Mercurial > dottes
annotate web/index.html @ 1040:e6587dc18509
Add Beginners section to main website front page.
| author | Jim Hague <jim.hague@acm.org> | 
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| date | Wed, 19 Feb 2020 14:25:24 +0000 | 
| parents | ce13e23259b1 | 
| children | 50505835a244 | 
| rev | line source | 
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1 <!DOCTYPE html> | 
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2 <html lang="en"> | 
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3 <head> | 
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4 <meta charset="utf-8" /> | 
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5 <meta name="viewport" content="width=device-width, initial-scale=1.0"> | 
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6 <title>Ye Crie Havock Booke of Dottes</title> | 
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7 <link rel="stylesheet" href="css/dottes.css" /> | 
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8 | 
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9 <link href='http://fonts.googleapis.com/css?family=Pirata+One|Open+Sans' | 
| 195 | 10 rel='stylesheet' type='text/css'> | 
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11 </head> | 
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12 <body> | 
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13 <div class="container"> | 
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14 <a href="/"> | 
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15 <div class="header-strip banner"> | 
| 628 | 16 <img src="img/banner.png"> | 
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17 </div> | 
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18 </a> | 
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19 | 
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20 <div class="dottes-body"> | 
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21 <h1>The music of Cry Havoc, a reference.</h1> | 
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22 <p>Music forms a core part of Cry Havoc Botley Morris. Of course, the | 
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23 musicians provide the music we dance to. And after every practice or | 
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24 dance-out, there is a music-playing session. | 
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25 <p>Havoc musicians come in all shades of experience and ability. | 
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26 This collection is intended to help those like me who are inexpert with | 
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27 instrument and folk music generally.</p> | 
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28 <p>Being folk tunes, many of the tunes herein have many variations. | 
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29 The music presented here is my attempt at reflecting what is actually | 
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30 played at Havoc sessions. I'm in no way suggesting that they are | 
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31 in any way <em>correct</em>. This is just how we go about them.</p> | 
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32 <p>The tunes we play tend to vary over time. So this collection is | 
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33 not static, but will change over time. Lesser used tunes, or simply | 
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34 tunes that I like but are not in general Havoc currency, are in | 
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35 the Library collection.</p> | 
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36 <p>The majority of tunes here have no identifiable author, and | 
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37 are unquestionably in the public domain. Rather than litter the | 
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38 pages with <em>Trad.</em> or <em>Anon.</em>, I have left them | 
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39 unattributed. Some, however, have an identifiable author or | 
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40 arranger and copyright unquestionably remains with that person. | 
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41 I believe these tunes to enjoy widespread currency on the folk | 
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42 music scene, and therefore there is at least tacit approval by | 
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43 the authors for their dissemination. If this is not the case, | 
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44 please contact me at the address below and I will remove the | 
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45 offending tune.</p> | 
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46 <div class="dottes-transpose-container"> | 
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47 <div class="dottes-transpose-instrument"> | 
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48 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> | 
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49 <h1>Tunes</h1> | 
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50 </div> | 
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51 <div class="dottes-transpose-instrument-item dottes-transpose-how"> | 
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52 <p>The tunes are separated into tune collections. | 
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53 </div> | 
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54 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> | 
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55 <ul class="tune-type-list"> | 
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56 <li><a href="Morris">Morris</a></li> | 
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57 <li><a href="Session">Session</a></li> | 
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58 <li><a href="Beginners">Beginners</a></li> | 
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59 <li><a href="Library">Library</a></li> | 
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60 </ul> | 
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61 </div> | 
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62 </div> | 
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63 </div> | 
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64 </div> | 
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65 | 
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66 <div class="dottes-body"> | 
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67 <h1>But my instrument isn't suited for treble clef concert pitch!</h1> | 
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68 <p>Of course, not all instruments are suited to playing music written | 
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69 in concert pitch in the treble clef.</p> | 
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70 <p>To help those with such instruments get started, I've done some | 
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71 simple transpositions for requested instruments. These are | 
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72 <strong>not</strong> proper arrangements; I lack the time and the | 
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73 knowledge or ability to do that. Instead, they are automatically | 
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74 generated from the concert pitch originals using a typically very | 
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75 simple method. | 
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76 <p>I hope you find them useful.</p> | 
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77 | 
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78 <div class="dottes-transpose-container"> | 
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79 <div class="dottes-transpose-instrument"> | 
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80 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> | 
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81 <h1>Cello</h1> | 
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82 </div> | 
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83 <div class="dottes-transpose-instrument-item dottes-transpose-how"> | 
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84 <p>Transpose down one or two octaves depending on the range in the | 
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85 tune, and use the bass clef.</p> | 
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86 </div> | 
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87 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> | 
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88 <ul class="tune-type-list"> | 
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89 <li><a href="Morris-Cello">Morris</a></li> | 
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90 <li><a href="Session-Cello">Session</a></li> | 
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91 <li><a href="Beginners-Cello">Beginners</a></li> | 
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92 <li><a href="Library-Cello">Library</a></li> | 
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93 </ul> | 
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94 </div> | 
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95 </div> | 
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96 </div> | 
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97 <div class="dottes-transpose-container"> | 
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98 <div class="dottes-transpose-instrument"> | 
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99 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> | 
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100 <h1>Horn in F</h1> | 
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101 </div> | 
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102 <div class="dottes-transpose-instrument-item dottes-transpose-how"> | 
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103 <p>Transpose up a fifth, or down a seventh depending on the | 
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104 range in the tune. To avoid scaring less able horn players such | 
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105 as myself, the transposed score will prefer going below middle C | 
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106 to going above the top G on the stave. Able horn players | 
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107 can transpose in their heads anyway, so don't need this.</p> | 
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216
 
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108 </div> | 
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109 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> | 
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110 <ul class="tune-type-list"> | 
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111 <li><a href="Morris-HornInF">Morris</a></li> | 
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112 <li><a href="Session-HornInF">Session</a></li> | 
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113 <li><a href="Beginners-HornInF">Beginners</a></li> | 
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114 <li><a href="Library-HornInF">Library</a></li> | 
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115 </ul> | 
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116 </div> | 
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117 </div> | 
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118 </div> | 
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119 <div class="dottes-transpose-container"> | 
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120 <div class="dottes-transpose-instrument"> | 
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121 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> | 
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122 <h1>Alto recorder using C fingering</h1> | 
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123 </div> | 
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124 <div class="dottes-transpose-instrument-item dottes-transpose-how"> | 
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125 <p>Transpose down a fifth, or up a seventh depending on the | 
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126 range in the tune. This allows players familiar with the | 
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127 descant recorder to use the fingering they already know | 
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128 when playing the alto recorder, rather than having to | 
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129 learn F fingering.</p> | 
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130 </div> | 
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131 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> | 
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132 <ul class="tune-type-list"> | 
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133 <li><a href="Morris-AltoRecorderCFingering">Morris</a></li> | 
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134 <li><a href="Session-AltoRecorderCFingering">Session</a></li> | 
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135 <li><a href="Beginners-AltoRecorderCFingering">Beginners</a></li> | 
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136 <li><a href="Library-AltoRecorderCFingering">Library</a></li> | 
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137 </ul> | 
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138 </div> | 
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139 </div> | 
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140 </div> | 
| 1019 | 141 <div class="dottes-transpose-container"> | 
| 142 <div class="dottes-transpose-instrument"> | |
| 143 <div class="dottes-transpose-instrument-item dottes-transpose-instrument-name"> | |
| 144 <h1>Alto saxophone</h1> | |
| 145 </div> | |
| 146 <div class="dottes-transpose-instrument-item dottes-transpose-how"> | |
| 147 <p>Transpose down a third. As with horns, good sax players | |
| 148 can do this in their heads anyway.</p> | |
| 149 </div> | |
| 150 <div class="dottes-transpose-instrument-item dottes-transpose-tune-types"> | |
| 151 <ul class="tune-type-list"> | |
| 152 <li><a href="Morris-AltoSax">Morris</a></li> | |
| 153 <li><a href="Session-AltoSax">Session</a></li> | |
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154 <li><a href="Beginners-AltoSax">Beginners</a></li> | 
| 1019 | 155 <li><a href="Library-AltoSax">Library</a></li> | 
| 156 </ul> | |
| 157 </div> | |
| 158 </div> | |
| 159 </div> | |
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192
 
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160 </div> | 
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161 | 
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162 <div class="dottes-body"> | 
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233
 
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163 <h1>Who is responsible for this?</h1> | 
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164 <p>Found a mistake, missing a tune or just want something changed? | 
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165 Email Jim at <a href="mailto:dottes@cryhavoc.org.uk"> | 
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166 dottes@cryhavoc.org.uk</a>.</p> | 
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167 </div> | 
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168 | 
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169 <div class="dottes-body"> | 
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170 <h1>Acknowledgements</h1> | 
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171 <p>A few tunes here are from <a href="http://www.paulhardy.net/"> | 
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172 Paul Hardy's Session Tunebook</a>. Many thanks to Paul for | 
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173 licensing it under permissive terms. I have followed his lead | 
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174 and used the same <a href="#licencing">licence</a> for the | 
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175 Booke of Dottes.</p> | 
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176 <p>One icon on this website is courtesy | 
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177 of <a href="www.creativefreedom.co.uk">Creative Freedom</a>. | 
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178 Thanks to them.</p> | 
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179 <p>Above all, profuse and grateful thanks to all my fellow | 
| 928 | 180 Havocs, notably MickP, Nerys, KateK, Susie and Ed, and most especially | 
| 784 | 181 to Jane. They have supplied the tunes, | 
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182 checked the renditions, and offered corrections and suggestions. | 
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183 Without them, this project couldn't have happened.</p> | 
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184 </div> | 
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185 | 
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186 <div class="dottes-body"> | 
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187 <h1>Geek zone</h1> | 
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188 <p>All sources for the Booke can be found at in a | 
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189 <a href="https://www.mercurial-scm.org">Mercurial</a> | 
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190 repository at <a href="http://hg.cryhavoc.org.uk/dottes"> | 
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191 http://hg.cryhavoc.org.uk/dottes</a>. Tunes are in | 
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192 Chris Walshaw's <a href="http://abcnotation.com">abc notation</a>.</p> | 
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193 <p>The music scores are typeset by Jef Moine's | 
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194 <a href="http://moinejf.free.fr/">abcm2ps</a>. Music samples | 
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195 are generated with <a href="http://abc.sourceforge.net/abcMIDI/"> | 
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196 abcMIDI</a> and <a href="https://sourceforge.net/projects/timidity/"> | 
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197 TiMidity++</a>.</p> | 
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198 <p>The printed documents are typeset with | 
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199 <a href="https://www.latex-project.org/"> | 
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200 <span class="latex">L<sup>A</sup>T<sub>E</sub>X</span></a> | 
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201 using <a href="http://xetex.sourceforge.net/"> | 
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202 <span class="xetex">X<sub>Ǝ</sub>L<sub>A</sub>T<sub>E</sub>X</span></a> | 
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203 from <a href="https://www.tug.org/texlive/"> | 
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204 <span class="latex">T<sub>E</sub>X</span> Live</a> | 
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205 on a <a href="https://www.debian.org/">Debian Linux</a> system. | 
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206 Grateful thanks to all contributors to abc, | 
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207 <span class="latex">L<sup>A</sup>T<sub>E</sub>X</span>, | 
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208 Debian, Linux and related software.</p> | 
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209 </div> | 
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210 | 
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211 <div class="dottes-body"> | 
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212 <p> | 
| 257 | 213 <a rel="license" | 
| 214 href="http://creativecommons.org/licenses/by-sa/2.0/uk/deed.en_US"> | |
| 215 <img alt="Creative Commons License" style="border-width:0" | |
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216 src="http://i.creativecommons.org/l/by-nc-sa/2.0/uk/88x31.png"/> | 
| 257 | 217 </a> | 
| 218 <br /> | |
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219 The collection of tunes that is | 
| 257 | 220 <span xmlns:dct="http://purl.org/dc/terms/" | 
| 221 property="dct:title">Ye Crie Havock Booke of Dottes</span> | |
| 222 by <a xmlns:cc="http://creativecommons.org/ns#" | |
| 223 href="dottes.cryhavoc.og.uk" property="cc:attributionName" | |
| 224 rel="cc:attributionURL">Jim Hague</a> | |
| 225 is licensed under a | |
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226 <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/2.0/uk/"> | 
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227 Creative Commons Attribution-NonCommercial-ShareAlike 2.0 UK: England & Wales | 
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228 License</a>. | 
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229 </p> | 
| 257 | 230 </div> | 
| 231 | |
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232 </div> | 
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233 </body> | 
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234 </html> | 
