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Decide to use the default paragraph indent. A zero indent means that you really then want space between paragraphs. And that in turn means that you get extra spaces between a tune and any Change notification. So for now use the default indentation to signal a paragraph and see how that goes. Possibly the tunes should be generate such that there is no paragraph between the graphic and the change notification, but I'd have to work out how.
author Jim Hague <jim.hague@acm.org>
date Fri, 14 Jun 2013 23:39:37 +0100
parents 9cdf1690d5e5
children a3c356207253
Ignore whitespace changes - Everywhere: Within whitespace: At end of lines:
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1 <!DOCTYPE html>
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2 <html lang="en">
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3 <head>
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4 <meta charset="utf-8" />
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5 <title>Ye Crie Havock Booke of Dottes</title>
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6 <link rel="stylesheet" href="css/reset.css" />
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7 <link rel="stylesheet" href="css/text.css" />
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8 <link rel="stylesheet" href="css/960.css" />
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9 <link rel="stylesheet" href="css/dottes.css" />
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10
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11 <link href='http://fonts.googleapis.com/css?family=Pirata+One|Oswald'
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12 rel='stylesheet' type='text/css'>
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13 </head>
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14 <body>
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15 <div class="container_12">
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16 <a href="/">
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17 <div class="grid_12 header-strip banner">
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18 <h1>Ye Crie Havock Booke of Dottes</h1>
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19 </div>
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20 </a>
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21
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22 <div class="grid_12 dottes-body">
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23 <h1>The music of Cry Havoc, a reference.</h1>
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24 <p>After every practice or dance-out, the musicians of Cry Havoc
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25 Botley Morris like to have a little music-playing session.
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26 <p>Havoc musicians come in all shades of experience and ability.
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27 This collection is intended to help those like me who are inexpert with
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28 instrument and folk music generally, but have a little musical
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29 background.</p>
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30 <p>Being folk tunes, many of the tunes herein have many variations.
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31 The music presented here is my attempt at reflecting what is actually
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32 played at Havoc sessions. I'm in no way suggesting that they are
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33 in any way <em>correct</em>. This is just how we go about them.</p>
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34 <p>The tunes we play tend to vary over time. So this collection is
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35 not static, but will change over time. I'll probably not delete tunes,
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36 but at some stage may get round to marking some as less used.</p>
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37 <p>All tunes are believed to be in the public domain, or at the
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38 very least enjoy widespread currency on the folk music scene. If I have
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39 inadvertantly transgressed on anyone's copyright, please contact me at
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40 the address below and I will remove the offending tune.
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41 <div class="dottes-container">
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42 <div class="dottes-transpose-instrument">
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43 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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44 <h1>Tunes</h1>
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45 </div>
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46 <div class="dottes-transpose-instrument-item dottes-transpose-how">
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47 <p>The tunes are separated into tune collections.
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48 </div>
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49 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
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50 <ul class="tune-type-list">
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51 <li><a href="Morris">Morris</a></li>
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52 <li><a href="Session">Session</a></li>
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53 <li><a href="Library">Library</a></li>
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54 </ul>
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55 </div>
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56 </div>
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57 </div>
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58 </div>
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59
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60 <div class="grid_12 dottes-body">
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61 <h1>But my instrument isn't suited for treble clef concert pitch!</h1>
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62 <p>Of course, not all instruments are suited to playing music written
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63 in concert pitch in the treble clef.
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64 <p>To help those with such instruments get started, I've done some
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65 simple transpositions for requested instruments. These are
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66 <strong>not</strong> proper arrangements; I lack the time and the
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67 knowledge or ability to do that. Instead, they are automatically
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68 generated from the concert pitch originals using a typically very
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69 simple method.
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70 <p>I hope you find them useful.</p>
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71
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72 <div class="dottes-container">
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73 <div class="dottes-transpose-instrument">
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74 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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75 <h1>Cello</h1>
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76 </div>
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77 <div class="dottes-transpose-instrument-item dottes-transpose-how">
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78 <p>Transpose down one or two octaves depending on the range in the
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79 tune, and use the bass clef.
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80 </div>
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81 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
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82 <ul class="tune-type-list">
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83 <li><a href="Morris-Cello">Morris</a></li>
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84 <li><a href="Session-Cello">Session</a></li>
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85 <li><a href="Library-Cello">Library</a></li>
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86 </ul>
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87 </div>
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88 </div>
216
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89 </div>
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90 <div class="dottes-container">
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91 <div class="dottes-transpose-instrument">
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92 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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93 <h1>Horn in F</h1>
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94 </div>
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95 <div class="dottes-transpose-instrument-item dottes-transpose-how">
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96 <p>Transpose up a fifth, or down a seventh depending on the
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97 range in the tune. To avoid scaring less able horn players such
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98 as myself, the transposed score will prefer going below middle C
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99 to going above the top G on the stave. Able horn players
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100 can transpose in their heads anyway, so don't need this.
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101 </div>
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102 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
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103 <ul class="tune-type-list">
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104 <li><a href="Morris-HornInF">Morris</a></li>
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105 <li><a href="Session-HornInF">Session</a></li>
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106 <li><a href="Library-HornInF">Library</a></li>
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107 </ul>
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108 </div>
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109 </div>
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110 </div>
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111 </div>
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112
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113 <div class="grid_12 dottes-body">
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114 <h1>Who is responsible for this?</h1>
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115 <p>Found a mistake, missing a tune or just want something changed?
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116 Email Jim at <a href="mailto:dottes@cryhavoc.org.uk">
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117 dottes@cryhavoc.org.uk</a>.</p>
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118 </div>
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119
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120 </div>
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121 </body>
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122 </html>