Mercurial > dottes
annotate web/index.html @ 1026:e4d31e094d24
Changes to get Beginners booke building.
The web pages include prev and next links, so to get those right we
have to make the tune filenames distinct from the main booke names.
So fall back to taking the easy way, and just prefix all tune names with
@ or _.
author | Jim Hague <jim.hague@acm.org> |
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date | Tue, 18 Feb 2020 15:13:38 +0000 |
parents | ce13e23259b1 |
children | e6587dc18509 |
rev | line source |
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1 <!DOCTYPE html> |
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2 <html lang="en"> |
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3 <head> |
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4 <meta charset="utf-8" /> |
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5 <meta name="viewport" content="width=device-width, initial-scale=1.0"> |
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6 <title>Ye Crie Havock Booke of Dottes</title> |
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7 <link rel="stylesheet" href="css/dottes.css" /> |
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8 |
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9 <link href='http://fonts.googleapis.com/css?family=Pirata+One|Open+Sans' |
195 | 10 rel='stylesheet' type='text/css'> |
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11 </head> |
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12 <body> |
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13 <div class="container"> |
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14 <a href="/"> |
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15 <div class="header-strip banner"> |
628 | 16 <img src="img/banner.png"> |
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17 </div> |
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18 </a> |
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19 |
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20 <div class="dottes-body"> |
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21 <h1>The music of Cry Havoc, a reference.</h1> |
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22 <p>Music forms a core part of Cry Havoc Botley Morris. Of course, the |
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23 musicians provide the music we dance to. And after every practice or |
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24 dance-out, there is a music-playing session. |
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25 <p>Havoc musicians come in all shades of experience and ability. |
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26 This collection is intended to help those like me who are inexpert with |
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27 instrument and folk music generally.</p> |
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28 <p>Being folk tunes, many of the tunes herein have many variations. |
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29 The music presented here is my attempt at reflecting what is actually |
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30 played at Havoc sessions. I'm in no way suggesting that they are |
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31 in any way <em>correct</em>. This is just how we go about them.</p> |
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32 <p>The tunes we play tend to vary over time. So this collection is |
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33 not static, but will change over time. Lesser used tunes, or simply |
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34 tunes that I like but are not in general Havoc currency, are in |
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35 the Library collection.</p> |
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36 <p>The majority of tunes here have no identifiable author, and |
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37 are unquestionably in the public domain. Rather than litter the |
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38 pages with <em>Trad.</em> or <em>Anon.</em>, I have left them |
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39 unattributed. Some, however, have an identifiable author or |
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40 arranger and copyright unquestionably remains with that person. |
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41 I believe these tunes to enjoy widespread currency on the folk |
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42 music scene, and therefore there is at least tacit approval by |
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43 the authors for their dissemination. If this is not the case, |
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44 please contact me at the address below and I will remove the |
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45 offending tune.</p> |
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46 <div class="dottes-transpose-container"> |
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47 <div class="dottes-transpose-instrument"> |
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48 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> |
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49 <h1>Tunes</h1> |
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50 </div> |
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51 <div class="dottes-transpose-instrument-item dottes-transpose-how"> |
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52 <p>The tunes are separated into tune collections. |
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53 </div> |
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54 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> |
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55 <ul class="tune-type-list"> |
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56 <li><a href="Morris">Morris</a></li> |
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57 <li><a href="Session">Session</a></li> |
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58 <li><a href="Library">Library</a></li> |
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59 </ul> |
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60 </div> |
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61 </div> |
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62 </div> |
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63 </div> |
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64 |
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65 <div class="dottes-body"> |
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66 <h1>But my instrument isn't suited for treble clef concert pitch!</h1> |
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67 <p>Of course, not all instruments are suited to playing music written |
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68 in concert pitch in the treble clef.</p> |
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69 <p>To help those with such instruments get started, I've done some |
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70 simple transpositions for requested instruments. These are |
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71 <strong>not</strong> proper arrangements; I lack the time and the |
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72 knowledge or ability to do that. Instead, they are automatically |
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73 generated from the concert pitch originals using a typically very |
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74 simple method. |
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75 <p>I hope you find them useful.</p> |
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76 |
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77 <div class="dottes-transpose-container"> |
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78 <div class="dottes-transpose-instrument"> |
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79 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> |
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80 <h1>Cello</h1> |
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81 </div> |
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82 <div class="dottes-transpose-instrument-item dottes-transpose-how"> |
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83 <p>Transpose down one or two octaves depending on the range in the |
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84 tune, and use the bass clef.</p> |
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85 </div> |
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86 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> |
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87 <ul class="tune-type-list"> |
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88 <li><a href="Morris-Cello">Morris</a></li> |
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89 <li><a href="Session-Cello">Session</a></li> |
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90 <li><a href="Library-Cello">Library</a></li> |
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91 </ul> |
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92 </div> |
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93 </div> |
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94 </div> |
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95 <div class="dottes-transpose-container"> |
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96 <div class="dottes-transpose-instrument"> |
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97 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> |
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98 <h1>Horn in F</h1> |
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99 </div> |
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100 <div class="dottes-transpose-instrument-item dottes-transpose-how"> |
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101 <p>Transpose up a fifth, or down a seventh depending on the |
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102 range in the tune. To avoid scaring less able horn players such |
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103 as myself, the transposed score will prefer going below middle C |
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104 to going above the top G on the stave. Able horn players |
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105 can transpose in their heads anyway, so don't need this.</p> |
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106 </div> |
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107 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> |
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108 <ul class="tune-type-list"> |
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109 <li><a href="Morris-HornInF">Morris</a></li> |
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110 <li><a href="Session-HornInF">Session</a></li> |
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111 <li><a href="Library-HornInF">Library</a></li> |
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112 </ul> |
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113 </div> |
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114 </div> |
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115 </div> |
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116 <div class="dottes-transpose-container"> |
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117 <div class="dottes-transpose-instrument"> |
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118 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> |
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119 <h1>Alto recorder using C fingering</h1> |
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120 </div> |
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121 <div class="dottes-transpose-instrument-item dottes-transpose-how"> |
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122 <p>Transpose down a fifth, or up a seventh depending on the |
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123 range in the tune. This allows players familiar with the |
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124 descant recorder to use the fingering they already know |
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125 when playing the alto recorder, rather than having to |
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126 learn F fingering.</p> |
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127 </div> |
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128 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> |
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129 <ul class="tune-type-list"> |
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130 <li><a href="Morris-AltoRecorderCFingering">Morris</a></li> |
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131 <li><a href="Session-AltoRecorderCFingering">Session</a></li> |
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132 <li><a href="Library-AltoRecorderCFingering">Library</a></li> |
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133 </ul> |
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134 </div> |
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135 </div> |
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136 </div> |
1019 | 137 <div class="dottes-transpose-container"> |
138 <div class="dottes-transpose-instrument"> | |
139 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> | |
140 <h1>Alto saxophone</h1> | |
141 </div> | |
142 <div class="dottes-transpose-instrument-item dottes-transpose-how"> | |
143 <p>Transpose down a third. As with horns, good sax players | |
144 can do this in their heads anyway.</p> | |
145 </div> | |
146 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> | |
147 <ul class="tune-type-list"> | |
148 <li><a href="Morris-AltoSax">Morris</a></li> | |
149 <li><a href="Session-AltoSax">Session</a></li> | |
150 <li><a href="Library-AltoSax">Library</a></li> | |
151 </ul> | |
152 </div> | |
153 </div> | |
154 </div> | |
192
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155 </div> |
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156 |
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157 <div class="dottes-body"> |
233
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158 <h1>Who is responsible for this?</h1> |
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159 <p>Found a mistake, missing a tune or just want something changed? |
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160 Email Jim at <a href="mailto:dottes@cryhavoc.org.uk"> |
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161 dottes@cryhavoc.org.uk</a>.</p> |
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162 </div> |
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163 |
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164 <div class="dottes-body"> |
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165 <h1>Acknowledgements</h1> |
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166 <p>A few tunes here are from <a href="http://www.paulhardy.net/"> |
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167 Paul Hardy's Session Tunebook</a>. Many thanks to Paul for |
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168 licensing it under permissive terms. I have followed his lead |
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169 and used the same <a href="#licencing">licence</a> for the |
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170 Booke of Dottes.</p> |
411
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171 <p>One icon on this website is courtesy |
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172 of <a href="www.creativefreedom.co.uk">Creative Freedom</a>. |
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173 Thanks to them.</p> |
411
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174 <p>Above all, profuse and grateful thanks to all my fellow |
928 | 175 Havocs, notably MickP, Nerys, KateK, Susie and Ed, and most especially |
784 | 176 to Jane. They have supplied the tunes, |
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177 checked the renditions, and offered corrections and suggestions. |
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178 Without them, this project couldn't have happened.</p> |
411
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179 </div> |
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180 |
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181 <div class="dottes-body"> |
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182 <h1>Geek zone</h1> |
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183 <p>All sources for the Booke can be found at in a |
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184 <a href="https://www.mercurial-scm.org">Mercurial</a> |
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185 repository at <a href="http://hg.cryhavoc.org.uk/dottes"> |
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186 http://hg.cryhavoc.org.uk/dottes</a>. Tunes are in |
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187 Chris Walshaw's <a href="http://abcnotation.com">abc notation</a>.</p> |
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188 <p>The music scores are typeset by Jef Moine's |
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189 <a href="http://moinejf.free.fr/">abcm2ps</a>. Music samples |
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190 are generated with <a href="http://abc.sourceforge.net/abcMIDI/"> |
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191 abcMIDI</a> and <a href="https://sourceforge.net/projects/timidity/"> |
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192 TiMidity++</a>.</p> |
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193 <p>The printed documents are typeset with |
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194 <a href="https://www.latex-project.org/"> |
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195 <span class="latex">L<sup>A</sup>T<sub>E</sub>X</span></a> |
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196 using <a href="http://xetex.sourceforge.net/"> |
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197 <span class="xetex">X<sub>Ǝ</sub>L<sub>A</sub>T<sub>E</sub>X</span></a> |
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198 from <a href="https://www.tug.org/texlive/"> |
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199 <span class="latex">T<sub>E</sub>X</span> Live</a> |
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200 on a <a href="https://www.debian.org/">Debian Linux</a> system. |
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201 Grateful thanks to all contributors to abc, |
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202 <span class="latex">L<sup>A</sup>T<sub>E</sub>X</span>, |
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203 Debian, Linux and related software.</p> |
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204 </div> |
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205 |
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206 <div class="dottes-body"> |
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207 <p> |
257 | 208 <a rel="license" |
209 href="http://creativecommons.org/licenses/by-sa/2.0/uk/deed.en_US"> | |
210 <img alt="Creative Commons License" style="border-width:0" | |
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211 src="http://i.creativecommons.org/l/by-nc-sa/2.0/uk/88x31.png"/> |
257 | 212 </a> |
213 <br /> | |
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214 The collection of tunes that is |
257 | 215 <span xmlns:dct="http://purl.org/dc/terms/" |
216 property="dct:title">Ye Crie Havock Booke of Dottes</span> | |
217 by <a xmlns:cc="http://creativecommons.org/ns#" | |
218 href="dottes.cryhavoc.og.uk" property="cc:attributionName" | |
219 rel="cc:attributionURL">Jim Hague</a> | |
220 is licensed under a | |
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221 <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/2.0/uk/"> |
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222 Creative Commons Attribution-NonCommercial-ShareAlike 2.0 UK: England & Wales |
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223 License</a>. |
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224 </p> |
257 | 225 </div> |
226 | |
192
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227 </div> |
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228 </body> |
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229 </html> |