annotate web/index.html @ 650:9982077ac9b2

Update tune format files. In the main one, just remove a couple of now deprecated settings that did nothing anyway. For the web format, which is actually the format used to generate the downloadable PDFs, bring it into line with the main format but leave the margins at the default settings. Also remove the deprecated settings.
author Jim Hague <jim.hague@acm.org>
date Thu, 10 Nov 2016 00:47:55 +0000
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1 <!DOCTYPE html>
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2 <html lang="en">
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3 <head>
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4 <meta charset="utf-8" />
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464a2adedeb6 Set initial viewport settings.
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5 <meta name="viewport" content="width=device-width, initial-scale=1.0">
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6 <title>Ye Crie Havock Booke of Dottes</title>
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7 <link rel="stylesheet" href="css/dottes.css" />
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8
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ae0836b5f4dd Change main body font to Open Sans, to match the main Havoc website.
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9 <link href='http://fonts.googleapis.com/css?family=Pirata+One|Open+Sans'
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10 rel='stylesheet' type='text/css'>
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11 </head>
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12 <body>
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13 <div class="container">
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14 <a href="/">
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15 <div class="header-strip banner">
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4618fbf52662 Re-add header to front page.
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16 <img src="img/banner.png">
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17 </div>
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18 </a>
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20 <div class="dottes-body">
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21 <h1>The music of Cry Havoc, a reference.</h1>
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22 <p>Music forms a core part of Cry Havoc Botley Morris. Of course, the
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23 musicians provide the music we dance to. And after every practice or
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24 dance-out, there is a music-playing session.
192
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25 <p>Havoc musicians come in all shades of experience and ability.
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26 This collection is intended to help those like me who are inexpert with
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27 instrument and folk music generally.</p>
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28 <p>Being folk tunes, many of the tunes herein have many variations.
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29 The music presented here is my attempt at reflecting what is actually
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30 played at Havoc sessions. I'm in no way suggesting that they are
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31 in any way <em>correct</em>. This is just how we go about them.</p>
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32 <p>The tunes we play tend to vary over time. So this collection is
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33 not static, but will change over time. Lesser used tunes, or simply
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34 tunes that I like but are not in general Havoc currency, are in
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35 the Library collection.</p>
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36 <p>The majority of tunes here have no identifiable author, and
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37 are unquestionably in the public domain. Rather than litter the
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38 pages with <em>Trad.</em> or <em>Anon.</em>, I have left them
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39 unattributed. Some, however, have an identifiable author or
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40 arranger and copyright unquestionably remains with that person.
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41 I believe these tunes to enjoy widespread currency on the folk
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42 music scene, and therefore there is at least tacit approval by
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43 the authors for their dissemination. If this is not the case,
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44 please contact me at the address below and I will remove the
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45 offending tune.</p>
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46 <div class="dottes-transpose-container">
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47 <div class="dottes-transpose-instrument">
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48 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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49 <h1>Tunes</h1>
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50 </div>
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51 <div class="dottes-transpose-instrument-item dottes-transpose-how">
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52 <p>The tunes are separated into tune collections.
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53 </div>
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54 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
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55 <ul class="tune-type-list">
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56 <li><a href="Morris">Morris</a></li>
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57 <li><a href="Session">Session</a></li>
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58 <li><a href="Library">Library</a></li>
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59 </ul>
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60 </div>
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61 </div>
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62 </div>
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63 </div>
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64
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65 <div class="dottes-body">
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66 <h1>But my instrument isn't suited for treble clef concert pitch!</h1>
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67 <p>Of course, not all instruments are suited to playing music written
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68 in concert pitch in the treble clef.</p>
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69 <p>To help those with such instruments get started, I've done some
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70 simple transpositions for requested instruments. These are
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71 <strong>not</strong> proper arrangements; I lack the time and the
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72 knowledge or ability to do that. Instead, they are automatically
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73 generated from the concert pitch originals using a typically very
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74 simple method.
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75 <p>I hope you find them useful.</p>
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76
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77 <div class="dottes-transpose-container">
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78 <div class="dottes-transpose-instrument">
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79 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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80 <h1>Cello</h1>
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81 </div>
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82 <div class="dottes-transpose-instrument-item dottes-transpose-how">
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83 <p>Transpose down one or two octaves depending on the range in the
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84 tune, and use the bass clef.</p>
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85 </div>
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86 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
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87 <ul class="tune-type-list">
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88 <li><a href="Morris-Cello">Morris</a></li>
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89 <li><a href="Session-Cello">Session</a></li>
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90 <li><a href="Library-Cello">Library</a></li>
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91 </ul>
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92 </div>
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93 </div>
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94 </div>
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95 <div class="dottes-transpose-container">
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96 <div class="dottes-transpose-instrument">
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97 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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98 <h1>Horn in F</h1>
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99 </div>
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100 <div class="dottes-transpose-instrument-item dottes-transpose-how">
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101 <p>Transpose up a fifth, or down a seventh depending on the
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102 range in the tune. To avoid scaring less able horn players such
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103 as myself, the transposed score will prefer going below middle C
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104 to going above the top G on the stave. Able horn players
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105 can transpose in their heads anyway, so don't need this.</p>
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106 </div>
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107 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
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108 <ul class="tune-type-list">
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109 <li><a href="Morris-HornInF">Morris</a></li>
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110 <li><a href="Session-HornInF">Session</a></li>
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111 <li><a href="Library-HornInF">Library</a></li>
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112 </ul>
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113 </div>
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114 </div>
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115 </div>
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116 </div>
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117
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118 <div class="dottes-body">
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119 <h1>Who is responsible for this?</h1>
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120 <p>Found a mistake, missing a tune or just want something changed?
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121 Email Jim at <a href="mailto:dottes@cryhavoc.org.uk">
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122 dottes@cryhavoc.org.uk</a>.</p>
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123 </div>
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124
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125 <div class="dottes-body">
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126 <h1>Acknowledgements</h1>
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127 <p>A few tunes here are from <a href="http://www.paulhardy.net/">
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128 Paul Hardy's Session Tunebook</a>. Many thanks to Paul for
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129 licensing it under permissive terms. I have followed his lead
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130 and used the same <a href="#licencing">licence</a> for the
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131 Booke of Dottes.</p>
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132 <p>One icon on this website is courtesy
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133 of <a href="www.creativefreedom.co.uk">Creative Freedom</a>.
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134 Thanks to them.
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135 <p>Above all, profuse and grateful thanks to all my fellow
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136 Havocs, and most especially to Jane. They have supplied the tunes,
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137 checked the renditions, and offered corrections and suggestions.
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138 Without them, this project couldn't have happened.</p>
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139 </div>
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140
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141 <div class="dottes-body">
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142 <p>
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143 <a rel="license"
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144 href="http://creativecommons.org/licenses/by-sa/2.0/uk/deed.en_US">
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145 <img alt="Creative Commons License" style="border-width:0"
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146 src="http://i.creativecommons.org/l/by-nc-sa/2.0/uk/88x31.png"/>
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147 </a>
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148 <br />
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149 The collection of tunes that is
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150 <span xmlns:dct="http://purl.org/dc/terms/"
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151 property="dct:title">Ye Crie Havock Booke of Dottes</span>
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152 by <a xmlns:cc="http://creativecommons.org/ns#"
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153 href="dottes.cryhavoc.og.uk" property="cc:attributionName"
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154 rel="cc:attributionURL">Jim Hague</a>
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155 is licensed under a
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156 <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/2.0/uk/">
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157 Creative Commons Attribution-NonCommercial-ShareAlike 2.0 UK: England &amp; Wales
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158 License</a>.
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159 </p>
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160 </div>
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161
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162 </div>
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163 </body>
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164 </html>