Mercurial > dottes
comparison dottes.tex @ 324:c1c7e993a180
Revise printed Booke.
Introduce vestigial copyright page and move instroduction before the contents,
so on A4 it appears on the verso to the content recto. Tunes then start double
page spread on the next page.
Add a \cleardoublepage before the index of first lines to force that to start on
a new double page. This minimises the page turning necessary to see all the index
lines.
author | Jim Hague <jim.hague@acm.org> |
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date | Sat, 20 Jul 2013 20:40:02 +0100 |
parents | 1a240d1e2032 |
children | 21615733c3f3 |
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323:1a240d1e2032 | 324:c1c7e993a180 |
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79 | 79 |
80 \input{docsetup.tex} | 80 \input{docsetup.tex} |
81 | 81 |
82 % ----- Appearance | 82 % ----- Appearance |
83 | 83 |
84 % Lettering in the tune images is in Times, so go with that for consistency. | |
84 \setmainfont{Times New Roman} | 85 \setmainfont{Times New Roman} |
85 | 86 |
86 % Don't show section numbers. | 87 % Don't show section numbers. |
87 \setcounter{secnumdepth}{-1} | 88 \setcounter{secnumdepth}{-1} |
88 | 89 |
89 % ----- | 90 % ----- |
90 | 91 |
91 \begin{document} | 92 \begin{document} |
92 | 93 |
94 % ----- Headers and footers | |
95 | |
96 \pagestyle{fancyplain} | |
97 \fancyhf{} | |
98 \cfoot{\thepage} | |
99 \renewcommand{\headrulewidth}{0pt} | |
100 | |
93 \frontmatter | 101 \frontmatter |
102 | |
103 % No page numbering for now, thanks. | |
104 \pagenumbering{gobble} | |
94 | 105 |
95 % ----- Title page | 106 % ----- Title page |
96 | 107 |
97 \newgeometry{margin=0.5in} | 108 \newgeometry{margin=0.5in} |
98 \begin{titlepage} | 109 \begin{titlepage} |
99 \pagecolor{havocpurple} | 110 \pagecolor{havocpurple} |
100 \titleBoD | 111 \titleBoD |
101 \end{titlepage} | 112 \end{titlepage} |
102 \restoregeometry | 113 \restoregeometry |
103 | 114 |
104 % ----- First inside page and dedication. No page numbering here, thanks. | |
105 | |
106 \pagecolor{white} | 115 \pagecolor{white} |
107 | 116 |
108 \pagenumbering{gobble} | 117 % ----- First inside pages. No page numbering here, thanks. |
118 | |
119 % Publisher info page. | |
120 \vspace*{\fill} | |
121 | |
122 Issue \build, generated \today. | |
123 | |
124 The Booke of Dottes is a constant work in progress. The latest version | |
125 is always available from \url{http://dottes.cryhavoc.org.uk/}. | |
126 | |
127 \vspace*{\fill} | |
128 | |
129 Music typeset by abcm2ps. Document typeset by {\LaTeX} in 12 point | |
130 Times New Roman. | |
131 | |
132 \newpage | |
133 | |
134 % Dedication page. | |
109 | 135 |
110 \vspace*{\fill} | 136 \vspace*{\fill} |
111 | 137 |
112 \begin{center} | 138 \begin{center} |
113 {\Large to Jane} \\ | 139 {\Large to Jane} \\ |
114 {\large \emph{for the music, and the dance}} | 140 {\large \emph{for the music, and the dance}} |
115 \end{center} | 141 \end{center} |
116 | 142 |
117 \vspace*{\fill} | 143 \vspace*{\fill} |
118 | 144 |
119 \section*{About Cry Havoc} | |
120 | |
121 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford. | |
122 We practice between September and April on Thursday evenings at the | |
123 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and | |
124 dance out in the summer months at locations around Oxfordshire. | |
125 | |
126 Find out more at \url{http://www.cryhavoc.org.uk/}, or email | |
127 \href{mailto:bag@cryhavoc.org.uk}{\texttt{bag@cryhavoc.org.uk}} for more | |
128 information. Would-be dancers or musicians always welcome. | |
129 | |
130 The Booke of Dottes was first produced to mark Cry Havoc's 20th | |
131 anniversary in 2013. | |
132 | |
133 \newpage | 145 \newpage |
134 | 146 |
135 % ----- Headers and footers | 147 % ----- Here we go with numbered frontmatter pages. |
136 | |
137 \pagestyle{fancyplain} | |
138 \fancyhf{} | |
139 \cfoot{\thepage} | |
140 \renewcommand{\headrulewidth}{0pt} | |
141 | |
142 % ----- Contents | |
143 | 148 |
144 \pagenumbering{roman} | 149 \pagenumbering{roman} |
145 | |
146 \tableofcontents | |
147 | |
148 % ----- | |
149 | 150 |
150 \chapter{Introduction} | 151 \chapter{Introduction} |
151 | 152 |
152 Music forms a core part of Cry Havoc Botley Morris. Of course, the | 153 Music forms a core part of Cry Havoc Botley Morris. Of course, the |
153 musicians provide the music we dance to. And after every practice or | 154 musicians provide the music we dance to. And after every practice or |
173 is at least tacit approval by the authors for their dissemination. | 174 is at least tacit approval by the authors for their dissemination. |
174 If this is not the case, please contact me at | 175 If this is not the case, please contact me at |
175 \href{mailto:dottes@cryhavoc.org.uk}{\texttt{dottes@cryhavoc.org.uk}} and I will | 176 \href{mailto:dottes@cryhavoc.org.uk}{\texttt{dottes@cryhavoc.org.uk}} and I will |
176 remove the offending tune. | 177 remove the offending tune. |
177 | 178 |
178 The Booke of Dottes is a constant work in progress. This is issue \build, | 179 \section{About Cry Havoc} |
179 generated \today. The latest version is always available from | 180 |
180 \url{http://dottes.cryhavoc.org.uk/}. | 181 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford. |
182 We practice between September and April on Thursday evenings at the | |
183 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and | |
184 dance out in the summer months at locations around Oxfordshire. | |
185 | |
186 Find out more at \url{http://www.cryhavoc.org.uk/}, or email | |
187 \href{mailto:bag@cryhavoc.org.uk}{\texttt{bag@cryhavoc.org.uk}} for more | |
188 information. Would-be dancers or musicians always welcome. | |
189 | |
190 The Booke of Dottes was first produced to mark Cry Havoc's 20th | |
191 anniversary in 2013. | |
192 | |
193 % ----- | |
194 | |
195 \tableofcontents | |
181 | 196 |
182 % ----- | 197 % ----- |
183 | 198 |
184 \mainmatter | 199 \mainmatter |
185 | 200 |
186 \addcontentsline{toc}{chapter}{Tunes} | 201 \addcontentsline{toc}{chapter}{Tunes} |
187 | 202 |
188 \input{tunes.tex} | 203 \input{tunes.tex} |
189 | 204 |
190 % ----- | 205 % ----- |
206 | |
207 \cleardoublepage | |
191 | 208 |
192 \chapter{List of tune first lines} | 209 \chapter{List of tune first lines} |
193 | 210 |
194 You know the feeling. Everyone has just launched into a well-loved tune. | 211 You know the feeling. Everyone has just launched into a well-loved tune. |
195 You've heard it before, but don't remember the name. So here's a list of | 212 You've heard it before, but don't remember the name. So here's a list of |