Mercurial > dottes
annotate dottes.tex @ 282:ced1d1ba42f6
Various revisions of printed book presentation.
1. Purple background on the front and and new blank back pages.
2. UK English for hyphenation and date presentation.
3. Dedication and 'About Havoc' section.
4. Footer just page number in centre of page.
5. Revised copyright discussion.
6. Since it's a book, make content, intro and first lines to chapters.
And prompt individual tunes to sections.
7. Omit 'Tunes' chapter heading. It doesn't look good in A5.
author | Jim Hague <jim.hague@acm.org> |
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date | Fri, 05 Jul 2013 18:56:34 +0100 |
parents | 3b40937a3f95 |
children | 35403bccf334 |
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1 \input{docclass.tex} |
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2 |
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3 \usepackage{color} |
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4 \usepackage{fontspec} |
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5 \usepackage{graphicx} |
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6 \usepackage{fancyhdr} |
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7 \usepackage{longtable} |
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8 \usepackage[UKenglish]{babel} |
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9 \usepackage[UKenglish]{isodate} |
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10 |
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11 % Non-indented paragraphs with space between them. |
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12 \usepackage{parskip} |
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13 |
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14 % 2 column table of contents. |
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15 \usepackage[toc]{multitoc} |
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16 |
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17 \usepackage{hyperref} |
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18 \hypersetup{ |
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19 bookmarks=true,% |
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20 colorlinks=true,% |
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21 citecolor=black,% |
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22 filecolor=black,% |
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23 linkcolor=black,% |
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24 urlcolor=black |
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25 } |
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26 |
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27 % ----- Common variables |
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28 |
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29 \def \build {\input{buildno.txt}} |
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30 \def \instrument {\input{instrument.txt}} |
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31 |
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32 % Havoc purple is #9900cc. |
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33 \definecolor{havocpurple}{rgb}{0.597,0,0.797} |
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34 |
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35 % ----- Paper size document setup |
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36 |
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37 \input{docsetup.tex} |
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38 |
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39 % ----- Appearance |
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40 |
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41 \setmainfont{Times New Roman} |
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42 |
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43 % Don't show section numbers. |
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44 \setcounter{secnumdepth}{-1} |
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45 |
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46 % ----- |
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47 |
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48 \begin{document} |
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49 |
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50 \frontmatter |
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51 |
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52 % ----- Title page |
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53 |
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54 \begin{titlepage} |
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55 \pagecolor{havocpurple} |
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56 \titleBoD |
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57 \end{titlepage} |
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58 |
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59 % ----- First inside page and dedication. No page numbering here, thanks. |
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60 |
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61 \pagecolor{white} |
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62 |
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63 \pagenumbering{gobble} |
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64 |
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65 \topskip0pt |
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66 \vspace*{\fill} |
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67 |
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68 \begin{center} |
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69 {\Large to Jane} \\ |
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70 {\large \emph{for the music, and the dance}} |
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71 \end{center} |
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72 |
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73 \vspace*{\fill} |
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74 |
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75 \section*{About Cry Havoc} |
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76 |
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77 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford. |
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78 We practice between September and April on Thursday evenings at the |
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79 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and |
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80 dance out in the summer months at locations around Oxfordshire. |
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81 Find out more at \url{http://www.cryhavoc.org.uk/}, or email |
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82 \href{mailto:bag@cryhavoc.org.uk}{\texttt{bag@cryhavoc.org.uk}} for more |
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83 information. Would-be dancers always welcome. |
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84 |
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85 The Booke of Dottes was first produced to mark Cry Havoc's 20th |
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86 anniversary in 2013. |
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87 |
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88 \newpage |
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89 |
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90 % ----- Headers and footers |
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91 |
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92 \pagestyle{fancyplain} |
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93 \fancyhf{} |
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94 \cfoot{\thepage} |
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95 \renewcommand{\headrulewidth}{0pt} |
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96 |
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97 % ----- Contents |
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98 |
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99 \pagenumbering{roman} |
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100 |
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101 \tableofcontents |
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102 |
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103 % ----- |
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104 |
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105 \chapter{Introduction} |
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106 |
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107 After every practice or dance-out, the musicians of Cry Havoc Botley |
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108 Morris like to have a little music-playing session. And, of course, |
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109 the musicians provide the music we dance to. |
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110 |
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111 Havoc musicians come in all shades of experience and ability. |
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112 This collection is intended to help those like me who are inexpert with |
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113 instrument and folk music generally, but have a little musical background. |
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114 |
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115 \input{intro.txt} |
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116 |
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117 Being folk tunes, many of the tunes herein have many variations. |
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118 The music presented here is my attempt at reflecting what the musicians |
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119 of Cry Havoc play. I'm in no way suggesting that they are |
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120 in any way \emph{correct}. This is just how we go about them. |
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121 |
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122 The majority of tunes in this book have no identifiable author, and |
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123 are unquestionably in the public domain. Rather than litter the |
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124 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed. |
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125 Some, however, have an identifiable author or arranger and copyright |
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126 unquestionably remains with that person. I believe these tunes to |
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127 enjoy widespread currency on the folk music scene, and therefore there |
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128 is at least tacit approval by the authors for their dissemination. |
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129 If this is not the case, please contact me at |
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130 \href{mailto:dottes@cryhavoc.org.uk}{\texttt{dottes@cryhavoc.org.uk}} and I will |
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131 remove the offending tune. |
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132 |
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133 The Booke of Dottes is a constant work in progress. This is issue \build, |
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134 generated \today. The latest version is always available from |
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135 \url{http://dottes.cryhavoc.org.uk/}. |
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136 |
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137 % ----- |
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138 |
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139 \mainmatter |
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140 |
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141 \addcontentsline{toc}{chapter}{Tunes} |
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142 |
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143 \input{tunes.tex} |
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144 |
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145 % ----- |
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146 |
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147 \backmatter |
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148 |
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149 \chapter{List of tune first lines} |
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150 |
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151 You know the feeling. Everyone has just launched into a well-loved tune. |
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152 You've heard it before, but don't remember the name. So here's a list of |
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153 tune first lines to help you figure out what it is in time to join in. |
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154 |
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155 \setlength\LTleft{0pt} |
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156 \setlength\LTright{0pt} |
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157 \begin{longtable}{lr} |
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158 \input{firstlines.tex} |
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159 \end{longtable} |
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160 |
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161 % ----- Back cover page. A plain purple page. |
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162 |
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163 \newpage |
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164 |
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165 \pagecolor{havocpurple} |
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166 \thispagestyle{empty} |
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167 \mbox{} |
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168 |
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169 \end{document} |