Mercurial > dottes
annotate dottes.tex @ 611:b6b80aca673d
It seems \tabularnewline is better than \\ in tables.
It explicitly means that this is the end of an entire row. \\ can
get redefined a lot.
author | Jim Hague <jim.hague@acm.org> |
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date | Fri, 04 Nov 2016 23:57:05 +0000 (2016-11-04) |
parents | ef0d66742e01 |
children | 49d72092b45e |
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1 \input{docclass.tex} |
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2 |
315 | 3 \usepackage{array} |
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4 \usepackage{color} |
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5 \usepackage{fontspec} |
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6 \usepackage{graphicx} |
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7 \usepackage{fancyhdr} |
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8 \usepackage{tabularx} |
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9 \usepackage{longtable} |
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10 \usepackage[UKenglish]{babel} |
317 | 11 \usepackage[UKenglish]{isodate} |
267
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12 |
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13 % Non-indented paragraphs with space between them. |
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14 \usepackage{parskip} |
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15 |
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16 % 2 column table of contents. |
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17 \usepackage[toc]{multitoc} |
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18 |
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19 \usepackage{hyperref} |
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20 \hypersetup{ |
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21 colorlinks=true,% |
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22 citecolor=black,% |
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23 filecolor=black,% |
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24 linkcolor=black,% |
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25 urlcolor=black |
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26 } |
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27 |
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28 % ----- Common variables |
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29 |
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30 \newcommand{\build}{\input{buildno.txt}} |
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31 \newcommand{\instrument}{\input{instrument.txt}} |
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32 |
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33 % Havoc purple is #9900cc. |
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34 \definecolor{havocpurple}{rgb}{0.597,0,0.797} |
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35 |
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36 % ----- Macros |
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37 |
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38 \makeatletter |
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39 \def\ifemptyarg#1{% |
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40 \if\relax\detokenize{#1}\relax % H. Oberdiek |
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41 \expandafter\@firstoftwo |
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42 \else |
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43 \expandafter\@secondoftwo |
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44 \fi} |
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45 \makeatother |
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46 |
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47 % Show the main tune graphic and optional change. |
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48 % Args are tune name, tune title, tune subtitle, composer, tune graphic |
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49 % filename, notes, history. |
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50 \newcommand{\showtune}[7]{% |
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51 \phantomsection |
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52 \begin{tabularx}{\textwidth}{LCR} |
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53 \addcontentsline{toc}{section}{#2} |
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54 & \hypertarget{#1}{\Large{#2}} & \emph{#4} \tabularnewline |
329 | 55 \ifemptyarg{#3}{}{% |
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56 & #3 & \tabularnewline |
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57 } |
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58 \multicolumn{3}{c}{% |
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59 \includegraphics[width=\textwidth,height=0.8\textheight,keepaspectratio]{#5}% |
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60 }\tabularnewline |
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61 \end{tabularx} |
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62 #6 |
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63 |
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64 #7 |
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65 \vfill |
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66 } |
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67 |
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68 % Show the tune first line. Generate table row. |
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69 % Args are the tune name, tune title and the first line graphic filename. |
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70 \newcommand{\showfirstline}[3]{% |
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71 \hyperlink{#1}{#2} & % |
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72 \raisebox{-.4\height}{\includegraphics[width=0.77\textwidth]{#3}} \\ |
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73 } |
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74 |
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75 % ----- Paper size document setup |
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76 |
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77 \input{docsetup.tex} |
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78 |
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79 % ----- Appearance |
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80 |
324 | 81 % Lettering in the tune images is in Times, so go with that for consistency. |
266
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82 \setmainfont{Times New Roman} |
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83 |
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84 % Don't show section numbers. |
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85 \setcounter{secnumdepth}{-1} |
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86 |
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87 % ----- |
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88 |
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89 \begin{document} |
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90 |
324 | 91 % ----- Headers and footers |
92 | |
93 \pagestyle{fancyplain} | |
94 \fancyhf{} | |
95 \cfoot{\thepage} | |
96 \renewcommand{\headrulewidth}{0pt} | |
97 | |
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98 \pagestylemod |
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99 |
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100 \frontmatter |
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101 |
324 | 102 % No page numbering for now, thanks. |
103 \pagenumbering{gobble} | |
104 | |
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105 % ----- Title page |
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106 |
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107 \newgeometry{margin=0.5in} |
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108 \begin{titlepage} |
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109 \titleBoD |
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110 \end{titlepage} |
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111 \restoregeometry |
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112 |
324 | 113 % ----- First inside pages. No page numbering here, thanks. |
114 | |
115 % Publisher info page. | |
116 \vspace*{\fill} | |
117 | |
325
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118 {\small \raggedright |
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119 |
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120 \textbf{Ye Crie Havoc Booke of Dottes} |
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121 |
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122 Tune collection and presentation is copyright \copyright{} Jim Hague 2013 |
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123 and is licensed under a Creative Commons |
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124 Attribution-NonCommercial-ShareAlike 2.0 UK: England \& Wales License. |
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125 Details at \url{http://creativecommons.org/licenses/by-nc-sa/2.0/uk/}. |
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126 |
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127 Some tunes are reproduced from Paul Hardy's Session Tunebook |
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128 (\url{www.paulhardy.net}). |
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129 |
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130 The right of Jim Hague to be identified as the author of this work has been |
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131 asserted by him in accordance with the Copyright, Designs and Patents Act 1998. |
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132 |
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133 First published in the UK 2013 by Jim Hague. |
324 | 134 |
135 The Booke of Dottes is a constant work in progress. The latest version | |
136 is always available from \url{http://dottes.cryhavoc.org.uk/}. | |
325
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137 This is issue \build, generated \today. |
324 | 138 |
325
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139 \textbf{Technical data} |
324 | 140 |
325
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141 Book sources can be found at in a Mercurial |
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142 (\url{http://mercurial.selenic.com}) repository at |
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143 \url{http://hg.cryhavoc.org.uk/dottes/}. Tunes are |
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144 in abc notation (\url{http://abcnotation.com/}). |
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145 |
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146 Music typeset by abcm2ps (\url{http://moinejf.free.fr/}). |
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147 Document typeset by {\LaTeX} using {\TeX} Live on a Debian Linux system. |
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148 Grateful thanks to all contributors to abc, {\LaTeX}, Debian, |
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149 Linux and related software. |
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150 |
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151 } |
324 | 152 |
153 \newpage | |
154 | |
155 % Dedication page. | |
282
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156 |
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157 \vspace*{\fill} |
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158 |
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159 \begin{center} |
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160 {\Large to Jane} \\ |
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161 {\large \emph{for the music, and the dance}} |
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162 \end{center} |
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163 |
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164 \vspace*{\fill} |
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165 |
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166 \newpage |
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167 |
324 | 168 % ----- Here we go with numbered frontmatter pages. |
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169 |
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170 \pagenumbering{roman} |
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171 |
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172 \chapter{Introduction} |
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173 |
308
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174 Music forms a core part of Cry Havoc Botley Morris. Of course, the |
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175 musicians provide the music we dance to. And after every practice or |
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176 dance-out, there is a music-playing session. |
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177 |
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178 Havoc musicians come in all shades of experience and ability. |
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179 This collection is intended to help those like me who are inexpert with |
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180 instrument and folk music generally, but have a little musical background. |
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181 |
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182 Being folk tunes, many of the tunes herein have many variations. |
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183 The music presented here is my attempt at reflecting what the musicians |
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184 of Cry Havoc play. I'm in no way suggesting that they are |
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185 in any way \emph{correct}. This is just how we go about them. |
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186 |
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187 The majority of tunes in this book have no identifiable author, and |
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188 are unquestionably in the public domain. Rather than litter the |
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189 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed. |
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190 Some, however, may have an identifiable author or arranger and copyright |
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191 unquestionably remains with that person. I believe these tunes to |
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192 enjoy widespread currency on the folk music scene, and therefore there |
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193 is at least tacit approval by the authors for their dissemination. |
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194 If this is not the case, please contact me at |
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195 \href{mailto:dottes@cryhavoc.org.uk}{\url{dottes@cryhavoc.org.uk}} and I will |
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196 remove the offending tune. |
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197 |
324 | 198 \section{About Cry Havoc} |
199 | |
200 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford. | |
201 We practice between September and April on Thursday evenings at the | |
202 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and | |
203 dance out in the summer months at locations around Oxfordshire. | |
204 | |
205 Find out more at \url{http://www.cryhavoc.org.uk/}, or email | |
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206 \href{mailto:bag@cryhavoc.org.uk}{\url{bag@cryhavoc.org.uk}} for more |
324 | 207 information. Would-be dancers or musicians always welcome. |
208 | |
209 The Booke of Dottes was first produced to mark Cry Havoc's 20th | |
210 anniversary in 2013. | |
211 | |
212 % ----- | |
213 | |
214 \tableofcontents | |
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215 |
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216 % ----- |
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217 |
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218 \mainmatter |
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219 |
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220 \input{tunes.tex} |
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221 |
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222 % ----- |
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223 |
324 | 224 \cleardoublepage |
225 | |
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226 \chapter{List of tune first lines} |
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227 |
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228 You know the feeling. Everyone has just launched into a well-loved tune. |
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229 You've heard it before, but don't remember the name. So here's a list of |
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230 tune first lines to help you figure out what it is in time to join in. |
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231 |
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232 \input{firstlines.tex} |
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233 |
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234 % ----- Back cover page. A plain purple page. |
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235 |
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236 \backmatter |
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237 |
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238 \input{docend.tex} |
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239 |
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240 \end{document} |