Mercurial > dottes
annotate dottes.tex @ 334:9f9df5c40d1b
Move cover page colour and blank coloured end page to doc-specific files.
That way output where the colour isn't appropriate, such as Nook or the newly introduced
A4Lulu output (which is the A4 book but with white cover page and no end coloured page, and so
suitable for using as the content on Lulu, where the cover is separate) can omit the colour.
author | Jim Hague <jim.hague@acm.org> |
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date | Fri, 09 Aug 2013 13:55:59 +0100 |
parents | 419c5e1a6fb0 |
children | 8787d85fa641 |
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1 \input{docclass.tex} |
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2 |
315 | 3 \usepackage{array} |
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4 \usepackage{color} |
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5 \usepackage{fontspec} |
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6 \usepackage{graphicx} |
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7 \usepackage{fancyhdr} |
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8 \usepackage{tabularx} |
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9 \usepackage{longtable} |
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10 \usepackage[UKenglish]{babel} |
317 | 11 \usepackage[UKenglish]{isodate} |
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12 |
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13 % Non-indented paragraphs with space between them. |
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14 \usepackage{parskip} |
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15 |
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16 % 2 column table of contents. |
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17 \usepackage[toc]{multitoc} |
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18 |
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19 \usepackage{hyperref} |
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20 \hypersetup{ |
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21 bookmarks=true,% |
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22 colorlinks=true,% |
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23 citecolor=black,% |
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24 filecolor=black,% |
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25 linkcolor=black,% |
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26 urlcolor=black |
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27 } |
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28 |
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29 % ----- Common variables |
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30 |
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31 \newcommand{\build}{\input{buildno.txt}} |
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32 \newcommand{\instrument}{\input{instrument.txt}} |
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33 |
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34 % Havoc purple is #9900cc. |
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35 \definecolor{havocpurple}{rgb}{0.597,0,0.797} |
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36 |
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37 % ----- Macros |
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38 |
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39 \makeatletter |
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40 \def\ifemptyarg#1{% |
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41 \if\relax\detokenize{#1}\relax % H. Oberdiek |
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42 \expandafter\@firstoftwo |
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43 \else |
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44 \expandafter\@secondoftwo |
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45 \fi} |
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46 \makeatother |
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47 |
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48 % Show the main tune graphic and optional change. |
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49 % Args are tune name, tune title, tune subtitle, composer, tune graphic |
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50 % filename, change name, change title, credit. |
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51 \newcommand{\showtune}[8]{% |
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52 \phantomsection |
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53 \vfill |
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54 \begin{tabularx}{\textwidth}{LCR} |
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55 \addcontentsline{toc}{section}{#2} |
329 | 56 & \hypertarget{#1}{\Large{#2}} & \emph{#4} \\ |
57 \ifemptyarg{#3}{}{% | |
58 & #3 & \\ | |
330
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59 } |
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60 \multicolumn{3}{c}{% |
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61 \includegraphics[width=\textwidth,height=0.8\textheight,keepaspectratio]{#5}% |
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62 }\tabularnewline |
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63 \multicolumn{3}{p{\textwidth}}{% |
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64 \ifemptyarg{#8}{}{From {#8}. }% |
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65 \ifemptyarg{#6}{}{Change: \hyperlink{#6}{#7}.}% |
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66 }\tabularnewline |
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67 \end{tabularx} |
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68 } |
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69 |
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70 % Show the tune first line. Generate table row. |
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71 % Args are the tune name, tune title and the first line graphic filename. |
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72 \newcommand{\showfirstline}[3]{% |
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73 \hyperlink{#1}{#2} & % |
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74 \raisebox{-.4\height}{\includegraphics[width=0.77\textwidth]{#3}} \\ |
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75 } |
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76 |
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77 % ----- Paper size document setup |
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78 |
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79 \input{docsetup.tex} |
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80 |
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81 % ----- Appearance |
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82 |
324 | 83 % Lettering in the tune images is in Times, so go with that for consistency. |
266
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84 \setmainfont{Times New Roman} |
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85 |
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86 % Don't show section numbers. |
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87 \setcounter{secnumdepth}{-1} |
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88 |
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89 % ----- |
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90 |
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91 \begin{document} |
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92 |
324 | 93 % ----- Headers and footers |
94 | |
95 \pagestyle{fancyplain} | |
96 \fancyhf{} | |
97 \cfoot{\thepage} | |
98 \renewcommand{\headrulewidth}{0pt} | |
99 | |
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100 \pagestylemod |
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101 |
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102 \frontmatter |
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103 |
324 | 104 % No page numbering for now, thanks. |
105 \pagenumbering{gobble} | |
106 | |
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107 % ----- Title page |
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108 |
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109 \newgeometry{margin=0.5in} |
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110 \begin{titlepage} |
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111 \titleBoD |
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112 \end{titlepage} |
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113 \restoregeometry |
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114 |
324 | 115 % ----- First inside pages. No page numbering here, thanks. |
116 | |
117 % Publisher info page. | |
118 \vspace*{\fill} | |
119 | |
325
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120 {\small \raggedright |
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121 |
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122 \textbf{Ye Crie Havoc Booke of Dottes} |
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123 |
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124 Tune collection and presentation is copyright \copyright{} Jim Hague 2013 |
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125 and is licensed under a Creative Commons |
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126 Attribution-NonCommercial-ShareAlike 2.0 UK: England \& Wales License. |
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127 Details at \url{http://creativecommons.org/licenses/by-nc-sa/2.0/uk/}. |
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128 |
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129 Some tunes are reproduced from Paul Hardy's Session Tunebook |
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130 (\url{www.paulhardy.net}). |
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131 |
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132 The right of Jim Hague to be identified as the author of this work has been |
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133 asserted by him in accordance with the Copyright, Designs and Patents Act 1998. |
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134 |
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135 First published in the UK 2013 by Jim Hague. |
324 | 136 |
137 The Booke of Dottes is a constant work in progress. The latest version | |
138 is always available from \url{http://dottes.cryhavoc.org.uk/}. | |
325
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139 This is issue \build, generated \today. |
324 | 140 |
325
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141 \textbf{Technical data} |
324 | 142 |
325
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143 Book sources can be found at in a Mercurial |
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144 (\url{http://mercurial.selenic.com}) repository at |
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145 \url{http://hg.cryhavoc.org.uk/dottes/}. Tunes are |
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146 in abc notation (\url{http://abcnotation.com/}). |
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147 |
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148 Music typeset by abcm2ps (\url{http://moinejf.free.fr/}). |
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149 Document typeset by {\LaTeX} using {\TeX} Live on a Debian Linux system. |
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150 Grateful thanks to all contributors to abc, {\LaTeX}, Debian, |
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151 Linux and related software. |
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152 |
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153 } |
324 | 154 |
155 \newpage | |
156 | |
157 % Dedication page. | |
282
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158 |
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159 \vspace*{\fill} |
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160 |
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161 \begin{center} |
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162 {\Large to Jane} \\ |
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163 {\large \emph{for the music, and the dance}} |
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164 \end{center} |
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165 |
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166 \vspace*{\fill} |
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167 |
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168 \newpage |
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169 |
324 | 170 % ----- Here we go with numbered frontmatter pages. |
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171 |
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172 \pagenumbering{roman} |
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173 |
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174 \chapter{Introduction} |
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175 |
308
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176 Music forms a core part of Cry Havoc Botley Morris. Of course, the |
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177 musicians provide the music we dance to. And after every practice or |
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178 dance-out, there is a music-playing session. |
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179 |
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180 Havoc musicians come in all shades of experience and ability. |
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181 This collection is intended to help those like me who are inexpert with |
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182 instrument and folk music generally, but have a little musical background. |
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183 |
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184 \input{intro.txt} |
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185 |
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186 Being folk tunes, many of the tunes herein have many variations. |
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187 The music presented here is my attempt at reflecting what the musicians |
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188 of Cry Havoc play. I'm in no way suggesting that they are |
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189 in any way \emph{correct}. This is just how we go about them. |
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190 |
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191 The majority of tunes in this book have no identifiable author, and |
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192 are unquestionably in the public domain. Rather than litter the |
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193 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed. |
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194 Some, however, have an identifiable author or arranger and copyright |
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195 unquestionably remains with that person. I believe these tunes to |
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196 enjoy widespread currency on the folk music scene, and therefore there |
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197 is at least tacit approval by the authors for their dissemination. |
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198 If this is not the case, please contact me at |
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199 \href{mailto:dottes@cryhavoc.org.uk}{\url{dottes@cryhavoc.org.uk}} and I will |
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200 remove the offending tune. |
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201 |
324 | 202 \section{About Cry Havoc} |
203 | |
204 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford. | |
205 We practice between September and April on Thursday evenings at the | |
206 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and | |
207 dance out in the summer months at locations around Oxfordshire. | |
208 | |
209 Find out more at \url{http://www.cryhavoc.org.uk/}, or email | |
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210 \href{mailto:bag@cryhavoc.org.uk}{\url{bag@cryhavoc.org.uk}} for more |
324 | 211 information. Would-be dancers or musicians always welcome. |
212 | |
213 The Booke of Dottes was first produced to mark Cry Havoc's 20th | |
214 anniversary in 2013. | |
215 | |
216 % ----- | |
217 | |
218 \tableofcontents | |
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219 |
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220 % ----- |
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221 |
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222 \mainmatter |
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223 |
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224 \addcontentsline{toc}{chapter}{Tunes} |
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225 |
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226 { |
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227 \newcolumntype{L}{p{0.25\textwidth}}% |
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228 \newcolumntype{R}{>{\raggedleft\arraybackslash}p{0.25\textwidth}}% |
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229 \newcolumntype{C}{>{\centering\arraybackslash}X}% |
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230 \renewcommand{\tabularxcolumn}[1]{m{#1}}% |
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231 \renewcommand{\tabcolsep}{0pt} |
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232 |
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233 \input{tunes.tex} |
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234 } |
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235 |
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236 % ----- |
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237 |
324 | 238 \cleardoublepage |
239 | |
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240 \chapter{List of tune first lines} |
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241 |
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242 You know the feeling. Everyone has just launched into a well-loved tune. |
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243 You've heard it before, but don't remember the name. So here's a list of |
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244 tune first lines to help you figure out what it is in time to join in. |
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245 |
315 | 246 {\renewcommand{\arraystretch}{2.5} |
247 \setlength\LTleft{0pt} | |
306 | 248 \setlength\LTright{\fill} |
315 | 249 \begin{longtable}{@{}>{\raggedright\arraybackslash}m{0.2\textwidth}r@{}} |
266
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250 \input{firstlines.tex} |
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251 \end{longtable} |
315 | 252 } |
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253 |
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254 % ----- Back cover page. A plain purple page. |
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255 |
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256 \backmatter |
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257 |
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258 \input{docend.tex} |
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259 |
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260 \end{document} |