Mercurial > dottes
annotate dottes.tex @ 305:f151ed1ffdee
Welcome musicians and reformat about section.
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author | Jim Hague <jim.hague@acm.org> |
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date | Sun, 07 Jul 2013 20:38:29 +0100 |
parents | 35403bccf334 |
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1 \input{docclass.tex} |
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2 |
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3 \usepackage{color} |
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4 \usepackage{fontspec} |
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5 \usepackage{graphicx} |
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6 \usepackage{fancyhdr} |
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7 \usepackage{longtable} |
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8 \usepackage[UKenglish]{babel} |
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9 \usepackage[UKenglish]{isodate} |
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10 |
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11 % Non-indented paragraphs with space between them. |
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12 \usepackage{parskip} |
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13 |
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14 % 2 column table of contents. |
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15 \usepackage[toc]{multitoc} |
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16 |
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17 \usepackage{hyperref} |
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18 \hypersetup{ |
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19 bookmarks=true,% |
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20 colorlinks=true,% |
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21 citecolor=black,% |
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22 filecolor=black,% |
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23 linkcolor=black,% |
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24 urlcolor=black |
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25 } |
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26 |
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27 % ----- Common variables |
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28 |
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29 \def \build {\input{buildno.txt}} |
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30 \def \instrument {\input{instrument.txt}} |
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31 |
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32 % Havoc purple is #9900cc. |
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33 \definecolor{havocpurple}{rgb}{0.597,0,0.797} |
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34 |
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35 % ----- Paper size document setup |
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36 |
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37 \input{docsetup.tex} |
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38 |
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39 % ----- Appearance |
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40 |
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41 \setmainfont{Times New Roman} |
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42 |
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43 % Don't show section numbers. |
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44 \setcounter{secnumdepth}{-1} |
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45 |
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46 % ----- |
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47 |
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48 \begin{document} |
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49 |
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50 \frontmatter |
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51 |
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52 % ----- Title page |
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53 |
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54 \begin{titlepage} |
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55 \pagecolor{havocpurple} |
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56 \titleBoD |
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57 \end{titlepage} |
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58 |
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59 % ----- First inside page and dedication. No page numbering here, thanks. |
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60 |
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61 \pagecolor{white} |
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62 |
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63 \pagenumbering{gobble} |
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64 |
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65 \topskip0pt |
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66 \vspace*{\fill} |
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67 |
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68 \begin{center} |
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69 {\Large to Jane} \\ |
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70 {\large \emph{for the music, and the dance}} |
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71 \end{center} |
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72 |
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73 \vspace*{\fill} |
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74 |
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75 \section*{About Cry Havoc} |
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76 |
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77 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford. |
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78 We practice between September and April on Thursday evenings at the |
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79 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and |
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80 dance out in the summer months at locations around Oxfordshire. |
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81 |
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82 Find out more at \url{http://www.cryhavoc.org.uk/}, or email |
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83 \href{mailto:bag@cryhavoc.org.uk}{\texttt{bag@cryhavoc.org.uk}} for more |
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84 information. Would-be dancers or musicians always welcome. |
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85 |
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86 The Booke of Dottes was first produced to mark Cry Havoc's 20th |
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87 anniversary in 2013. |
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88 |
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89 \newpage |
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90 |
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91 % ----- Headers and footers |
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92 |
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93 \pagestyle{fancyplain} |
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94 \fancyhf{} |
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95 \cfoot{\thepage} |
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96 \renewcommand{\headrulewidth}{0pt} |
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97 |
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98 % ----- Contents |
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99 |
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100 \pagenumbering{roman} |
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101 |
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102 \tableofcontents |
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103 |
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104 % ----- |
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105 |
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106 \chapter{Introduction} |
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107 |
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108 After every practice or dance-out, the musicians of Cry Havoc Botley |
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109 Morris like to have a little music-playing session. And, of course, |
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110 the musicians provide the music we dance to. |
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111 |
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112 Havoc musicians come in all shades of experience and ability. |
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113 This collection is intended to help those like me who are inexpert with |
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114 instrument and folk music generally, but have a little musical background. |
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115 |
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116 \input{intro.txt} |
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117 |
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118 Being folk tunes, many of the tunes herein have many variations. |
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119 The music presented here is my attempt at reflecting what the musicians |
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120 of Cry Havoc play. I'm in no way suggesting that they are |
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121 in any way \emph{correct}. This is just how we go about them. |
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122 |
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123 The majority of tunes in this book have no identifiable author, and |
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124 are unquestionably in the public domain. Rather than litter the |
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125 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed. |
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126 Some, however, have an identifiable author or arranger and copyright |
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127 unquestionably remains with that person. I believe these tunes to |
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128 enjoy widespread currency on the folk music scene, and therefore there |
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129 is at least tacit approval by the authors for their dissemination. |
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130 If this is not the case, please contact me at |
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131 \href{mailto:dottes@cryhavoc.org.uk}{\texttt{dottes@cryhavoc.org.uk}} and I will |
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132 remove the offending tune. |
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133 |
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134 The Booke of Dottes is a constant work in progress. This is issue \build, |
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135 generated \today. The latest version is always available from |
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136 \url{http://dottes.cryhavoc.org.uk/}. |
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137 |
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138 % ----- |
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139 |
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140 \mainmatter |
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141 |
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142 \addcontentsline{toc}{chapter}{Tunes} |
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143 |
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144 \input{tunes.tex} |
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145 |
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146 % ----- |
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147 |
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148 \chapter{List of tune first lines} |
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149 |
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150 You know the feeling. Everyone has just launched into a well-loved tune. |
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151 You've heard it before, but don't remember the name. So here's a list of |
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152 tune first lines to help you figure out what it is in time to join in. |
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153 |
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154 \setlength\LTleft{0pt} |
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155 \setlength\LTright{0pt} |
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156 \begin{longtable}{lr} |
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157 \input{firstlines.tex} |
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158 \end{longtable} |
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159 |
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160 % ----- Back cover page. A plain purple page. |
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161 |
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162 \backmatter |
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163 |
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164 \pagecolor{havocpurple} |
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165 \thispagestyle{empty} |
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166 \mbox{} |
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167 |
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168 \end{document} |