Mercurial > dottes
annotate dottes.tex @ 306:c3b300378738
Revise first lines table.
Stretch music to make it higher and hopefully more legible.
And move the table LHS left slightly and make the RHS fill to the text width.
author | Jim Hague <jim.hague@acm.org> |
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date | Sun, 07 Jul 2013 20:40:03 +0100 |
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1 \input{docclass.tex} |
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2 |
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3 \usepackage{color} |
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4 \usepackage{fontspec} |
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5 \usepackage{graphicx} |
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6 \usepackage{fancyhdr} |
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7 \usepackage{longtable} |
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8 \usepackage[UKenglish]{babel} |
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9 \usepackage[UKenglish]{isodate} |
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10 |
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11 % Non-indented paragraphs with space between them. |
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12 \usepackage{parskip} |
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13 |
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14 % 2 column table of contents. |
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15 \usepackage[toc]{multitoc} |
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16 |
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17 \usepackage{hyperref} |
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18 \hypersetup{ |
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19 bookmarks=true,% |
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20 colorlinks=true,% |
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21 citecolor=black,% |
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22 filecolor=black,% |
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23 linkcolor=black,% |
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24 urlcolor=black |
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25 } |
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26 |
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27 % ----- Common variables |
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28 |
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29 \def \build {\input{buildno.txt}} |
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30 \def \instrument {\input{instrument.txt}} |
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31 |
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32 % Havoc purple is #9900cc. |
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33 \definecolor{havocpurple}{rgb}{0.597,0,0.797} |
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34 |
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35 % ----- Paper size document setup |
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36 |
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37 \input{docsetup.tex} |
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38 |
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39 % ----- Appearance |
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40 |
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41 \setmainfont{Times New Roman} |
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42 |
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43 % Don't show section numbers. |
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44 \setcounter{secnumdepth}{-1} |
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45 |
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46 % ----- |
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47 |
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48 \begin{document} |
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49 |
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50 \frontmatter |
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51 |
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52 % ----- Title page |
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53 |
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54 \begin{titlepage} |
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55 \pagecolor{havocpurple} |
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56 \titleBoD |
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57 \end{titlepage} |
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58 |
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59 % ----- First inside page and dedication. No page numbering here, thanks. |
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60 |
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61 \pagecolor{white} |
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62 |
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63 \pagenumbering{gobble} |
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64 |
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65 \topskip0pt |
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66 \vspace*{\fill} |
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67 |
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68 \begin{center} |
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69 {\Large to Jane} \\ |
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70 {\large \emph{for the music, and the dance}} |
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71 \end{center} |
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72 |
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73 \vspace*{\fill} |
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74 |
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75 \section*{About Cry Havoc} |
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76 |
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77 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford. |
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78 We practice between September and April on Thursday evenings at the |
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79 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and |
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80 dance out in the summer months at locations around Oxfordshire. |
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81 |
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82 Find out more at \url{http://www.cryhavoc.org.uk/}, or email |
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83 \href{mailto:bag@cryhavoc.org.uk}{\texttt{bag@cryhavoc.org.uk}} for more |
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84 information. Would-be dancers or musicians always welcome. |
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85 |
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86 The Booke of Dottes was first produced to mark Cry Havoc's 20th |
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87 anniversary in 2013. |
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88 |
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89 \newpage |
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90 |
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91 % ----- Headers and footers |
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92 |
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93 \pagestyle{fancyplain} |
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94 \fancyhf{} |
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95 \cfoot{\thepage} |
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96 \renewcommand{\headrulewidth}{0pt} |
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97 |
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98 % ----- Contents |
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99 |
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100 \pagenumbering{roman} |
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101 |
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102 \tableofcontents |
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103 |
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104 % ----- |
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105 |
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106 \chapter{Introduction} |
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107 |
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108 After every practice or dance-out, the musicians of Cry Havoc Botley |
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109 Morris like to have a little music-playing session. And, of course, |
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110 the musicians provide the music we dance to. |
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111 |
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112 Havoc musicians come in all shades of experience and ability. |
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113 This collection is intended to help those like me who are inexpert with |
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114 instrument and folk music generally, but have a little musical background. |
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115 |
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116 \input{intro.txt} |
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117 |
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118 Being folk tunes, many of the tunes herein have many variations. |
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119 The music presented here is my attempt at reflecting what the musicians |
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120 of Cry Havoc play. I'm in no way suggesting that they are |
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121 in any way \emph{correct}. This is just how we go about them. |
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122 |
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123 The majority of tunes in this book have no identifiable author, and |
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124 are unquestionably in the public domain. Rather than litter the |
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125 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed. |
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126 Some, however, have an identifiable author or arranger and copyright |
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127 unquestionably remains with that person. I believe these tunes to |
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128 enjoy widespread currency on the folk music scene, and therefore there |
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129 is at least tacit approval by the authors for their dissemination. |
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130 If this is not the case, please contact me at |
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131 \href{mailto:dottes@cryhavoc.org.uk}{\texttt{dottes@cryhavoc.org.uk}} and I will |
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132 remove the offending tune. |
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133 |
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134 The Booke of Dottes is a constant work in progress. This is issue \build, |
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135 generated \today. The latest version is always available from |
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136 \url{http://dottes.cryhavoc.org.uk/}. |
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137 |
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138 % ----- |
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139 |
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140 \mainmatter |
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141 |
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142 \addcontentsline{toc}{chapter}{Tunes} |
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143 |
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144 \input{tunes.tex} |
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145 |
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146 % ----- |
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147 |
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148 \chapter{List of tune first lines} |
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149 |
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150 You know the feeling. Everyone has just launched into a well-loved tune. |
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151 You've heard it before, but don't remember the name. So here's a list of |
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152 tune first lines to help you figure out what it is in time to join in. |
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153 |
306 | 154 \setlength\LTleft{-5pt} |
155 \setlength\LTright{\fill} | |
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156 \begin{longtable}{lr} |
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157 \input{firstlines.tex} |
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158 \end{longtable} |
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159 |
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160 % ----- Back cover page. A plain purple page. |
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161 |
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162 \backmatter |
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163 |
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164 \pagecolor{havocpurple} |
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165 \thispagestyle{empty} |
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166 \mbox{} |
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167 |
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168 \end{document} |