Mercurial > dottes
annotate web/index.html @ 738:69a7499817c8 build-default-284
On Nook and A5 prints, start a new page with each tune and centre vertically..
A5 mostly did, but ran into trouble with longer comments on a tune.
This may give blank space after tunes where a long comment overflows
onto another page, but I think for now it's better to have each tune
at the top of the page.
Or rather, and this is the other change, in the middle of the page. Centre
the page content for A5 and Nook.
author | Jim Hague <jim.hague@acm.org> |
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date | Thu, 12 Oct 2017 14:50:51 +0100 |
parents | dff7d9fb81b3 |
children | 747cb0ac35df |
rev | line source |
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1 <!DOCTYPE html> |
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2 <html lang="en"> |
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3 <head> |
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4 <meta charset="utf-8" /> |
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5 <meta name="viewport" content="width=device-width, initial-scale=1.0"> |
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6 <title>Ye Crie Havock Booke of Dottes</title> |
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7 <link rel="stylesheet" href="css/dottes.css" /> |
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8 |
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9 <link href='http://fonts.googleapis.com/css?family=Pirata+One|Open+Sans' |
195 | 10 rel='stylesheet' type='text/css'> |
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11 </head> |
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12 <body> |
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13 <div class="container"> |
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14 <a href="/"> |
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15 <div class="header-strip banner"> |
628 | 16 <img src="img/banner.png"> |
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17 </div> |
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18 </a> |
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19 |
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20 <div class="dottes-body"> |
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21 <h1>The music of Cry Havoc, a reference.</h1> |
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22 <p>Music forms a core part of Cry Havoc Botley Morris. Of course, the |
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23 musicians provide the music we dance to. And after every practice or |
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24 dance-out, there is a music-playing session. |
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25 <p>Havoc musicians come in all shades of experience and ability. |
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26 This collection is intended to help those like me who are inexpert with |
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27 instrument and folk music generally.</p> |
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28 <p>Being folk tunes, many of the tunes herein have many variations. |
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29 The music presented here is my attempt at reflecting what is actually |
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30 played at Havoc sessions. I'm in no way suggesting that they are |
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31 in any way <em>correct</em>. This is just how we go about them.</p> |
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32 <p>The tunes we play tend to vary over time. So this collection is |
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33 not static, but will change over time. Lesser used tunes, or simply |
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34 tunes that I like but are not in general Havoc currency, are in |
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35 the Library collection.</p> |
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36 <p>The majority of tunes here have no identifiable author, and |
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37 are unquestionably in the public domain. Rather than litter the |
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38 pages with <em>Trad.</em> or <em>Anon.</em>, I have left them |
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39 unattributed. Some, however, have an identifiable author or |
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40 arranger and copyright unquestionably remains with that person. |
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41 I believe these tunes to enjoy widespread currency on the folk |
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42 music scene, and therefore there is at least tacit approval by |
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43 the authors for their dissemination. If this is not the case, |
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44 please contact me at the address below and I will remove the |
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45 offending tune.</p> |
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46 <div class="dottes-transpose-container"> |
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47 <div class="dottes-transpose-instrument"> |
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48 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> |
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49 <h1>Tunes</h1> |
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50 </div> |
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51 <div class="dottes-transpose-instrument-item dottes-transpose-how"> |
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52 <p>The tunes are separated into tune collections. |
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53 </div> |
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54 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> |
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55 <ul class="tune-type-list"> |
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56 <li><a href="Morris">Morris</a></li> |
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57 <li><a href="Session">Session</a></li> |
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58 <li><a href="Library">Library</a></li> |
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59 </ul> |
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60 </div> |
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61 </div> |
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62 </div> |
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63 </div> |
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64 |
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65 <div class="dottes-body"> |
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66 <h1>But my instrument isn't suited for treble clef concert pitch!</h1> |
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67 <p>Of course, not all instruments are suited to playing music written |
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68 in concert pitch in the treble clef.</p> |
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69 <p>To help those with such instruments get started, I've done some |
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70 simple transpositions for requested instruments. These are |
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71 <strong>not</strong> proper arrangements; I lack the time and the |
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72 knowledge or ability to do that. Instead, they are automatically |
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73 generated from the concert pitch originals using a typically very |
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74 simple method. |
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75 <p>I hope you find them useful.</p> |
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76 |
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77 <div class="dottes-transpose-container"> |
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78 <div class="dottes-transpose-instrument"> |
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79 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> |
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80 <h1>Cello</h1> |
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81 </div> |
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82 <div class="dottes-transpose-instrument-item dottes-transpose-how"> |
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83 <p>Transpose down one or two octaves depending on the range in the |
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84 tune, and use the bass clef.</p> |
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85 </div> |
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86 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> |
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87 <ul class="tune-type-list"> |
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88 <li><a href="Morris-Cello">Morris</a></li> |
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89 <li><a href="Session-Cello">Session</a></li> |
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90 <li><a href="Library-Cello">Library</a></li> |
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91 </ul> |
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92 </div> |
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93 </div> |
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94 </div> |
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95 <div class="dottes-transpose-container"> |
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96 <div class="dottes-transpose-instrument"> |
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97 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> |
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98 <h1>Horn in F</h1> |
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99 </div> |
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100 <div class="dottes-transpose-instrument-item dottes-transpose-how"> |
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101 <p>Transpose up a fifth, or down a seventh depending on the |
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102 range in the tune. To avoid scaring less able horn players such |
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103 as myself, the transposed score will prefer going below middle C |
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104 to going above the top G on the stave. Able horn players |
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105 can transpose in their heads anyway, so don't need this.</p> |
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106 </div> |
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107 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> |
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108 <ul class="tune-type-list"> |
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109 <li><a href="Morris-HornInF">Morris</a></li> |
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110 <li><a href="Session-HornInF">Session</a></li> |
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111 <li><a href="Library-HornInF">Library</a></li> |
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112 </ul> |
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113 </div> |
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114 </div> |
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115 </div> |
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116 <div class="dottes-transpose-container"> |
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117 <div class="dottes-transpose-instrument"> |
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118 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> |
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119 <h1>Alto recorder using C fingering</h1> |
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120 </div> |
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121 <div class="dottes-transpose-instrument-item dottes-transpose-how"> |
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122 <p>Transpose down a fifth, or up a seventh depending on the |
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123 range in the tune. This allows players familiar with the |
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124 descant recorder to use the fingering they already know |
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125 when playing the alto recorder, rather than having to |
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126 learn F fingering.</p> |
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127 </div> |
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128 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> |
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129 <ul class="tune-type-list"> |
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130 <li><a href="Morris-AltoRecorderCFingering">Morris</a></li> |
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131 <li><a href="Session-AltoRecorderCFingering">Session</a></li> |
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132 <li><a href="Library-AltoRecorderCFingering">Library</a></li> |
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133 </ul> |
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134 </div> |
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135 </div> |
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136 </div> |
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137 </div> |
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138 |
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139 <div class="dottes-body"> |
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140 <h1>Who is responsible for this?</h1> |
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141 <p>Found a mistake, missing a tune or just want something changed? |
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142 Email Jim at <a href="mailto:dottes@cryhavoc.org.uk"> |
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143 dottes@cryhavoc.org.uk</a>.</p> |
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144 </div> |
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145 |
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146 <div class="dottes-body"> |
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147 <h1>Acknowledgements</h1> |
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148 <p>A few tunes here are from <a href="http://www.paulhardy.net/"> |
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149 Paul Hardy's Session Tunebook</a>. Many thanks to Paul for |
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150 licensing it under permissive terms. I have followed his lead |
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151 and used the same <a href="#licencing">licence</a> for the |
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152 Booke of Dottes.</p> |
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153 <p>One icon on this website is courtesy |
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154 of <a href="www.creativefreedom.co.uk">Creative Freedom</a>. |
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155 Thanks to them. |
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156 <p>Above all, profuse and grateful thanks to all my fellow |
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157 Havocs, and most especially to Jane. They have supplied the tunes, |
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158 checked the renditions, and offered corrections and suggestions. |
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159 Without them, this project couldn't have happened.</p> |
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160 </div> |
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161 |
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162 <div class="dottes-body"> |
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163 <p> |
257 | 164 <a rel="license" |
165 href="http://creativecommons.org/licenses/by-sa/2.0/uk/deed.en_US"> | |
166 <img alt="Creative Commons License" style="border-width:0" | |
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167 src="http://i.creativecommons.org/l/by-nc-sa/2.0/uk/88x31.png"/> |
257 | 168 </a> |
169 <br /> | |
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170 The collection of tunes that is |
257 | 171 <span xmlns:dct="http://purl.org/dc/terms/" |
172 property="dct:title">Ye Crie Havock Booke of Dottes</span> | |
173 by <a xmlns:cc="http://creativecommons.org/ns#" | |
174 href="dottes.cryhavoc.og.uk" property="cc:attributionName" | |
175 rel="cc:attributionURL">Jim Hague</a> | |
176 is licensed under a | |
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177 <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/2.0/uk/"> |
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178 Creative Commons Attribution-NonCommercial-ShareAlike 2.0 UK: England & Wales |
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179 License</a>. |
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180 </p> |
257 | 181 </div> |
182 | |
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183 </div> |
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184 </body> |
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185 </html> |