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Revise printed Booke. Introduce vestigial copyright page and move instroduction before the contents, so on A4 it appears on the verso to the content recto. Tunes then start double page spread on the next page. Add a \cleardoublepage before the index of first lines to force that to start on a new double page. This minimises the page turning necessary to see all the index lines.
author Jim Hague <jim.hague@acm.org>
date Sat, 20 Jul 2013 20:40:02 +0100
parents 22759794b31f
children d4b35a2fcaf0
Ignore whitespace changes - Everywhere: Within whitespace: At end of lines:
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1 <!DOCTYPE html>
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2 <html lang="en">
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3 <head>
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4 <meta charset="utf-8" />
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5 <title>Ye Crie Havock Booke of Dottes</title>
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6 <link rel="stylesheet" href="css/reset.css" />
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7 <link rel="stylesheet" href="css/text.css" />
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8 <link rel="stylesheet" href="css/960.css" />
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9 <link rel="stylesheet" href="css/dottes.css" />
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10
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0e5a72b8894f A little tidy-up.
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11 <link href='http://fonts.googleapis.com/css?family=Pirata+One|Oswald'
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12 rel='stylesheet' type='text/css'>
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13 </head>
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14 <body>
192
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15 <div class="container_12">
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16 <a href="/">
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17 <div class="grid_12 header-strip banner">
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18 <h1>Ye Crie Havock Booke of Dottes</h1>
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19 </div>
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20 </a>
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21
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22 <div class="grid_12 dottes-body">
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23 <h1>The music of Cry Havoc, a reference.</h1>
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24 <p>Music forms a core part of Cry Havoc Botley Morris. Of course, the
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25 musicians provide the music we dance to. And after every practice or
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26 dance-out, there is a music-playing session.
192
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27 <p>Havoc musicians come in all shades of experience and ability.
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28 This collection is intended to help those like me who are inexpert with
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29 instrument and folk music generally, but have a little musical
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30 background.</p>
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31 <p>Being folk tunes, many of the tunes herein have many variations.
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32 The music presented here is my attempt at reflecting what is actually
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33 played at Havoc sessions. I'm in no way suggesting that they are
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34 in any way <em>correct</em>. This is just how we go about them.</p>
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35 <p>The tunes we play tend to vary over time. So this collection is
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36 not static, but will change over time. Lesser used tunes, or simply
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37 tunes that I like but are not in general Havoc currency, are in
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38 the Library collection.</p>
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39 <p>The majority of tunes here have no identifiable author, and
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40 are unquestionably in the public domain. Rather than litter the
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41 pages with <em>Trad.</em> or <em>Anon.</em>, I have left them
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42 unattributed. Some, however, have an identifiable author or
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43 arranger and copyright unquestionably remains with that person.
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44 I believe these tunes to enjoy widespread currency on the folk
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45 music scene, and therefore there is at least tacit approval by
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46 the authors for their dissemination. If this is not the case,
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47 please contact me at the address below and I will remove the
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48 offending tune.
213
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49 <div class="dottes-container">
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50 <div class="dottes-transpose-instrument">
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51 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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52 <h1>Tunes</h1>
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53 </div>
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54 <div class="dottes-transpose-instrument-item dottes-transpose-how">
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55 <p>The tunes are separated into tune collections.
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56 </div>
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57 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
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58 <ul class="tune-type-list">
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59 <li><a href="Morris">Morris</a></li>
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60 <li><a href="Session">Session</a></li>
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61 <li><a href="Library">Library</a></li>
213
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62 </ul>
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63 </div>
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64 </div>
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65 </div>
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66 </div>
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67
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68 <div class="grid_12 dottes-body">
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69 <h1>But my instrument isn't suited for treble clef concert pitch!</h1>
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70 <p>Of course, not all instruments are suited to playing music written
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71 in concert pitch in the treble clef.
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72 <p>To help those with such instruments get started, I've done some
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73 simple transpositions for requested instruments. These are
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74 <strong>not</strong> proper arrangements; I lack the time and the
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75 knowledge or ability to do that. Instead, they are automatically
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76 generated from the concert pitch originals using a typically very
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77 simple method.
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78 <p>I hope you find them useful.</p>
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79
216
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80 <div class="dottes-container">
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81 <div class="dottes-transpose-instrument">
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82 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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83 <h1>Cello</h1>
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84 </div>
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85 <div class="dottes-transpose-instrument-item dottes-transpose-how">
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86 <p>Transpose down one or two octaves depending on the range in the
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87 tune, and use the bass clef.
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88 </div>
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89 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
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90 <ul class="tune-type-list">
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91 <li><a href="Morris-Cello">Morris</a></li>
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92 <li><a href="Session-Cello">Session</a></li>
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93 <li><a href="Library-Cello">Library</a></li>
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94 </ul>
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95 </div>
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96 </div>
216
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97 </div>
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98 <div class="dottes-container">
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99 <div class="dottes-transpose-instrument">
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100 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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101 <h1>Horn in F</h1>
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102 </div>
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103 <div class="dottes-transpose-instrument-item dottes-transpose-how">
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104 <p>Transpose up a fifth, or down a seventh depending on the
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105 range in the tune. To avoid scaring less able horn players such
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106 as myself, the transposed score will prefer going below middle C
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107 to going above the top G on the stave. Able horn players
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108 can transpose in their heads anyway, so don't need this.
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109 </div>
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110 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
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111 <ul class="tune-type-list">
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112 <li><a href="Morris-HornInF">Morris</a></li>
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113 <li><a href="Session-HornInF">Session</a></li>
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114 <li><a href="Library-HornInF">Library</a></li>
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115 </ul>
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116 </div>
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117 </div>
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118 </div>
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119 </div>
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120
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121 <div class="grid_12 dottes-body">
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122 <h1>Who is responsible for this?</h1>
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123 <p>Found a mistake, missing a tune or just want something changed?
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124 Email Jim at <a href="mailto:dottes@cryhavoc.org.uk">
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125 dottes@cryhavoc.org.uk</a>.</p>
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126 </div>
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127
257
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128 <div class="grid_12 dottes-body">
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129 <a rel="license"
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130 href="http://creativecommons.org/licenses/by-sa/2.0/uk/deed.en_US">
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131 <img alt="Creative Commons License" style="border-width:0"
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132 src="http://i.creativecommons.org/l/by-sa/2.0/uk/88x31.png"/>
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133 </a>
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134 <br />
308
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135 The collection of tunes that is
257
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136 <span xmlns:dct="http://purl.org/dc/terms/"
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137 property="dct:title">Ye Crie Havock Booke of Dottes</span>
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138 by <a xmlns:cc="http://creativecommons.org/ns#"
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139 href="dottes.cryhavoc.og.uk" property="cc:attributionName"
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140 rel="cc:attributionURL">Jim Hague</a>
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141 is licensed under a
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142 <a rel="license" href="http://creativecommons.org/licenses/by-sa/2.0/uk/deed.en_US">
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143 Creative Commons Attribution-ShareAlike 2.0 UK: England &amp; Wales
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144 License</a>.
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145 </div>
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146
192
fd0bcf094cf8 First go at some contemporary HTML/CSS stuff for the Booke.
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147 </div>
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d92717f8130c First go at producing a very simple website.
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148 </body>
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149 </html>