Mercurial > dottes
annotate dottes.tex @ 1060:9c32705abe0c
Added tag build-default-384 for changeset aec1a8325c51
author | Jenkins Build Manager <jenkins@cryhavoc.org.uk> |
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date | Tue, 16 Mar 2021 19:51:50 +0000 |
parents | 2f6f571a6181 |
children | 663d0bf36c67 |
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1 \input{docclass.tex} |
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2 |
315 | 3 \usepackage{array} |
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4 \usepackage{calc} |
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5 \usepackage{caption} |
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6 \usepackage{color} |
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7 \usepackage{fontspec} |
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8 \usepackage{graphicx} |
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9 \usepackage{fancyhdr} |
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10 \usepackage{ifthen} |
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11 \usepackage{metalogo} |
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12 \usepackage[defaultlines=4,all]{nowidow} |
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13 \usepackage{tabularx} |
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14 \usepackage{longtable} |
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15 \usepackage{needspace} |
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16 \usepackage[UKenglish]{babel} |
317 | 17 \usepackage[UKenglish]{isodate} |
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18 |
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19 % Non-indented paragraphs with space between them. |
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20 \usepackage{parskip} |
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21 |
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22 % 2 column table of contents. |
266
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23 \usepackage[toc]{multitoc} |
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24 |
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25 \usepackage{hyperref} |
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26 \hypersetup{ |
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27 colorlinks=true,% |
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28 citecolor=black,% |
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29 filecolor=black,% |
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30 linkcolor=black,% |
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31 urlcolor=black |
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32 } |
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33 |
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34 % ----- Common variables |
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35 |
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36 \newcommand{\build}{\input{buildno.txt}} |
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37 \newcommand{\instrument}{\input{instrument.txt}} |
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38 |
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39 % Havoc purple is #9900cc. |
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40 \definecolor{havocpurple}{rgb}{0.597,0,0.797} |
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41 |
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42 % ----- Macros |
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43 |
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44 \makeatletter |
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45 \def\ifemptyarg#1{% |
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46 \if\relax\detokenize{#1}\relax % H. Oberdiek |
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47 \expandafter\@firstoftwo |
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48 \else |
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49 \expandafter\@secondoftwo |
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50 \fi} |
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51 \makeatother |
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52 |
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53 % Replace \mainmatter with one that does a \clearpage |
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54 % not a \cleardoublepage. |
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55 \makeatletter |
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56 \renewcommand\mainmatter{% |
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57 \clearpage |
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58 \@mainmattertrue |
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59 \pagenumbering{arabic}} |
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60 \makeatother |
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61 |
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62 % Show the main tune graphic and optional change. |
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63 % Args are: |
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64 % 1. Tune name |
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65 % 2. Tune title |
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66 % 3. Tune subtitle |
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67 % 4. Tune full title |
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68 % 5. Tune tradition |
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69 % 6. Tune composer |
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70 % 7. Tune parts |
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71 % 8. Tune graphic filename |
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72 \newcommand{\showtune}[8]{% |
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73 \phantomsection |
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74 \begin{tabularx}{\textwidth}{LCR} |
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75 #7 & \hypertarget{#1}{\Large{#2}} & \emph{#6} \tabularnewline |
329 | 76 \ifemptyarg{#3}{}{% |
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77 & #3 & \tabularnewline |
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78 } |
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79 \multicolumn{3}{c}{% |
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80 \includegraphics[width=\textwidth,height=0.8\textheight,keepaspectratio]{#8}% |
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81 }\tabularnewline |
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82 \end{tabularx} |
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83 \addcontentsline{toc}{section}{#4} |
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84 } |
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85 |
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86 % Show the tune first line. Generate table row. |
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87 % Args are the tune name, tune title and the first line graphic filename. |
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88 \newcommand{\showfirstline}[3]{% |
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89 \hyperlink{#1}{#2} & % |
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90 \raisebox{-.4\height}{\includegraphics[width=0.77\textwidth]{#3}} \\ |
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91 } |
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92 |
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93 % Show the section graphic. |
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94 % Args are the graphic filename. |
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95 \newcommand{\showsectiongraphic}[2]{% |
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96 \begin{figure}[h!] |
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97 \begin{center} |
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98 \includegraphics[height=0.60\textheight,keepaspectratio]{#1} |
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99 \end{center} |
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100 \ifemptyarg{#2}{}{\caption*{#2}} |
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101 \end{figure} |
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102 } |
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103 |
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104 % Add blank pages to make total page count up to a multiple |
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105 % Args are: |
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106 % 1. Multiple desired |
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107 % 2. Pages before start of current page count |
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108 \newcounter{modpage} |
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109 \newcounter{modpageno} |
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110 \newcounter{modpagenodiv} |
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111 \newcommand{\padpages}[2]{% |
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112 \pagestyle{empty}% |
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113 \setcounter{modpageno}{\thepage + #2}% |
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114 \setcounter{modpagenodiv}{\themodpageno/#1}% |
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115 \setcounter{modpage}{\themodpageno - #1*\themodpagenodiv}% |
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116 \ifthenelse{\themodpage=0}% |
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117 {\relax}% |
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118 {\setcounter{modpage}{#1 - \themodpage}% |
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119 \whiledo{\themodpage>0}{% |
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120 \mbox{}\clearpage\mbox{}% |
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121 \setcounter{modpage}{\themodpage - 1}% |
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122 }% end whiledo |
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123 }% end ifthenelse |
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124 }% end padpages |
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125 |
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126 % ----- Paper size document setup |
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127 |
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128 \input{docsetup.tex} |
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129 |
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130 % ----- Appearance |
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131 |
324 | 132 % Lettering in the tune images is in Times, so go with that for consistency. |
266
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133 \setmainfont{Times New Roman} |
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134 |
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135 % Don't show section numbers. |
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136 \setcounter{secnumdepth}{-1} |
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137 |
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138 % ----- |
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139 |
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140 \begin{document} |
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141 |
324 | 142 % ----- Headers and footers |
143 | |
144 \pagestyle{fancyplain} | |
145 \fancyhf{} | |
146 \cfoot{\thepage} | |
147 \renewcommand{\headrulewidth}{0pt} | |
148 | |
334
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149 \pagestylemod |
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150 |
269
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151 \frontmatter |
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152 |
324 | 153 % No page numbering for now, thanks. |
154 \pagenumbering{gobble} | |
155 | |
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156 % ----- Title page |
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157 |
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158 \newgeometry{margin=0.5in} |
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159 \begin{titlepage} |
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160 \titleBoD |
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161 \end{titlepage} |
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162 \restoregeometry |
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163 |
324 | 164 % ----- First inside pages. No page numbering here, thanks. |
165 | |
166 % Publisher info page. | |
167 \vspace*{\fill} | |
168 | |
325
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169 {\small \raggedright |
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170 |
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171 \textbf{Ye Crie Havoc Booke of Dottes} |
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172 |
1024 | 173 Tune collection and presentation is copyright \copyright{} Jim Hague 2013-2020 |
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174 and is licensed under a Creative Commons |
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175 Attribution-NonCommercial-ShareAlike 2.0 UK: England \& Wales License. |
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176 Details at \url{http://creativecommons.org/licenses/by-nc-sa/2.0/uk/}. |
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177 |
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178 Some tunes are reproduced from Paul Hardy's Session Tunebook |
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179 (\url{www.paulhardy.net}). |
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180 |
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181 The right of Jim Hague to be identified as the author of this work has been |
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182 asserted by him in accordance with the Copyright, Designs and Patents Act 1998. |
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183 |
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184 First published in the UK 2013 by Jim Hague.\\ |
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185 Second printed edition 2019. |
324 | 186 |
187 The Booke of Dottes is a constant work in progress. The latest version | |
188 is always available from \url{http://dottes.cryhavoc.org.uk/}. | |
325
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189 This is issue \build, generated \today. |
324 | 190 |
325
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191 \textbf{Technical data} |
324 | 192 |
325
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193 Book sources can be found at in a Mercurial |
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194 (\url{https://www.mercurial-scm.org/}) repository at |
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195 \url{http://hg.cryhavoc.org.uk/dottes/}. Tunes are |
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196 in Chris Walshaw's abc notation (\url{http://abcnotation.com/}). |
325
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197 |
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198 Music typeset by Jef Moine's abcm2ps (\url{http://moinejf.free.fr/}). |
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199 Document typeset by {\LaTeX} using {\XeLaTeX} from {\TeX} Live on |
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200 a Debian Linux system. |
325
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201 Grateful thanks to all contributors to abc, {\LaTeX}, Debian, |
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202 Linux and related software. |
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203 |
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204 } |
324 | 205 |
206 \newpage | |
207 | |
208 % Dedication page. | |
282
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209 |
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210 \vspace*{\fill} |
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211 |
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212 \begin{center} |
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213 {\Large to Jane} \\ |
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214 {\large \emph{for the music, and the dance}} |
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215 \end{center} |
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216 |
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217 \vspace*{\fill} |
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218 |
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219 \newpage |
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220 |
324 | 221 % ----- Here we go with numbered frontmatter pages. |
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222 |
282
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223 \pagenumbering{roman} |
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224 |
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225 \chapter{Introduction} |
266
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226 |
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227 Music forms a core part of Cry Havoc Botley Morris. Of course, the |
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228 musicians provide the music we dance to. And after every practice or |
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229 dance-out, there is a music-playing session. |
268
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230 |
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231 Havoc musicians come in all shades of experience and ability. |
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232 This collection is intended to help those like me who are inexpert with |
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233 instrument and folk music generally, but have a little musical background. |
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234 |
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235 Being folk tunes, many of the tunes herein have many variations. |
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236 The music presented here is my attempt at reflecting what the musicians |
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237 of Cry Havoc play. I'm in no way suggesting that they are |
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238 in any way \emph{correct}. This is just how we go about them. |
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239 |
282
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240 The majority of tunes in this book have no identifiable author, and |
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241 are unquestionably in the public domain. Rather than litter the |
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242 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed. |
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243 Some, however, may have an identifiable author or arranger and copyright |
282
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244 unquestionably remains with that person. I believe these tunes to |
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245 enjoy widespread currency on the folk music scene, and therefore there |
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246 is at least tacit approval by the authors for their dissemination. |
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247 If this is not the case, please contact me at |
327
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248 \href{mailto:dottes@cryhavoc.org.uk}{\url{dottes@cryhavoc.org.uk}} and I will |
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249 remove the offending tune. |
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250 |
978 | 251 This book has an accompanying website, {\url{http://dottes.cryhavoc.org.uk}}. |
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252 It's updated from time to time with the latest tunes we're playing. |
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253 As well as the written music (the dots), you can listen to the computer play |
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254 each tune and its chords, or download the audio or the dots. |
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255 For those who want to learn by ear, there's |
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256 a page for each tune with the computer playing the melody only, at |
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257 four different speeds. You can also download the latest version of |
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258 the various print books, formatted for A4 or A5 size paper, to print at home. |
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259 |
784 | 260 Finally, many, many thanks to all who have helped me with this project, |
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261 in particular fellow Havocs KateK, Nerys, MickP, Susie and Ed. And most |
784 | 262 especially to Jane, without whose enthusiasm, support and encouragement |
263 this would never have been possible. | |
264 | |
324 | 265 \section{About Cry Havoc} |
266 | |
267 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford. | |
268 We practice between September and April on Thursday evenings at the | |
269 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and | |
270 dance out in the summer months at locations around Oxfordshire. | |
271 | |
272 Find out more at \url{http://www.cryhavoc.org.uk/}, or email | |
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273 \href{mailto:bag@cryhavoc.org.uk}{\url{bag@cryhavoc.org.uk}} for more |
324 | 274 information. Would-be dancers or musicians always welcome. |
275 | |
276 The Booke of Dottes was first produced to mark Cry Havoc's 20th | |
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277 anniversary in 2013, and substantially updated for our 25th anniversary |
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278 in 2018. |
324 | 279 |
280 % ----- | |
281 | |
282 \tableofcontents | |
268
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283 |
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284 \newcounter{lastfrontmatterpage} |
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285 \setcounter{lastfrontmatterpage}{\value{page}} |
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286 |
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287 % ----- |
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288 |
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289 \mainmatter |
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290 |
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291 \input{tunes.tex} |
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292 |
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293 % ----- |
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294 |
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295 \chapter{List of tune first lines} |
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296 |
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297 You know the feeling. Everyone has just launched into a well-loved tune. |
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298 You've heard it before, but don't remember the name. So here's a list of |
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299 tune first lines to help you figure out what it is in time to join in. |
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300 |
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301 \input{firstlines.tex} |
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302 |
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303 % ----- Back cover page, notes page etc. |
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304 |
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305 \backmatter |
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306 |
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307 \input{docend.tex} |
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308 |
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309 \end{document} |