Mercurial > dottes
annotate web/index.html @ 608:b4eb1753c80f
Up the resolution of the web graphics.
This will result in increased image size, on the order of 18k->32k, but
I'm fed up with the blurriness of the current images. Ideally I'd move
to SVG for the web images, but Mick reckons that SVG support on mobile
browsers is still limited. Suspect he's probably right.
author | Jim Hague <jim.hague@acm.org> |
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date | Fri, 04 Nov 2016 23:31:40 +0000 |
parents | ae0836b5f4dd |
children | dfeb781e5196 |
rev | line source |
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1 <!DOCTYPE html> |
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2 <html lang="en"> |
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3 <head> |
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4 <meta charset="utf-8" /> |
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5 <title>Ye Crie Havock Booke of Dottes</title> |
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6 <link rel="stylesheet" href="css/reset.css" /> |
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7 <link rel="stylesheet" href="css/text.css" /> |
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8 <link rel="stylesheet" href="css/960.css" /> |
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9 <link rel="stylesheet" href="css/dottes.css" /> |
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10 |
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11 <link href='http://fonts.googleapis.com/css?family=Pirata+One|Open+Sans' |
195 | 12 rel='stylesheet' type='text/css'> |
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13 </head> |
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14 <body> |
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15 <div class="container_12"> |
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16 <a href="/"> |
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17 <div class="grid_12 header-strip banner"> |
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18 <h1>Ye Crie Havock Booke of Dottes</h1> |
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19 </div> |
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20 </a> |
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21 |
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22 <div class="grid_12 dottes-body"> |
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23 <h1>The music of Cry Havoc, a reference.</h1> |
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24 <p>Music forms a core part of Cry Havoc Botley Morris. Of course, the |
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25 musicians provide the music we dance to. And after every practice or |
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26 dance-out, there is a music-playing session. |
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27 <p>Havoc musicians come in all shades of experience and ability. |
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28 This collection is intended to help those like me who are inexpert with |
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29 instrument and folk music generally.</p> |
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30 <p>Being folk tunes, many of the tunes herein have many variations. |
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31 The music presented here is my attempt at reflecting what is actually |
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32 played at Havoc sessions. I'm in no way suggesting that they are |
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33 in any way <em>correct</em>. This is just how we go about them.</p> |
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34 <p>The tunes we play tend to vary over time. So this collection is |
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35 not static, but will change over time. Lesser used tunes, or simply |
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36 tunes that I like but are not in general Havoc currency, are in |
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37 the Library collection.</p> |
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38 <p>The majority of tunes here have no identifiable author, and |
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39 are unquestionably in the public domain. Rather than litter the |
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40 pages with <em>Trad.</em> or <em>Anon.</em>, I have left them |
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41 unattributed. Some, however, have an identifiable author or |
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42 arranger and copyright unquestionably remains with that person. |
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43 I believe these tunes to enjoy widespread currency on the folk |
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44 music scene, and therefore there is at least tacit approval by |
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45 the authors for their dissemination. If this is not the case, |
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46 please contact me at the address below and I will remove the |
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47 offending tune. |
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48 <div class="dottes-container"> |
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49 <div class="dottes-transpose-instrument"> |
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50 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> |
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51 <h1>Tunes</h1> |
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52 </div> |
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53 <div class="dottes-transpose-instrument-item dottes-transpose-how"> |
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54 <p>The tunes are separated into tune collections. |
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55 </div> |
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56 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> |
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57 <ul class="tune-type-list"> |
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58 <li><a href="Morris">Morris</a></li> |
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59 <li><a href="Session">Session</a></li> |
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60 <li><a href="Library">Library</a></li> |
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61 </ul> |
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62 </div> |
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63 </div> |
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64 </div> |
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65 </div> |
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66 |
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67 <div class="grid_12 dottes-body"> |
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68 <h1>But my instrument isn't suited for treble clef concert pitch!</h1> |
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69 <p>Of course, not all instruments are suited to playing music written |
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70 in concert pitch in the treble clef. |
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71 <p>To help those with such instruments get started, I've done some |
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72 simple transpositions for requested instruments. These are |
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73 <strong>not</strong> proper arrangements; I lack the time and the |
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74 knowledge or ability to do that. Instead, they are automatically |
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75 generated from the concert pitch originals using a typically very |
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76 simple method. |
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77 <p>I hope you find them useful.</p> |
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78 |
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79 <div class="dottes-container"> |
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80 <div class="dottes-transpose-instrument"> |
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81 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> |
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82 <h1>Cello</h1> |
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83 </div> |
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84 <div class="dottes-transpose-instrument-item dottes-transpose-how"> |
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85 <p>Transpose down one or two octaves depending on the range in the |
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86 tune, and use the bass clef. |
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87 </div> |
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88 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> |
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89 <ul class="tune-type-list"> |
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90 <li><a href="Morris-Cello">Morris</a></li> |
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91 <li><a href="Session-Cello">Session</a></li> |
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92 <li><a href="Library-Cello">Library</a></li> |
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93 </ul> |
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94 </div> |
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95 </div> |
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96 </div> |
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97 <div class="dottes-container"> |
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98 <div class="dottes-transpose-instrument"> |
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99 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> |
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100 <h1>Horn in F</h1> |
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101 </div> |
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102 <div class="dottes-transpose-instrument-item dottes-transpose-how"> |
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103 <p>Transpose up a fifth, or down a seventh depending on the |
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104 range in the tune. To avoid scaring less able horn players such |
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105 as myself, the transposed score will prefer going below middle C |
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106 to going above the top G on the stave. Able horn players |
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107 can transpose in their heads anyway, so don't need this. |
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108 </div> |
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109 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> |
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110 <ul class="tune-type-list"> |
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111 <li><a href="Morris-HornInF">Morris</a></li> |
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112 <li><a href="Session-HornInF">Session</a></li> |
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113 <li><a href="Library-HornInF">Library</a></li> |
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114 </ul> |
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115 </div> |
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116 </div> |
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117 </div> |
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118 </div> |
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119 |
233
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120 <div class="grid_12 dottes-body"> |
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121 <h1>Who is responsible for this?</h1> |
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122 <p>Found a mistake, missing a tune or just want something changed? |
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123 Email Jim at <a href="mailto:dottes@cryhavoc.org.uk"> |
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124 dottes@cryhavoc.org.uk</a>.</p> |
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125 </div> |
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126 |
257 | 127 <div class="grid_12 dottes-body"> |
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128 <h1>Acknowledgements</h1> |
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129 <p>A few tunes here are from <a href="http://www.paulhardy.net/"> |
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130 Paul Hardy's Session Tunebook</a>. Many thanks to Paul for |
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131 licensing it under permissive terms. I have followed his lead |
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132 and used the same <a href="#licencing">licence</a> for the |
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133 Booke of Dottes. |
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134 <p>One icon on this website is courtesy |
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135 of <a href="www.creativefreedom.co.uk">Creative Freedom</a>. |
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136 Thanks to them. |
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137 <p>Above all, profuse and grateful thanks to all my fellow |
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138 Havocs, and to Jane. They have supplied the tunes, checked the |
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139 renditions, and offered corrections and suggestions. Without them, |
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140 this project couldn't have happened. |
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141 </div> |
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142 |
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143 <div class="grid_12 dottes-body"> |
257 | 144 <a rel="license" |
145 href="http://creativecommons.org/licenses/by-sa/2.0/uk/deed.en_US"> | |
146 <img alt="Creative Commons License" style="border-width:0" | |
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147 src="http://i.creativecommons.org/l/by-nc-sa/2.0/uk/88x31.png"/> |
257 | 148 </a> |
149 <br /> | |
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150 The collection of tunes that is |
257 | 151 <span xmlns:dct="http://purl.org/dc/terms/" |
152 property="dct:title">Ye Crie Havock Booke of Dottes</span> | |
153 by <a xmlns:cc="http://creativecommons.org/ns#" | |
154 href="dottes.cryhavoc.og.uk" property="cc:attributionName" | |
155 rel="cc:attributionURL">Jim Hague</a> | |
156 is licensed under a | |
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157 <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/2.0/uk/"> |
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158 Creative Commons Attribution-NonCommercial-ShareAlike 2.0 UK: England & Wales |
257 | 159 License</a>. |
160 </div> | |
161 | |
192
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162 </div> |
43
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163 </body> |
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164 </html> |