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Various revisions of printed book presentation. 1. Purple background on the front and and new blank back pages. 2. UK English for hyphenation and date presentation. 3. Dedication and 'About Havoc' section. 4. Footer just page number in centre of page. 5. Revised copyright discussion. 6. Since it's a book, make content, intro and first lines to chapters. And prompt individual tunes to sections. 7. Omit 'Tunes' chapter heading. It doesn't look good in A5.
author Jim Hague <jim.hague@acm.org>
date Fri, 05 Jul 2013 18:56:34 +0100
parents 3b40937a3f95
children 35403bccf334
comparison
equal deleted inserted replaced
281:9635fe8d6bf6 282:ced1d1ba42f6
1 \input{docclass.tex} 1 \input{docclass.tex}
2 2
3 \usepackage{color}
3 \usepackage{fontspec} 4 \usepackage{fontspec}
4 \usepackage{graphicx} 5 \usepackage{graphicx}
5 \usepackage{fancyhdr} 6 \usepackage{fancyhdr}
6 \usepackage{longtable} 7 \usepackage{longtable}
8 \usepackage[UKenglish]{babel}
9 \usepackage[UKenglish]{isodate}
7 10
8 % Non-indented paragraphs with space between them. 11 % Non-indented paragraphs with space between them.
9 \usepackage{parskip} 12 \usepackage{parskip}
10 13
11 % 2 column table of contents. 14 % 2 column table of contents.
24 % ----- Common variables 27 % ----- Common variables
25 28
26 \def \build {\input{buildno.txt}} 29 \def \build {\input{buildno.txt}}
27 \def \instrument {\input{instrument.txt}} 30 \def \instrument {\input{instrument.txt}}
28 31
32 % Havoc purple is #9900cc.
33 \definecolor{havocpurple}{rgb}{0.597,0,0.797}
34
29 % ----- Paper size document setup 35 % ----- Paper size document setup
30 36
31 \input{docsetup.tex} 37 \input{docsetup.tex}
32 38
33 % ----- Appearance 39 % ----- Appearance
44 \frontmatter 50 \frontmatter
45 51
46 % ----- Title page 52 % ----- Title page
47 53
48 \begin{titlepage} 54 \begin{titlepage}
55 \pagecolor{havocpurple}
49 \titleBoD 56 \titleBoD
50 \end{titlepage} 57 \end{titlepage}
58
59 % ----- First inside page and dedication. No page numbering here, thanks.
60
61 \pagecolor{white}
62
63 \pagenumbering{gobble}
64
65 \topskip0pt
66 \vspace*{\fill}
67
68 \begin{center}
69 {\Large to Jane} \\
70 {\large \emph{for the music, and the dance}}
71 \end{center}
72
73 \vspace*{\fill}
74
75 \section*{About Cry Havoc}
76
77 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford.
78 We practice between September and April on Thursday evenings at the
79 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and
80 dance out in the summer months at locations around Oxfordshire.
81 Find out more at \url{http://www.cryhavoc.org.uk/}, or email
82 \href{mailto:bag@cryhavoc.org.uk}{\texttt{bag@cryhavoc.org.uk}} for more
83 information. Would-be dancers always welcome.
84
85 The Booke of Dottes was first produced to mark Cry Havoc's 20th
86 anniversary in 2013.
87
88 \newpage
51 89
52 % ----- Headers and footers 90 % ----- Headers and footers
53 91
54 \pagestyle{fancyplain} 92 \pagestyle{fancyplain}
55 \fancyhf{} 93 \fancyhf{}
56 \lfoot{Issue \build} 94 \cfoot{\thepage}
57 \rfoot{\thepage}
58 \renewcommand{\headrulewidth}{0pt} 95 \renewcommand{\headrulewidth}{0pt}
59 96
60 % ----- Contents 97 % ----- Contents
98
99 \pagenumbering{roman}
61 100
62 \tableofcontents 101 \tableofcontents
63 102
64 % ----- 103 % -----
65 104
66 \section{Introduction} 105 \chapter{Introduction}
67 106
68 After every practice or dance-out, the musicians of Cry Havoc Botley 107 After every practice or dance-out, the musicians of Cry Havoc Botley
69 Morris like to have a little music-playing session. And, of course, 108 Morris like to have a little music-playing session. And, of course,
70 the musicians provide the music we dance to. 109 the musicians provide the music we dance to.
71 110
78 Being folk tunes, many of the tunes herein have many variations. 117 Being folk tunes, many of the tunes herein have many variations.
79 The music presented here is my attempt at reflecting what the musicians 118 The music presented here is my attempt at reflecting what the musicians
80 of Cry Havoc play. I'm in no way suggesting that they are 119 of Cry Havoc play. I'm in no way suggesting that they are
81 in any way \emph{correct}. This is just how we go about them. 120 in any way \emph{correct}. This is just how we go about them.
82 121
83 All tunes in this book are believed to be in the public domain, or at the 122 The majority of tunes in this book have no identifiable author, and
84 very least enjoy widespread currency on the folk music scene. If I have 123 are unquestionably in the public domain. Rather than litter the
85 inadvertantly transgressed on anyone's copyright, please contact me at 124 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed.
125 Some, however, have an identifiable author or arranger and copyright
126 unquestionably remains with that person. I believe these tunes to
127 enjoy widespread currency on the folk music scene, and therefore there
128 is at least tacit approval by the authors for their dissemination.
129 If this is not the case, please contact me at
86 \href{mailto:dottes@cryhavoc.org.uk}{\texttt{dottes@cryhavoc.org.uk}} and I will 130 \href{mailto:dottes@cryhavoc.org.uk}{\texttt{dottes@cryhavoc.org.uk}} and I will
87 remove the offending tune. 131 remove the offending tune.
88 132
89 The Booke of Dottes is a constant work in progress. You can download the latest 133 The Booke of Dottes is a constant work in progress. This is issue \build,
90 version from \url{http://dottes.cryhavoc.org.uk/}. 134 generated \today. The latest version is always available from
91 135 \url{http://dottes.cryhavoc.org.uk/}.
92 \section{About Cry Havoc}
93
94 Cry Havoc are a mixed Cotswold Morris side based in Botley, Oxford.
95
96 This book was first produced to mark Cry Havoc's 20th anniversary in 2013.
97 136
98 % ----- 137 % -----
99 138
100 \mainmatter 139 \mainmatter
101 140
102 \section{Tunes} 141 \addcontentsline{toc}{chapter}{Tunes}
103 142
104 \input{tunes.tex} 143 \input{tunes.tex}
105 144
106 % ----- 145 % -----
107 146
108 \backmatter 147 \backmatter
109 148
110 \newpage 149 \chapter{List of tune first lines}
111
112 \section{List of tune first lines}
113 150
114 You know the feeling. Everyone has just launched into a well-loved tune. 151 You know the feeling. Everyone has just launched into a well-loved tune.
115 You've heard it before, but don't remember the name. So here's a list of 152 You've heard it before, but don't remember the name. So here's a list of
116 tune first lines to help you figure out what it is in time to join in. 153 tune first lines to help you figure out what it is in time to join in.
117 154
119 \setlength\LTright{0pt} 156 \setlength\LTright{0pt}
120 \begin{longtable}{lr} 157 \begin{longtable}{lr}
121 \input{firstlines.tex} 158 \input{firstlines.tex}
122 \end{longtable} 159 \end{longtable}
123 160
124 % ----- 161 % ----- Back cover page. A plain purple page.
162
163 \newpage
164
165 \pagecolor{havocpurple}
166 \thispagestyle{empty}
167 \mbox{}
125 168
126 \end{document} 169 \end{document}