Mercurial > dottes
view dottes.tex @ 694:8bcb5ad3dd5e build-default-274
Add start of repeat to B tune so that abc2midi does the B tune repeat.
author | Jim Hague <jim.hague@acm.org> |
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date | Sun, 17 Sep 2017 19:45:34 +0100 |
parents | 49d72092b45e |
children | 7da70e8900ab |
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\input{docclass.tex} \usepackage{array} \usepackage{color} \usepackage{fontspec} \usepackage{graphicx} \usepackage{fancyhdr} \usepackage{tabularx} \usepackage{longtable} \usepackage[UKenglish]{babel} \usepackage[UKenglish]{isodate} % Non-indented paragraphs with space between them. \usepackage{parskip} % 2 column table of contents. \usepackage[toc]{multitoc} \usepackage{hyperref} \hypersetup{ colorlinks=true,% citecolor=black,% filecolor=black,% linkcolor=black,% urlcolor=black } % ----- Common variables \newcommand{\build}{\input{buildno.txt}} \newcommand{\instrument}{\input{instrument.txt}} % Havoc purple is #9900cc. \definecolor{havocpurple}{rgb}{0.597,0,0.797} % ----- Macros \makeatletter \def\ifemptyarg#1{% \if\relax\detokenize{#1}\relax % H. Oberdiek \expandafter\@firstoftwo \else \expandafter\@secondoftwo \fi} \makeatother % Show the main tune graphic and optional change. % Args are tune name, tune title, tune subtitle, composer, tune graphic % filename, notes, history. \newcommand{\showtune}[7]{% \phantomsection \begin{tabularx}{\textwidth}{LCR} \addcontentsline{toc}{section}{#2} & \hypertarget{#1}{\Large{#2}} & \emph{#4} \tabularnewline \ifemptyarg{#3}{}{% & #3 & \tabularnewline } \multicolumn{3}{c}{% \includegraphics[width=\textwidth,height=0.8\textheight,keepaspectratio]{#5}% }\tabularnewline \end{tabularx} #6 #7 \vfill } % Show the tune first line. Generate table row. % Args are the tune name, tune title and the first line graphic filename. \newcommand{\showfirstline}[3]{% \hyperlink{#1}{#2} & % \raisebox{-.4\height}{\includegraphics[width=0.77\textwidth]{#3}} \\ } % ----- Paper size document setup \input{docsetup.tex} % ----- Appearance % Lettering in the tune images is in Times, so go with that for consistency. \setmainfont{Times New Roman} % Don't show section numbers. \setcounter{secnumdepth}{-1} % ----- \begin{document} % ----- Headers and footers \pagestyle{fancyplain} \fancyhf{} \cfoot{\thepage} \renewcommand{\headrulewidth}{0pt} \pagestylemod \frontmatter % No page numbering for now, thanks. \pagenumbering{gobble} % ----- Title page \newgeometry{margin=0.5in} \begin{titlepage} \titleBoD \end{titlepage} \restoregeometry % ----- First inside pages. No page numbering here, thanks. % Publisher info page. \vspace*{\fill} {\small \raggedright \textbf{Ye Crie Havoc Booke of Dottes} Tune collection and presentation is copyright \copyright{} Jim Hague 2013-2017 and is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 2.0 UK: England \& Wales License. Details at \url{http://creativecommons.org/licenses/by-nc-sa/2.0/uk/}. Some tunes are reproduced from Paul Hardy's Session Tunebook (\url{www.paulhardy.net}). The right of Jim Hague to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1998. First published in the UK 2013 by Jim Hague. The Booke of Dottes is a constant work in progress. The latest version is always available from \url{http://dottes.cryhavoc.org.uk/}. This is issue \build, generated \today. \textbf{Technical data} Book sources can be found at in a Mercurial (\url{http://mercurial.selenic.com}) repository at \url{http://hg.cryhavoc.org.uk/dottes/}. Tunes are in abc notation (\url{http://abcnotation.com/}). Music typeset by abcm2ps (\url{http://moinejf.free.fr/}). Document typeset by {\LaTeX} using {\TeX} Live on a Debian Linux system. Grateful thanks to all contributors to abc, {\LaTeX}, Debian, Linux and related software. } \newpage % Dedication page. \vspace*{\fill} \begin{center} {\Large to Jane} \\ {\large \emph{for the music, and the dance}} \end{center} \vspace*{\fill} \newpage % ----- Here we go with numbered frontmatter pages. \pagenumbering{roman} \chapter{Introduction} Music forms a core part of Cry Havoc Botley Morris. Of course, the musicians provide the music we dance to. And after every practice or dance-out, there is a music-playing session. Havoc musicians come in all shades of experience and ability. This collection is intended to help those like me who are inexpert with instrument and folk music generally, but have a little musical background. Being folk tunes, many of the tunes herein have many variations. The music presented here is my attempt at reflecting what the musicians of Cry Havoc play. I'm in no way suggesting that they are in any way \emph{correct}. This is just how we go about them. The majority of tunes in this book have no identifiable author, and are unquestionably in the public domain. Rather than litter the pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed. Some, however, may have an identifiable author or arranger and copyright unquestionably remains with that person. I believe these tunes to enjoy widespread currency on the folk music scene, and therefore there is at least tacit approval by the authors for their dissemination. If this is not the case, please contact me at \href{mailto:dottes@cryhavoc.org.uk}{\url{dottes@cryhavoc.org.uk}} and I will remove the offending tune. \section{About Cry Havoc} Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford. We practice between September and April on Thursday evenings at the Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and dance out in the summer months at locations around Oxfordshire. Find out more at \url{http://www.cryhavoc.org.uk/}, or email \href{mailto:bag@cryhavoc.org.uk}{\url{bag@cryhavoc.org.uk}} for more information. Would-be dancers or musicians always welcome. The Booke of Dottes was first produced to mark Cry Havoc's 20th anniversary in 2013, and substantially updated for our 25th anniversary in 2018. % ----- \tableofcontents % ----- \mainmatter \input{tunes.tex} % ----- \cleardoublepage \chapter{List of tune first lines} You know the feeling. Everyone has just launched into a well-loved tune. You've heard it before, but don't remember the name. So here's a list of tune first lines to help you figure out what it is in time to join in. \input{firstlines.tex} % ----- Back cover page. A plain purple page. \backmatter \input{docend.tex} \end{document}