 |
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160 \vspace*{\fill} |
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161 |
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162 \begin{center} |
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163 {\Large to Jane} \\ |
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164 {\large \emph{for the music, and the dance}} |
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165 \end{center} |
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166 |
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167 \vspace*{\fill} |
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168 |
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169 \newpage |
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170 |
324 | 171 % ----- Here we go with numbered frontmatter pages. |
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172 |
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173 \pagenumbering{roman} |
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174 |
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175 \chapter{Introduction} |
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176 |
308
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177 Music forms a core part of Cry Havoc Botley Morris. Of course, the |
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178 musicians provide the music we dance to. And after every practice or |
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179 dance-out, there is a music-playing session. |
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180 |
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181 Havoc musicians come in all shades of experience and ability. |
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182 This collection is intended to help those like me who are inexpert with |
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183 instrument and folk music generally, but have a little musical background. |
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184 |
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185 Being folk tunes, many of the tunes herein have many variations. |
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186 The music presented here is my attempt at reflecting what the musicians |
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187 of Cry Havoc play. I'm in no way suggesting that they are |
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188 in any way \emph{correct}. This is just how we go about them. |
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189 |
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190 The majority of tunes in this book have no identifiable author, and |
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191 are unquestionably in the public domain. Rather than litter the |
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192 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed. |
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193 Some, however, may have an identifiable author or arranger and copyright |
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194 unquestionably remains with that person. I believe these tunes to |
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195 enjoy widespread currency on the folk music scene, and therefore there |
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196 is at least tacit approval by the authors for their dissemination. |
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197 If this is not the case, please contact me at |
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198 \href{mailto:dottes@cryhavoc.org.uk}{\url{dottes@cryhavoc.org.uk}} and I will |
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199 remove the offending tune. |
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200 |
784 | 201 Finally, many, many thanks to all who have helped me with this project, |
202 in particular fellow Havocs Nerys, MickP, Susie and Ed. And most | |
203 especially to Jane, without whose enthusiasm, support and encouragement | |
204 this would never have been possible. | |
205 | |
324 | 206 \section{About Cry Havoc} |
207 | |
208 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford. | |
209 We practice between September and April on Thursday evenings at the | |
210 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and | |
211 dance out in the summer months at locations around Oxfordshire. | |
212 | |
213 Find out more at \url{http://www.cryhavoc.org.uk/}, or email | |
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214 \href{mailto:bag@cryhavoc.org.uk}{\url{bag@cryhavoc.org.uk}} for more |
324 | 215 information. Would-be dancers or musicians always welcome. |
216 | |
217 The Booke of Dottes was first produced to mark Cry Havoc's 20th | |
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218 anniversary in 2013, and substantially updated for our 25th anniversary |
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219 in 2018. |
324 | 220 |
221 % ----- | |
222 | |
223 \tableofcontents | |
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224 |
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225 % ----- |
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226 |
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227 \mainmatter |
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228 |
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229 \input{tunes.tex} |
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230 |
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231 % ----- |
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232 |
324 | 233 \cleardoublepage |
234 | |
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235 \chapter{List of tune first lines} |
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236 |
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237 You know the feeling. Everyone has just launched into a well-loved tune. |
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238 You've heard it before, but don't remember the name. So here's a list of |
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239 tune first lines to help you figure out what it is in time to join in. |
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240 |
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241 \input{firstlines.tex} |
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242 |
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243 % ----- Back cover page. A plain purple page. |
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244 |
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245 \backmatter |
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246 |
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247 \input{docend.tex} |
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248 |
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249 \end{document} |