Mercurial > dottes
annotate dottes.tex @ 957:2e51b0787a54
Update page padding to work with variable length front matter.
author | Jim Hague <jim.hague@acm.org> |
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date | Wed, 07 Aug 2019 08:21:23 +0100 |
parents | 2324285ba90b |
children | 514bf66183ca |
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1 \input{docclass.tex} |
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2 |
315 | 3 \usepackage{array} |
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4 \usepackage{calc} |
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5 \usepackage{caption} |
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6 \usepackage{color} |
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7 \usepackage{fontspec} |
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8 \usepackage{graphicx} |
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9 \usepackage{fancyhdr} |
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10 \usepackage{ifthen} |
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11 \usepackage[defaultlines=4,all]{nowidow} |
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12 \usepackage{tabularx} |
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13 \usepackage{longtable} |
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14 \usepackage{needspace} |
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15 \usepackage[UKenglish]{babel} |
317 | 16 \usepackage[UKenglish]{isodate} |
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17 |
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18 % Non-indented paragraphs with space between them. |
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19 \usepackage{parskip} |
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20 |
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21 % 2 column table of contents. |
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22 \usepackage[toc]{multitoc} |
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23 |
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24 \usepackage{hyperref} |
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25 \hypersetup{ |
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26 colorlinks=true,% |
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27 citecolor=black,% |
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28 filecolor=black,% |
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29 linkcolor=black,% |
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30 urlcolor=black |
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31 } |
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32 |
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33 % ----- Common variables |
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34 |
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35 \newcommand{\build}{\input{buildno.txt}} |
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36 \newcommand{\instrument}{\input{instrument.txt}} |
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37 |
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38 % Havoc purple is #9900cc. |
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39 \definecolor{havocpurple}{rgb}{0.597,0,0.797} |
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40 |
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41 % ----- Macros |
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42 |
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43 \makeatletter |
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44 \def\ifemptyarg#1{% |
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45 \if\relax\detokenize{#1}\relax % H. Oberdiek |
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46 \expandafter\@firstoftwo |
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47 \else |
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48 \expandafter\@secondoftwo |
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49 \fi} |
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50 \makeatother |
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51 |
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52 % Replace \mainmatter with one that does a \clearpage |
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53 % not a \cleardoublepage. |
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54 \makeatletter |
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55 \renewcommand\mainmatter{% |
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56 \clearpage |
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57 \@mainmattertrue |
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58 \pagenumbering{arabic}} |
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59 \makeatother |
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60 |
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61 % Show the main tune graphic and optional change. |
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62 % Args are: |
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63 % 1. Tune name |
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64 % 2. Tune title |
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65 % 3. Tune subtitle |
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66 % 4. Tune full title |
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67 % 5. Tune tradition |
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68 % 6. Tune composer |
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69 % 7. Tune parts |
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70 % 8. Tune graphic filename |
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71 \newcommand{\showtune}[8]{% |
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72 \phantomsection |
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73 \begin{tabularx}{\textwidth}{LCR} |
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74 #7 & \hypertarget{#1}{\Large{#2}} & \emph{#6} \tabularnewline |
329 | 75 \ifemptyarg{#3}{}{% |
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76 & #3 & \tabularnewline |
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77 } |
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78 \multicolumn{3}{c}{% |
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79 \includegraphics[width=\textwidth,height=0.8\textheight,keepaspectratio]{#8}% |
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80 }\tabularnewline |
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81 \end{tabularx} |
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82 \addcontentsline{toc}{section}{#4} |
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83 } |
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84 |
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85 % Show the tune first line. Generate table row. |
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86 % Args are the tune name, tune title and the first line graphic filename. |
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87 \newcommand{\showfirstline}[3]{% |
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88 \hyperlink{#1}{#2} & % |
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89 \raisebox{-.4\height}{\includegraphics[width=0.77\textwidth]{#3}} \\ |
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90 } |
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91 |
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92 % Show the section graphic. |
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93 % Args are the graphic filename. |
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94 \newcommand{\showsectiongraphic}[2]{% |
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95 \begin{figure}[h!] |
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96 \begin{center} |
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97 \includegraphics[height=0.60\textheight,keepaspectratio]{#1} |
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98 \end{center} |
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99 \ifemptyarg{#2}{}{\caption*{#2}} |
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100 \end{figure} |
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101 } |
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102 |
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103 % Add blank pages to make total page count up to a multiple |
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104 % Args are: |
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105 % 1. Multiple desired |
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106 % 2. Pages before start of current page count |
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107 \newcounter{modpage} |
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108 \newcounter{modpageno} |
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109 \newcounter{modpagenodiv} |
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110 \newcommand{\padpages}[2]{% |
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111 \pagestyle{empty}% |
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112 \setcounter{modpageno}{\thepage + #2}% |
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113 \setcounter{modpagenodiv}{\themodpageno/#1}% |
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114 \setcounter{modpage}{\themodpageno - #1*\themodpagenodiv}% |
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115 \ifthenelse{\themodpage=0}% |
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116 {\relax}% |
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117 {\setcounter{modpage}{#1 - \themodpage}% |
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118 \whiledo{\themodpage>0}{% |
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119 \mbox{}\clearpage\mbox{}% |
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120 \setcounter{modpage}{\themodpage - 1}% |
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121 }% end whiledo |
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122 }% end ifthenelse |
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123 }% end padpages |
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124 |
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125 % ----- Paper size document setup |
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126 |
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127 \input{docsetup.tex} |
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128 |
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129 % ----- Appearance |
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130 |
324 | 131 % Lettering in the tune images is in Times, so go with that for consistency. |
266
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132 \setmainfont{Times New Roman} |
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133 |
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134 % Don't show section numbers. |
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135 \setcounter{secnumdepth}{-1} |
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136 |
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137 % ----- |
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138 |
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139 \begin{document} |
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140 |
324 | 141 % ----- Headers and footers |
142 | |
143 \pagestyle{fancyplain} | |
144 \fancyhf{} | |
145 \cfoot{\thepage} | |
146 \renewcommand{\headrulewidth}{0pt} | |
147 | |
334
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148 \pagestylemod |
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149 |
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150 \frontmatter |
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151 |
324 | 152 % No page numbering for now, thanks. |
153 \pagenumbering{gobble} | |
154 | |
266
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155 % ----- Title page |
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156 |
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157 \newgeometry{margin=0.5in} |
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158 \begin{titlepage} |
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159 \titleBoD |
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160 \end{titlepage} |
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161 \restoregeometry |
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162 |
324 | 163 % ----- First inside pages. No page numbering here, thanks. |
164 | |
165 % Publisher info page. | |
166 \vspace*{\fill} | |
167 | |
325
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168 {\small \raggedright |
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169 |
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170 \textbf{Ye Crie Havoc Booke of Dottes} |
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171 |
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172 Tune collection and presentation is copyright \copyright{} Jim Hague 2013-2019 |
325
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173 and is licensed under a Creative Commons |
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174 Attribution-NonCommercial-ShareAlike 2.0 UK: England \& Wales License. |
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175 Details at \url{http://creativecommons.org/licenses/by-nc-sa/2.0/uk/}. |
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176 |
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177 Some tunes are reproduced from Paul Hardy's Session Tunebook |
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178 (\url{www.paulhardy.net}). |
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179 |
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180 The right of Jim Hague to be identified as the author of this work has been |
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181 asserted by him in accordance with the Copyright, Designs and Patents Act 1998. |
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182 |
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183 First published in the UK 2013 by Jim Hague.\\ |
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184 Second printed edition 2019. |
324 | 185 |
186 The Booke of Dottes is a constant work in progress. The latest version | |
187 is always available from \url{http://dottes.cryhavoc.org.uk/}. | |
325
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188 This is issue \build, generated \today. |
324 | 189 |
325
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190 \textbf{Technical data} |
324 | 191 |
325
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192 Book sources can be found at in a Mercurial |
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193 (\url{http://mercurial.selenic.com}) repository at |
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194 \url{http://hg.cryhavoc.org.uk/dottes/}. Tunes are |
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195 in abc notation (\url{http://abcnotation.com/}). |
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196 |
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197 Music typeset by abcm2ps (\url{http://moinejf.free.fr/}). |
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198 Document typeset by {\LaTeX} using {\TeX} Live on a Debian Linux system. |
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199 Grateful thanks to all contributors to abc, {\LaTeX}, Debian, |
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200 Linux and related software. |
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201 |
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202 } |
324 | 203 |
204 \newpage | |
205 | |
206 % Dedication page. | |
282
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207 |
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208 \vspace*{\fill} |
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209 |
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210 \begin{center} |
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211 {\Large to Jane} \\ |
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212 {\large \emph{for the music, and the dance}} |
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213 \end{center} |
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214 |
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215 \vspace*{\fill} |
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216 |
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217 \newpage |
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218 |
324 | 219 % ----- Here we go with numbered frontmatter pages. |
266
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220 |
282
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221 \pagenumbering{roman} |
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222 |
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223 \chapter{Introduction} |
266
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224 |
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225 Music forms a core part of Cry Havoc Botley Morris. Of course, the |
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226 musicians provide the music we dance to. And after every practice or |
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227 dance-out, there is a music-playing session. |
268
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228 |
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229 Havoc musicians come in all shades of experience and ability. |
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230 This collection is intended to help those like me who are inexpert with |
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231 instrument and folk music generally, but have a little musical background. |
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232 |
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233 Being folk tunes, many of the tunes herein have many variations. |
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234 The music presented here is my attempt at reflecting what the musicians |
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235 of Cry Havoc play. I'm in no way suggesting that they are |
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236 in any way \emph{correct}. This is just how we go about them. |
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237 |
282
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238 The majority of tunes in this book have no identifiable author, and |
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239 are unquestionably in the public domain. Rather than litter the |
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240 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed. |
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241 Some, however, may have an identifiable author or arranger and copyright |
282
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242 unquestionably remains with that person. I believe these tunes to |
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243 enjoy widespread currency on the folk music scene, and therefore there |
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244 is at least tacit approval by the authors for their dissemination. |
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245 If this is not the case, please contact me at |
327
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246 \href{mailto:dottes@cryhavoc.org.uk}{\url{dottes@cryhavoc.org.uk}} and I will |
266
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247 remove the offending tune. |
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248 |
784 | 249 Finally, many, many thanks to all who have helped me with this project, |
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250 in particular fellow Havocs KateK, Nerys, MickP, Susie and Ed. And most |
784 | 251 especially to Jane, without whose enthusiasm, support and encouragement |
252 this would never have been possible. | |
253 | |
324 | 254 \section{About Cry Havoc} |
255 | |
256 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford. | |
257 We practice between September and April on Thursday evenings at the | |
258 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and | |
259 dance out in the summer months at locations around Oxfordshire. | |
260 | |
261 Find out more at \url{http://www.cryhavoc.org.uk/}, or email | |
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262 \href{mailto:bag@cryhavoc.org.uk}{\url{bag@cryhavoc.org.uk}} for more |
324 | 263 information. Would-be dancers or musicians always welcome. |
264 | |
265 The Booke of Dottes was first produced to mark Cry Havoc's 20th | |
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266 anniversary in 2013, and substantially updated for our 25th anniversary |
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267 in 2018. |
324 | 268 |
269 % ----- | |
270 | |
271 \tableofcontents | |
268
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272 |
957
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273 \newcounter{lastfrontmatterpage} |
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274 \setcounter{lastfrontmatterpage}{\value{page}} |
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275 |
266
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276 % ----- |
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277 |
269
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278 \mainmatter |
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279 |
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280 \input{tunes.tex} |
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281 |
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282 % ----- |
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283 |
282
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284 \chapter{List of tune first lines} |
266
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285 |
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286 You know the feeling. Everyone has just launched into a well-loved tune. |
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287 You've heard it before, but don't remember the name. So here's a list of |
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288 tune first lines to help you figure out what it is in time to join in. |
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289 |
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290 \input{firstlines.tex} |
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291 |
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292 % ----- Back cover page. A plain purple page. |
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293 |
294
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294 \backmatter |
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295 |
334
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296 \input{docend.tex} |
266
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297 |
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298 \end{document} |