Mercurial > dottes
annotate dottes.tex @ 784:747cb0ac35df
Update thanks.
author | Jim Hague <jim.hague@acm.org> |
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date | Wed, 25 Apr 2018 23:34:18 +0100 |
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1 \input{docclass.tex} |
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2 |
315 | 3 \usepackage{array} |
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4 \usepackage{color} |
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5 \usepackage{fontspec} |
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6 \usepackage{graphicx} |
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7 \usepackage{fancyhdr} |
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8 \usepackage{tabularx} |
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9 \usepackage{longtable} |
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10 \usepackage[UKenglish]{babel} |
317 | 11 \usepackage[UKenglish]{isodate} |
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12 |
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13 % Non-indented paragraphs with space between them. |
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14 \usepackage{parskip} |
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15 |
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16 % 2 column table of contents. |
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17 \usepackage[toc]{multitoc} |
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18 |
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19 \usepackage{hyperref} |
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20 \hypersetup{ |
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21 colorlinks=true,% |
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22 citecolor=black,% |
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23 filecolor=black,% |
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24 linkcolor=black,% |
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25 urlcolor=black |
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26 } |
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27 |
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28 % ----- Common variables |
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29 |
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30 \newcommand{\build}{\input{buildno.txt}} |
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31 \newcommand{\instrument}{\input{instrument.txt}} |
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32 |
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33 % Havoc purple is #9900cc. |
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34 \definecolor{havocpurple}{rgb}{0.597,0,0.797} |
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35 |
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36 % ----- Macros |
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37 |
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38 \makeatletter |
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39 \def\ifemptyarg#1{% |
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40 \if\relax\detokenize{#1}\relax % H. Oberdiek |
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41 \expandafter\@firstoftwo |
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42 \else |
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43 \expandafter\@secondoftwo |
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44 \fi} |
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45 \makeatother |
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46 |
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47 % Show the main tune graphic and optional change. |
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48 % Args are: |
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49 % 1. Tune name |
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50 % 2. Tune title |
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51 % 3. Tune subtitle |
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52 % 4. Tune full title |
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53 % 5. Tune tradition |
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54 % 6. Tune composer |
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55 % 7. Tune parts |
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56 % 8. Tune graphic filename |
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57 \newcommand{\showtune}[8]{% |
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58 \phantomsection |
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59 \begin{tabularx}{\textwidth}{LCR} |
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60 #7 & \hypertarget{#1}{\Large{#2}} & \emph{#6} \tabularnewline |
329 | 61 \ifemptyarg{#3}{}{% |
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62 & #3 & \tabularnewline |
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63 } |
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64 \ifemptyarg{#5}{}{% |
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65 & \emph{#5} & \tabularnewline |
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66 } |
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67 \multicolumn{3}{c}{% |
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68 \includegraphics[width=\textwidth,height=0.8\textheight,keepaspectratio]{#8}% |
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69 }\tabularnewline |
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70 \end{tabularx} |
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71 \addcontentsline{toc}{section}{#4} |
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72 } |
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73 |
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74 % Show the tune first line. Generate table row. |
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75 % Args are the tune name, tune title and the first line graphic filename. |
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76 \newcommand{\showfirstline}[3]{% |
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77 \hyperlink{#1}{#2} & % |
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78 \raisebox{-.4\height}{\includegraphics[width=0.77\textwidth]{#3}} \\ |
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79 } |
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80 |
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81 % ----- Paper size document setup |
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82 |
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83 \input{docsetup.tex} |
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84 |
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85 % ----- Appearance |
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86 |
324 | 87 % Lettering in the tune images is in Times, so go with that for consistency. |
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88 \setmainfont{Times New Roman} |
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89 |
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90 % Don't show section numbers. |
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91 \setcounter{secnumdepth}{-1} |
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92 |
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93 % ----- |
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94 |
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95 \begin{document} |
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96 |
324 | 97 % ----- Headers and footers |
98 | |
99 \pagestyle{fancyplain} | |
100 \fancyhf{} | |
101 \cfoot{\thepage} | |
102 \renewcommand{\headrulewidth}{0pt} | |
103 | |
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104 \pagestylemod |
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105 |
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106 \frontmatter |
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107 |
324 | 108 % No page numbering for now, thanks. |
109 \pagenumbering{gobble} | |
110 | |
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111 % ----- Title page |
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112 |
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113 \newgeometry{margin=0.5in} |
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114 \begin{titlepage} |
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115 \titleBoD |
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116 \end{titlepage} |
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117 \restoregeometry |
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118 |
324 | 119 % ----- First inside pages. No page numbering here, thanks. |
120 | |
121 % Publisher info page. | |
122 \vspace*{\fill} | |
123 | |
325
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124 {\small \raggedright |
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125 |
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126 \textbf{Ye Crie Havoc Booke of Dottes} |
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127 |
784 | 128 Tune collection and presentation is copyright \copyright{} Jim Hague 2013-2018 |
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129 and is licensed under a Creative Commons |
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130 Attribution-NonCommercial-ShareAlike 2.0 UK: England \& Wales License. |
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131 Details at \url{http://creativecommons.org/licenses/by-nc-sa/2.0/uk/}. |
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132 |
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133 Some tunes are reproduced from Paul Hardy's Session Tunebook |
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134 (\url{www.paulhardy.net}). |
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135 |
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136 The right of Jim Hague to be identified as the author of this work has been |
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137 asserted by him in accordance with the Copyright, Designs and Patents Act 1998. |
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138 |
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139 First published in the UK 2013 by Jim Hague. |
324 | 140 |
141 The Booke of Dottes is a constant work in progress. The latest version | |
142 is always available from \url{http://dottes.cryhavoc.org.uk/}. | |
325
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143 This is issue \build, generated \today. |
324 | 144 |
325
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145 \textbf{Technical data} |
324 | 146 |
325
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147 Book sources can be found at in a Mercurial |
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148 (\url{http://mercurial.selenic.com}) repository at |
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149 \url{http://hg.cryhavoc.org.uk/dottes/}. Tunes are |
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150 in abc notation (\url{http://abcnotation.com/}). |
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151 |
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152 Music typeset by abcm2ps (\url{http://moinejf.free.fr/}). |
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153 Document typeset by {\LaTeX} using {\TeX} Live on a Debian Linux system. |
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154 Grateful thanks to all contributors to abc, {\LaTeX}, Debian, |
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155 Linux and related software. |
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156 |
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157 } |
324 | 158 |
159 \newpage | |
160 | |
161 % Dedication page. | |
282
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162 |
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163 \vspace*{\fill} |
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164 |
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165 \begin{center} |
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166 {\Large to Jane} \\ |
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167 {\large \emph{for the music, and the dance}} |
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168 \end{center} |
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169 |
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170 \vspace*{\fill} |
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171 |
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172 \newpage |
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173 |
324 | 174 % ----- Here we go with numbered frontmatter pages. |
266
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175 |
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176 \pagenumbering{roman} |
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177 |
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178 \chapter{Introduction} |
266
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179 |
308
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180 Music forms a core part of Cry Havoc Botley Morris. Of course, the |
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181 musicians provide the music we dance to. And after every practice or |
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182 dance-out, there is a music-playing session. |
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183 |
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184 Havoc musicians come in all shades of experience and ability. |
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185 This collection is intended to help those like me who are inexpert with |
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186 instrument and folk music generally, but have a little musical background. |
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187 |
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188 Being folk tunes, many of the tunes herein have many variations. |
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189 The music presented here is my attempt at reflecting what the musicians |
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190 of Cry Havoc play. I'm in no way suggesting that they are |
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191 in any way \emph{correct}. This is just how we go about them. |
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192 |
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193 The majority of tunes in this book have no identifiable author, and |
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194 are unquestionably in the public domain. Rather than litter the |
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195 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed. |
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196 Some, however, may have an identifiable author or arranger and copyright |
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197 unquestionably remains with that person. I believe these tunes to |
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198 enjoy widespread currency on the folk music scene, and therefore there |
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199 is at least tacit approval by the authors for their dissemination. |
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200 If this is not the case, please contact me at |
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201 \href{mailto:dottes@cryhavoc.org.uk}{\url{dottes@cryhavoc.org.uk}} and I will |
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202 remove the offending tune. |
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203 |
784 | 204 Finally, many, many thanks to all who have helped me with this project, |
205 in particular fellow Havocs Nerys, MickP, Susie and Ed. And most | |
206 especially to Jane, without whose enthusiasm, support and encouragement | |
207 this would never have been possible. | |
208 | |
324 | 209 \section{About Cry Havoc} |
210 | |
211 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford. | |
212 We practice between September and April on Thursday evenings at the | |
213 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and | |
214 dance out in the summer months at locations around Oxfordshire. | |
215 | |
216 Find out more at \url{http://www.cryhavoc.org.uk/}, or email | |
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217 \href{mailto:bag@cryhavoc.org.uk}{\url{bag@cryhavoc.org.uk}} for more |
324 | 218 information. Would-be dancers or musicians always welcome. |
219 | |
220 The Booke of Dottes was first produced to mark Cry Havoc's 20th | |
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221 anniversary in 2013, and substantially updated for our 25th anniversary |
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222 in 2018. |
324 | 223 |
224 % ----- | |
225 | |
226 \tableofcontents | |
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227 |
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228 % ----- |
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229 |
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230 \mainmatter |
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231 |
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232 \input{tunes.tex} |
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233 |
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234 % ----- |
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235 |
324 | 236 \cleardoublepage |
237 | |
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238 \chapter{List of tune first lines} |
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239 |
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240 You know the feeling. Everyone has just launched into a well-loved tune. |
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241 You've heard it before, but don't remember the name. So here's a list of |
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242 tune first lines to help you figure out what it is in time to join in. |
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243 |
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244 \input{firstlines.tex} |
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245 |
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246 % ----- Back cover page. A plain purple page. |
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247 |
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248 \backmatter |
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249 |
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250 \input{docend.tex} |
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251 |
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252 \end{document} |