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comparison dottes.tex @ 358:357244e2939d

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Change wording to say some tunes MAY have an identifiable author. There's a chance that a book will have no tunes with an identifiable author.
author Jim Hague <jim.hague@acm.org>
date Wed, 21 Aug 2013 10:21:19 +0100
parents 8787d85fa641
children 2a7d03d6a89f
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353:e143f4a7fdd8 358:357244e2939d
189 in any way \emph{correct}. This is just how we go about them. 189 in any way \emph{correct}. This is just how we go about them.
190 190
191 The majority of tunes in this book have no identifiable author, and 191 The majority of tunes in this book have no identifiable author, and
192 are unquestionably in the public domain. Rather than litter the 192 are unquestionably in the public domain. Rather than litter the
193 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed. 193 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed.
194 Some, however, have an identifiable author or arranger and copyright 194 Some, however, may have an identifiable author or arranger and copyright
195 unquestionably remains with that person. I believe these tunes to 195 unquestionably remains with that person. I believe these tunes to
196 enjoy widespread currency on the folk music scene, and therefore there 196 enjoy widespread currency on the folk music scene, and therefore there
197 is at least tacit approval by the authors for their dissemination. 197 is at least tacit approval by the authors for their dissemination.
198 If this is not the case, please contact me at 198 If this is not the case, please contact me at
199 \href{mailto:dottes@cryhavoc.org.uk}{\url{dottes@cryhavoc.org.uk}} and I will 199 \href{mailto:dottes@cryhavoc.org.uk}{\url{dottes@cryhavoc.org.uk}} and I will