Mercurial > dottes
annotate web/index.html @ 667:c9945842c523 build-default-264
Amend chords in Sue's Tune to Sue's preferred.
author | Jim Hague <jim.hague@acm.org> |
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date | Sat, 15 Apr 2017 21:30:56 +0100 |
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1 <!DOCTYPE html> |
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2 <html lang="en"> |
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3 <head> |
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4 <meta charset="utf-8" /> |
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5 <meta name="viewport" content="width=device-width, initial-scale=1.0"> |
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6 <title>Ye Crie Havock Booke of Dottes</title> |
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7 <link rel="stylesheet" href="css/dottes.css" /> |
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8 |
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9 <link href='http://fonts.googleapis.com/css?family=Pirata+One|Open+Sans' |
195 | 10 rel='stylesheet' type='text/css'> |
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11 </head> |
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12 <body> |
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13 <div class="container"> |
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14 <a href="/"> |
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15 <div class="header-strip banner"> |
628 | 16 <img src="img/banner.png"> |
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17 </div> |
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18 </a> |
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19 |
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20 <div class="dottes-body"> |
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21 <h1>The music of Cry Havoc, a reference.</h1> |
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22 <p>Music forms a core part of Cry Havoc Botley Morris. Of course, the |
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23 musicians provide the music we dance to. And after every practice or |
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24 dance-out, there is a music-playing session. |
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25 <p>Havoc musicians come in all shades of experience and ability. |
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26 This collection is intended to help those like me who are inexpert with |
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27 instrument and folk music generally.</p> |
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28 <p>Being folk tunes, many of the tunes herein have many variations. |
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29 The music presented here is my attempt at reflecting what is actually |
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30 played at Havoc sessions. I'm in no way suggesting that they are |
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31 in any way <em>correct</em>. This is just how we go about them.</p> |
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32 <p>The tunes we play tend to vary over time. So this collection is |
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33 not static, but will change over time. Lesser used tunes, or simply |
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34 tunes that I like but are not in general Havoc currency, are in |
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35 the Library collection.</p> |
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36 <p>The majority of tunes here have no identifiable author, and |
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37 are unquestionably in the public domain. Rather than litter the |
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38 pages with <em>Trad.</em> or <em>Anon.</em>, I have left them |
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39 unattributed. Some, however, have an identifiable author or |
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40 arranger and copyright unquestionably remains with that person. |
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41 I believe these tunes to enjoy widespread currency on the folk |
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42 music scene, and therefore there is at least tacit approval by |
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43 the authors for their dissemination. If this is not the case, |
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44 please contact me at the address below and I will remove the |
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45 offending tune.</p> |
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46 <div class="dottes-transpose-container"> |
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47 <div class="dottes-transpose-instrument"> |
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48 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> |
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49 <h1>Tunes</h1> |
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50 </div> |
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51 <div class="dottes-transpose-instrument-item dottes-transpose-how"> |
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52 <p>The tunes are separated into tune collections. |
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53 </div> |
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54 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> |
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55 <ul class="tune-type-list"> |
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56 <li><a href="Morris">Morris</a></li> |
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57 <li><a href="Session">Session</a></li> |
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58 <li><a href="Library">Library</a></li> |
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59 </ul> |
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60 </div> |
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61 </div> |
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62 </div> |
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63 </div> |
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64 |
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65 <div class="dottes-body"> |
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66 <h1>But my instrument isn't suited for treble clef concert pitch!</h1> |
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67 <p>Of course, not all instruments are suited to playing music written |
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68 in concert pitch in the treble clef.</p> |
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69 <p>To help those with such instruments get started, I've done some |
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70 simple transpositions for requested instruments. These are |
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71 <strong>not</strong> proper arrangements; I lack the time and the |
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72 knowledge or ability to do that. Instead, they are automatically |
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73 generated from the concert pitch originals using a typically very |
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74 simple method. |
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75 <p>I hope you find them useful.</p> |
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76 |
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77 <div class="dottes-transpose-container"> |
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78 <div class="dottes-transpose-instrument"> |
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79 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> |
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80 <h1>Cello</h1> |
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81 </div> |
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82 <div class="dottes-transpose-instrument-item dottes-transpose-how"> |
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83 <p>Transpose down one or two octaves depending on the range in the |
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84 tune, and use the bass clef.</p> |
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85 </div> |
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86 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> |
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87 <ul class="tune-type-list"> |
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88 <li><a href="Morris-Cello">Morris</a></li> |
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89 <li><a href="Session-Cello">Session</a></li> |
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90 <li><a href="Library-Cello">Library</a></li> |
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91 </ul> |
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92 </div> |
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93 </div> |
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94 </div> |
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95 <div class="dottes-transpose-container"> |
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96 <div class="dottes-transpose-instrument"> |
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97 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> |
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98 <h1>Horn in F</h1> |
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99 </div> |
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100 <div class="dottes-transpose-instrument-item dottes-transpose-how"> |
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101 <p>Transpose up a fifth, or down a seventh depending on the |
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102 range in the tune. To avoid scaring less able horn players such |
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103 as myself, the transposed score will prefer going below middle C |
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104 to going above the top G on the stave. Able horn players |
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105 can transpose in their heads anyway, so don't need this.</p> |
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106 </div> |
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107 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> |
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108 <ul class="tune-type-list"> |
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109 <li><a href="Morris-HornInF">Morris</a></li> |
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110 <li><a href="Session-HornInF">Session</a></li> |
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111 <li><a href="Library-HornInF">Library</a></li> |
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112 </ul> |
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113 </div> |
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114 </div> |
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115 </div> |
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116 </div> |
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117 |
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118 <div class="dottes-body"> |
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119 <h1>Who is responsible for this?</h1> |
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120 <p>Found a mistake, missing a tune or just want something changed? |
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121 Email Jim at <a href="mailto:dottes@cryhavoc.org.uk"> |
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122 dottes@cryhavoc.org.uk</a>.</p> |
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123 </div> |
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124 |
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125 <div class="dottes-body"> |
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126 <h1>Acknowledgements</h1> |
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127 <p>A few tunes here are from <a href="http://www.paulhardy.net/"> |
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128 Paul Hardy's Session Tunebook</a>. Many thanks to Paul for |
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129 licensing it under permissive terms. I have followed his lead |
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130 and used the same <a href="#licencing">licence</a> for the |
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131 Booke of Dottes.</p> |
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132 <p>One icon on this website is courtesy |
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133 of <a href="www.creativefreedom.co.uk">Creative Freedom</a>. |
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134 Thanks to them. |
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135 <p>Above all, profuse and grateful thanks to all my fellow |
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136 Havocs, and most especially to Jane. They have supplied the tunes, |
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137 checked the renditions, and offered corrections and suggestions. |
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138 Without them, this project couldn't have happened.</p> |
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139 </div> |
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140 |
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141 <div class="dottes-body"> |
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142 <p> |
257 | 143 <a rel="license" |
144 href="http://creativecommons.org/licenses/by-sa/2.0/uk/deed.en_US"> | |
145 <img alt="Creative Commons License" style="border-width:0" | |
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146 src="http://i.creativecommons.org/l/by-nc-sa/2.0/uk/88x31.png"/> |
257 | 147 </a> |
148 <br /> | |
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149 The collection of tunes that is |
257 | 150 <span xmlns:dct="http://purl.org/dc/terms/" |
151 property="dct:title">Ye Crie Havock Booke of Dottes</span> | |
152 by <a xmlns:cc="http://creativecommons.org/ns#" | |
153 href="dottes.cryhavoc.og.uk" property="cc:attributionName" | |
154 rel="cc:attributionURL">Jim Hague</a> | |
155 is licensed under a | |
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156 <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/2.0/uk/"> |
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157 Creative Commons Attribution-NonCommercial-ShareAlike 2.0 UK: England & Wales |
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158 License</a>. |
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159 </p> |
257 | 160 </div> |
161 | |
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162 </div> |
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163 </body> |
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164 </html> |