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author Jenkins Build Manager <jenkins@cryhavoc.org.uk>
date Thu, 14 Sep 2017 18:31:23 +0100
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  <title>Ye Crie Havock Booke of Dottes</title>
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    <div class="dottes-body">
      <h1>The music of Cry Havoc, a reference.</h1>
      <p>Music forms a core part of Cry Havoc Botley Morris. Of course, the
        musicians provide the music we dance to. And after every practice or
        dance-out, there is a music-playing session.
      <p>Havoc musicians come in all shades of experience and ability.
        This collection is intended to help those like me who are inexpert with
        instrument and folk music generally.</p>
      <p>Being folk tunes, many of the tunes herein have many variations.
        The music presented here is my attempt at reflecting what is actually
        played at Havoc sessions. I'm in no way suggesting that they are
        in any way <em>correct</em>. This is just how we go about them.</p>
      <p>The tunes we play tend to vary over time. So this collection is
        not static, but will change over time. Lesser used tunes, or simply
        tunes that I like but are not in general Havoc currency, are in
        the Library collection.</p>
      <p>The majority of tunes here have no identifiable author, and
        are unquestionably in the public domain. Rather than litter the
        pages with <em>Trad.</em> or <em>Anon.</em>, I have left them
        unattributed. Some, however, have an identifiable author or
        arranger and copyright unquestionably remains with that person.
        I believe these tunes to enjoy widespread currency on the folk
        music scene, and therefore there is at least tacit approval by
        the authors for their dissemination. If this is not the case,
        please contact me at the address below and I will remove the
        offending tune.</p>
      <div class="dottes-transpose-container">
        <div class="dottes-transpose-instrument">
          <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
            <h1>Tunes</h1>
          </div>
          <div class="dottes-transpose-instrument-item dottes-transpose-how">
            <p>The tunes are separated into tune collections.
          </div>
          <div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
            <ul class="tune-type-list">
              <li><a href="Morris">Morris</a></li>
              <li><a href="Session">Session</a></li>
              <li><a href="Library">Library</a></li>
            </ul>
          </div>
        </div>
      </div>
    </div>

    <div class="dottes-body">
      <h1>But my instrument isn't suited for treble clef concert pitch!</h1>
      <p>Of course, not all instruments are suited to playing music written
        in concert pitch in the treble clef.</p>
      <p>To help those with such instruments get started, I've done some
        simple transpositions for requested instruments. These are
        <strong>not</strong> proper arrangements; I lack the time and the
        knowledge or ability to do that. Instead, they are automatically
        generated from the concert pitch originals using a typically very
        simple method.
      <p>I hope you find them useful.</p>

      <div class="dottes-transpose-container">
        <div class="dottes-transpose-instrument">
          <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
            <h1>Cello</h1>
          </div>
          <div class="dottes-transpose-instrument-item dottes-transpose-how">
            <p>Transpose down one or two octaves depending on the range in the
              tune, and use the bass clef.</p>
          </div>
          <div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
            <ul class="tune-type-list">
              <li><a href="Morris-Cello">Morris</a></li>
              <li><a href="Session-Cello">Session</a></li>
              <li><a href="Library-Cello">Library</a></li>
            </ul>
          </div>
        </div>
      </div>
      <div class="dottes-transpose-container">
        <div class="dottes-transpose-instrument">
          <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
            <h1>Horn in F</h1>
          </div>
          <div class="dottes-transpose-instrument-item dottes-transpose-how">
            <p>Transpose up a fifth, or down a seventh depending on the
              range in the tune. To avoid scaring less able horn players such
              as myself, the transposed score will prefer going below middle C
              to going above the top G on the stave. Able horn players
              can transpose in their heads anyway, so don't need this.</p>
          </div>
          <div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
            <ul class="tune-type-list">
              <li><a href="Morris-HornInF">Morris</a></li>
              <li><a href="Session-HornInF">Session</a></li>
              <li><a href="Library-HornInF">Library</a></li>
            </ul>
          </div>
        </div>
      </div>
      <div class="dottes-transpose-container">
        <div class="dottes-transpose-instrument">
          <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
            <h1>Alto recorder using C fingering</h1>
          </div>
          <div class="dottes-transpose-instrument-item dottes-transpose-how">
            <p>Transpose down a fifth, or up a seventh depending on the
              range in the tune. This allows players familiar with the
              descant recorder to use the fingering they already know
              when playing the alto recorder, rather than having to
              learn F fingering.</p>
          </div>
          <div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
            <ul class="tune-type-list">
              <li><a href="Morris-AltoRecorderCFingering">Morris</a></li>
              <li><a href="Session-AltoRecorderCFingering">Session</a></li>
              <li><a href="Library-AltoRecorderCFingering">Library</a></li>
            </ul>
          </div>
        </div>
      </div>
    </div>

    <div class="dottes-body">
      <h1>Who is responsible for this?</h1>
      <p>Found a mistake, missing a tune or just want something changed?
        Email Jim at <a href="mailto:dottes@cryhavoc.org.uk">
          dottes@cryhavoc.org.uk</a>.</p>
    </div>

    <div class="dottes-body">
      <h1>Acknowledgements</h1>
      <p>A few tunes here are from <a href="http://www.paulhardy.net/">
        Paul Hardy's Session Tunebook</a>. Many thanks to Paul for
        licensing it under permissive terms. I have followed his lead
        and used the same <a href="#licencing">licence</a> for the
        Booke of Dottes.</p>
      <p>One icon on this website is courtesy
        of <a href="www.creativefreedom.co.uk">Creative Freedom</a>.
        Thanks to them.
      <p>Above all, profuse and grateful thanks to all my fellow
        Havocs, and most especially to Jane. They have supplied the tunes,
        checked the renditions, and offered corrections and suggestions.
        Without them, this project couldn't have happened.</p>
    </div>

    <div class="dottes-body">
      <p>
      <a rel="license"
      href="http://creativecommons.org/licenses/by-sa/2.0/uk/deed.en_US">
        <img alt="Creative Commons License" style="border-width:0"
             src="http://i.creativecommons.org/l/by-nc-sa/2.0/uk/88x31.png"/>
      </a>
      <br />
      The collection of tunes that is
      <span xmlns:dct="http://purl.org/dc/terms/"
            property="dct:title">Ye Crie Havock Booke of Dottes</span>
      by <a xmlns:cc="http://creativecommons.org/ns#"
            href="dottes.cryhavoc.og.uk" property="cc:attributionName"
            rel="cc:attributionURL">Jim Hague</a>
      is licensed under a
      <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/2.0/uk/">
        Creative Commons Attribution-NonCommercial-ShareAlike 2.0 UK: England &amp; Wales
        License</a>.
      </p>
    </div>

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