Mercurial > dottes
annotate dottes.tex @ 324:c1c7e993a180
Revise printed Booke.
Introduce vestigial copyright page and move instroduction before the contents,
so on A4 it appears on the verso to the content recto. Tunes then start double
page spread on the next page.
Add a \cleardoublepage before the index of first lines to force that to start on
a new double page. This minimises the page turning necessary to see all the index
lines.
author | Jim Hague <jim.hague@acm.org> |
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date | Sat, 20 Jul 2013 20:40:02 +0100 |
parents | 1a240d1e2032 |
children | 21615733c3f3 |
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1 \input{docclass.tex} |
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315 | 3 \usepackage{array} |
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4 \usepackage{color} |
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5 \usepackage{fontspec} |
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6 \usepackage[margin=0.75in]{geometry} |
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7 \usepackage{graphicx} |
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8 \usepackage{fancyhdr} |
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9 \usepackage{longtable} |
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10 \usepackage[UKenglish]{babel} |
317 | 11 \usepackage[UKenglish]{isodate} |
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12 |
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13 % Non-indented paragraphs with space between them. |
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14 \usepackage{parskip} |
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15 |
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16 % 2 column table of contents. |
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17 \usepackage[toc]{multitoc} |
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18 |
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19 \usepackage{hyperref} |
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20 \hypersetup{ |
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21 bookmarks=true,% |
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22 colorlinks=true,% |
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23 citecolor=black,% |
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24 filecolor=black,% |
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25 linkcolor=black,% |
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26 urlcolor=black |
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27 } |
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28 |
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29 % ----- Common variables |
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30 |
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31 \newcommand{\build}{\input{buildno.txt}} |
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32 \newcommand{\instrument}{\input{instrument.txt}} |
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33 |
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34 % Havoc purple is #9900cc. |
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35 \definecolor{havocpurple}{rgb}{0.597,0,0.797} |
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36 |
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37 % ----- Macros |
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38 |
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39 \makeatletter |
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40 \def\ifemptyarg#1{% |
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41 \if\relax\detokenize{#1}\relax % H. Oberdiek |
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42 \expandafter\@firstoftwo |
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43 \else |
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44 \expandafter\@secondoftwo |
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45 \fi} |
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46 \makeatother |
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47 |
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48 % Show the main tune graphic and optional change. |
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49 % Args are tune name, tune title, tune subtitle, composer, tune graphic |
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50 % filename, change name, change title. |
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51 \newcommand{\showtune}[7]{% |
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52 \vfill |
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53 \begin{center} |
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54 \phantomsection |
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55 \begin{tabular*}{\textwidth}{@{} p{0.25\textwidth} @{\extracolsep{\fill}} c >{\raggedleft\arraybackslash}p{0.25\textwidth} @{}} |
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56 & \Large{#2} & \emph{#4} \\ |
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57 \ifemptyarg{#3}{}{% |
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58 & #3 & \\ |
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59 }% |
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60 \end{tabular*} |
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61 \hypertarget{#1}{% |
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62 \includegraphics[width=\textwidth,height=0.85\textheight,keepaspectratio]{#5} |
312
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63 } |
323
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64 \addcontentsline{toc}{section}{#2} |
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65 \end{center} |
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66 \ifemptyarg{#6}{}{% |
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67 Change: \hyperlink{#6}{#7} |
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68 }% |
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69 } |
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70 |
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71 % Show the tune first line. Generate table row. |
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72 % Args are the tune name, tune title and the first line graphic filename. |
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73 \newcommand{\showfirstline}[3]{% |
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74 \hyperlink{#1}{#2} & % |
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75 \raisebox{-.4\height}{\includegraphics[width=0.77\textwidth]{#3}} \\ |
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76 } |
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77 |
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78 % ----- Paper size document setup |
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79 |
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80 \input{docsetup.tex} |
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81 |
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82 % ----- Appearance |
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83 |
324 | 84 % Lettering in the tune images is in Times, so go with that for consistency. |
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85 \setmainfont{Times New Roman} |
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86 |
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87 % Don't show section numbers. |
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88 \setcounter{secnumdepth}{-1} |
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89 |
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90 % ----- |
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91 |
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92 \begin{document} |
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93 |
324 | 94 % ----- Headers and footers |
95 | |
96 \pagestyle{fancyplain} | |
97 \fancyhf{} | |
98 \cfoot{\thepage} | |
99 \renewcommand{\headrulewidth}{0pt} | |
100 | |
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101 \frontmatter |
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102 |
324 | 103 % No page numbering for now, thanks. |
104 \pagenumbering{gobble} | |
105 | |
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106 % ----- Title page |
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107 |
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108 \newgeometry{margin=0.5in} |
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109 \begin{titlepage} |
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110 \pagecolor{havocpurple} |
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111 \titleBoD |
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112 \end{titlepage} |
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113 \restoregeometry |
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114 |
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115 \pagecolor{white} |
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116 |
324 | 117 % ----- First inside pages. No page numbering here, thanks. |
118 | |
119 % Publisher info page. | |
120 \vspace*{\fill} | |
121 | |
122 Issue \build, generated \today. | |
123 | |
124 The Booke of Dottes is a constant work in progress. The latest version | |
125 is always available from \url{http://dottes.cryhavoc.org.uk/}. | |
126 | |
127 \vspace*{\fill} | |
128 | |
129 Music typeset by abcm2ps. Document typeset by {\LaTeX} in 12 point | |
130 Times New Roman. | |
131 | |
132 \newpage | |
133 | |
134 % Dedication page. | |
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135 |
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136 \vspace*{\fill} |
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137 |
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138 \begin{center} |
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139 {\Large to Jane} \\ |
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140 {\large \emph{for the music, and the dance}} |
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141 \end{center} |
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142 |
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143 \vspace*{\fill} |
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144 |
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145 \newpage |
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146 |
324 | 147 % ----- Here we go with numbered frontmatter pages. |
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148 |
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149 \pagenumbering{roman} |
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150 |
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151 \chapter{Introduction} |
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152 |
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153 Music forms a core part of Cry Havoc Botley Morris. Of course, the |
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154 musicians provide the music we dance to. And after every practice or |
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155 dance-out, there is a music-playing session. |
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156 |
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157 Havoc musicians come in all shades of experience and ability. |
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158 This collection is intended to help those like me who are inexpert with |
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159 instrument and folk music generally, but have a little musical background. |
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160 |
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161 \input{intro.txt} |
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162 |
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163 Being folk tunes, many of the tunes herein have many variations. |
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164 The music presented here is my attempt at reflecting what the musicians |
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165 of Cry Havoc play. I'm in no way suggesting that they are |
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166 in any way \emph{correct}. This is just how we go about them. |
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167 |
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168 The majority of tunes in this book have no identifiable author, and |
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169 are unquestionably in the public domain. Rather than litter the |
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170 pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed. |
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171 Some, however, have an identifiable author or arranger and copyright |
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172 unquestionably remains with that person. I believe these tunes to |
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173 enjoy widespread currency on the folk music scene, and therefore there |
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174 is at least tacit approval by the authors for their dissemination. |
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175 If this is not the case, please contact me at |
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176 \href{mailto:dottes@cryhavoc.org.uk}{\texttt{dottes@cryhavoc.org.uk}} and I will |
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177 remove the offending tune. |
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178 |
324 | 179 \section{About Cry Havoc} |
180 | |
181 Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford. | |
182 We practice between September and April on Thursday evenings at the | |
183 Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and | |
184 dance out in the summer months at locations around Oxfordshire. | |
185 | |
186 Find out more at \url{http://www.cryhavoc.org.uk/}, or email | |
187 \href{mailto:bag@cryhavoc.org.uk}{\texttt{bag@cryhavoc.org.uk}} for more | |
188 information. Would-be dancers or musicians always welcome. | |
189 | |
190 The Booke of Dottes was first produced to mark Cry Havoc's 20th | |
191 anniversary in 2013. | |
192 | |
193 % ----- | |
194 | |
195 \tableofcontents | |
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196 |
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197 % ----- |
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198 |
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199 \mainmatter |
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200 |
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201 \addcontentsline{toc}{chapter}{Tunes} |
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202 |
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203 \input{tunes.tex} |
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204 |
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205 % ----- |
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206 |
324 | 207 \cleardoublepage |
208 | |
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209 \chapter{List of tune first lines} |
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210 |
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211 You know the feeling. Everyone has just launched into a well-loved tune. |
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212 You've heard it before, but don't remember the name. So here's a list of |
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213 tune first lines to help you figure out what it is in time to join in. |
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214 |
315 | 215 {\renewcommand{\arraystretch}{2.5} |
216 \setlength\LTleft{0pt} | |
306 | 217 \setlength\LTright{\fill} |
315 | 218 \begin{longtable}{@{}>{\raggedright\arraybackslash}m{0.2\textwidth}r@{}} |
266
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219 \input{firstlines.tex} |
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220 \end{longtable} |
315 | 221 } |
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222 |
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223 % ----- Back cover page. A plain purple page. |
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224 |
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225 \backmatter |
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226 |
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227 \pagecolor{havocpurple} |
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228 \thispagestyle{empty} |
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229 \mbox{} |
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230 |
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231 \end{document} |